NewColl44Cot2 [TXT]

X:0 T: A New Collection of Forty-four Cotillons C: Giovanni Andrea Gallini; ed. O: London c.1755 F:http://roaringjelly.org/~jc/music/book/Gallini/NewColl44Cot/NewColl44Cot2.abc 2024-11-27 203533 UT K: %%sep 5 5 400 %%center A %%center NEW COLLECTION %%center OF %%center Forty-four Cotillons, %%center With FIGURES properly adapted; %%center ALSO %%center The MUSIC for Six select DANCES, %%center Two of which may be used as Cotillons. %%sep 5 5 400 %%sep 5 5 400 %%center Printed for Giovanni Andrea Gallini; %%center And Sold by R. DODSLEY, in Pall-Mall; T. BECKET, %%center and P. A. De Hondt, in the Strand; J. Diswell, in St. %%center Martin's-Lane, near Charing-Cross; %%center AND %%center At Mr. BREMNER's Music Shop, opposite Somerset-House, in %%center the Strand. %%sep 2 1 500 %%sep 1 1 500 X:1 T: Les Fleurs Du Printems %R: jig Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #1 M: 6/8 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 A |\ e2e efd | c2c cdB | A2A ABG | A>EC A,2A |\ e2e efd | c2c cdB | A2A ABG | A2A A2 :| |: E |\ FAd FAd | GBe GBe | ded cdc | B2E E2E |\ FAd FAd | GBe GBe | cdc BAB | A2A A2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d z |\ A2a g2e | A2a e2E | f2c d2e | a2e A3 | A2a g2e | A2a e2E | f2c d2e | a>ec A2 :||: z | d6 | e6 | f2g a3 | e>BG E2z | d6 | e6 | a2A e2E | A2a A2 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center Les Fleurs Du Printems. %%text Le Grand Rond, - - - - 2/1 %%begintext align %% The first and third Gentlemen turn the %% opposite Ladies and change places, then the %% Second and Fourth Gentlemen do the same - 1/2 %%endtext %%begintext align %% All Eight hands cross half Round and turn %% Partners in their own Places. - - 1/2 %%endtext %%begintext align %% * The Figures explain how much Music %% belongs to each part of the Cotillon. The %% under Figure Denotes the Strain, and the upper %% Figure tells how often it is to be played. %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:2 T: L' Amour fidelle %R: march Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #2 M: 2/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 A>B |\ AdAG | {G}F2GF | EDCD | EA,A>B |\ AdAG | {G}F2GF | EDEC | D2 :| !segno!AA |\ BA dc | {c}B2 cA | ^GA Bc | {c}B2 ec |\ dc BA | dc {c}BA | ^GA c/B/A/^G/ | A2 || A>B |\ AdAG | {G}F2GF | EDCD | EA,A>B |\ AdAG | {G}F2GF | EDEC | HD2 !segno!y|] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d dd |\ d2d'a | dd'ba | gfed | A2dd | d2d'a | dd'ba | gfga | d2 :| !segno!cc | dcBA | eEAc | BA^GA | ed cA | fe dc | fe dc | BA eE | A2 || dd | d2d'a | fd'ba | gfed | A2dd | d2d'a | dd'ba | gfga | Hd2 !segno!y|] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center L'Amour Fidelle. %%begintext align %% Le Grand Rond - - - - - 2/1 %%endtext %%begintext align %% The Ladies Contretems Forward and turn to %% face their Partners, then all Eight Allemande - 1/2 %%endtext %%begintext align %% All half a Course, with the Rigaudon at every %% Place - - - - - - 1/3 %%endtext %%begintext align %% The Gentlemen Contretems Forward and %% turn to face their Ladies, then all Eight %% Allemande - - - - - - 1/2 %%endtext %%begintext align %% All half a Course with the Rigaudon at every %% place - - - - - - 1/3 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:3 T: La Bagatelle. %R: jig Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #3 M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 |:\ [B2D2G,2]B BcA | d2d def | gdc BAG | A2D DED |\ [B2D2G,2]B BcA | d2d def | gdc BcA | G2G G3 :| |:\ AG/F/E/D/ dAc | Bgf edc | B/c/dc BAG | F/G/AD D3 |\ AG/F/E/D/ dAc | Bgf edc | BcB ABA | G2G G3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d |:\ g3 d3 | B3 G2A | B3 e3 | d3 d3 | g3 d3 | B3 g2a | b2c' d'2d | g3 G3 :| |:\ d3 f3 | g3 z2z | G2A B2^c | d3 d3 | f3 f3 | g3 c'3 | d'3 d3 | g3 G3 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center La Bagatelle. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% The first and third Couple step Forward, %% go Round Back to Back, then to their places %% Allemande; while the Second and Fourth Couple %% Allemande, then Back to Back into their %% places - - - - - - 1/2 %%endtext %%begintext align %% All Eight Chasse up and down and %% Rigaudon - - - - 1/2 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:4 T: Les Quatre Nimphes. %R: reel Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #4 N: In bar 25, the f notes aren't sharped but obviously should be. Also, the c grace note in the last bar. M: 2/4 L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 defg |\ a2a2 defd | A4 Adcd | Adcd Agfa | e4 defg |\ a2a2 defd | A4 dcBA | Bcdg fdec | d4 :| |: ABcd |\ ecBA g2g2 | g2f2 gbeg | fadf eged | c2A2 Adce |\ dfeg Adce | dfeg Adce | dfeg fdec | d4 :|[K:Dm] "Mineur"\ fgef |\ dfeg fagb | a2d2 gafg | efde ^c2d2 | e2A2 fgef |\ dfeg fagb | a2d2 gafg | efde A2^c2 | d4 :| |: a2d2 |\ d_edc d_edc | B2G2 g2c2 | cdcB cdcB | A2F2 Ac=Bc |\ Tc2=B2 =Bd^cd | Td2^c2 fgeg | fedf e2^c2 | {c}d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d d2d'2 | c'2a2f2d2 | c2A2 f2e2 | f2d2c2d2 | agfe d2d'2 | c'2a2f2d2 | c2A2 f2d2 | g2fg a2A2 | d4 :||: a4 | A2B2c2A2 | d2D2 B2c2 | d2f2g2^g2 | a2=g2f2a2 | d2g2f2a2 | d2g2f2a2 | d2g2a2A2 | d4 :|[K:Dm] "Mineur"\ d2^c2 | d2A2 d2e2 | f4e2d2 | g2b2a2d2 | A4 d2^c2 | d2A2d2e2 | f4e2d2 | g2b2a2A2 | d4 :||: ^f4 | "^(#)"f4 f4 | g4 e4 | e4 e4 | f4 ^f4 | g4 ^g4 | a4 d'2^c'2 | d'2d2 a2A2 | d4 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center Les Quatre Nimphes. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% The first Lady and third Gengleman pass %% through the Second Couple to opposite places, %% while the first Gentleman and third Lady pass %% throuth the fourth Couple to opposite %% places - - - - - - 1/2 %%endtext %%begintext align %% Counter-part - - - 1/2 %%endtext %%center M I N E U R. %%begintext align %% The first and second Ladies Chass\'e Cross %% and Rigaudon, then back again, while the %% third and fourth Ladies do the same - 1/1 %%endtext %%begintext align %% Counter-part for the Gentlemen - - 1/1 %%endtext %%begintext align %% Each Couple Chass\'e to the Corner on their %% Right and Rigaudon, then Allemande - 1/2 %%endtext %%begintext align %% All Chass\'e to the Corner on their Right and %% Rigaudon, then Allemande to their own places 1/2 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:5 T: La Victoire %R: jig Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #5 M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 d |\ B2B AGF | [G2G,2][GG,] [G2G,2]d |\ B2B AGF | [G2G,2][GG,] [G2G,2]D |\ EGc EGc | FAd FAd | c2B A2G | A2D D2d | B2B AGF | [G2G,2][GG,] [G2G,2]d |\ B2B AGF | [G2G,2][GG,] [G2G,2]D |\ EGc EGc | FAd FAd | c2B AGF | G2G, HG,2 |] d |\ g2g gfe | a2a agf | efg fed | c2B A2a |\ faf eae | faf eae | fgf ed^c | d2d "_Da Capo"d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d z |\ g2b d'2d | g2G G2f | g3 d3 | g3 G2B | c3 c3 | d3 d3 | fg2 c2e | d3 def | g2b d'2d | g2g g2f | g3 d3 | g2b g2b | c'3 c3 | d3 d3 | efg c2d | g3 HG2 |] z | e3 ^c3 | f3 d3 | g3 ^g3 | a3 A3 | d3 ^c3 | d3 ^c3 | d3 A3 | d3 "^Da Capo"d2 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center La Victoire. %%begintext align %% Le Grand Rond. - - - 1/1 %%endtext %%begintext align %% The first and third Couple Contretems to the %% Right and Rigaudon, then turn Round four to %% their places - - - 1/2 %%endtext %%begintext align %% The four Ladies Contretems in the Attitude %% of Right hands cross and Rigaudon, then the %% four Gentlemen Contretems and inclose the %% Ladies by taking hold of each others hands, the %% Ladies go Round with their Right hands cross, %% while the Gentlemen go Round inclosing %% them - - - - 1/1 %%endtext %%begintext align %% Counter-part of the whole Figure %%endtext %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:6 T: L'aimable Jeunesse %R: reel Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #6 M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 |:\ D2FA d2f2 | {f2}[e6A6] g2 | fafd egec | d2AF D2z2 |\ D2FA d2f2 | {f2}[e6A6] d2 | cecA BdB^G | A4 A,4 :| |:\ a4 gfe^d | eBcB AGFE | g4 fedc | dABA GFED |\ BGBd cAce | dAdf eAeg | {g}f2ed fedc | d4 D4 :| |: [K:Dm]\ "Mineur"\ f4 gfed | {d2}^c6 d2 | e2 (ef/g/) fed^c | d2A2 d2e2 |\ f4 edc=B | e4 dc=BA | =B2 (Bc/d/) c=BA^G | A4 A4 :| |:\ a4 bag^f | {f2}g6 z2 | g4 agfe | {e2}f6 a2 |\ a4 gfed | b4 agfe | f2 (ef/g/) fed^c | d4 d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d |:\ d4 f2d2 | a2e2 c2A2 | d2f2 g2a2 | d4 D4 | d4 f2d2 | a2c'2 ^g2e2 | a2c2 d2e2 | a4 A4 :||: z2=c2 B2A2 | G4 z4 | z2B2 A2G2 | F4 z4 | G2g2 a2g2 | f2d2 c2A2 | d2F2 G2A2 | d4 D4 :||: [K:Dm] d2d'2 b2g2 | a2a2 g2f2 | g2e2 a2A2 | d4 z4 | d2d'2 z4 | c2c'2 z4 | d'2=b2 e'2e2 | a4 A4 :||: z2d2 d'2a2 | b2g2 B2G2 | z2c2 c'2g2 | a2f2 A2F2 | d2d'2 z4 | ^c2^c'2 z4 | d'2g2 a2A2 | d4 D4 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center L'Aimable Jeunesse. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% The first and third Gentlemen lead the %% Ladies on their Left to the opposite places, %% then half Right hand and Left - - 1/2 %%endtext %%begintext align %% Counter-part - - - 1/2 %%endtext %%center M I N E U R. %%begintext align %% The first and third Gentlemen cross their %% Ladies and pass through the Couple on their %% Right, while the Ladies pass through on the %% Left, then meet in their own places - 1/1 %%endtext %%begintext align %% The second and fourth Couple do the same 1/1 %%endtext %%begintext align %% Each Gentleman Allemande with the Lady %% on his Left, and then with his Partner - 1/2 %%endtext %%begintext align %% All Eight half a Course with the Passes of the %% Allemande - - - - 1/2 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:7 T: La Zone de Venus O: c.1755 %R: jig Z: 2014 John Chambers <jc:trillian.mit.edu> B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" #7 F: http://books.google.com/books?id=ipV0y26Vq8EC M: 6/8 L: 1/8 P: Rondeau K: A % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 |:\ c3 BAB | E2F E2A | E2A G2A | B3 BAB |\ c3 BAB | E2F E2A | Fdc B2A | HA6 :| [|\ e2a e2a | cde f3 | df2 df2 | Bcd e3 |\ ABA ABA | ABA GFE | ABA B2e | c3 B3 "_d.C."y|] [|\ c2c cBA | e2e e3 | A2A AGF | G2F E2B |\ c^de fga | ^dcB A3 | GFE TF3 | E6 "_d.C."y|] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d |:\ "A"a3 "E"e3 | "A"c2d c2A | "A"c2c "B7"B2A | "E"e3 E3 | "A"a3 "E"e3 | "A"c2d c2A | "D"d3 "E7"e2E | "A"HA6 :| [| "A"A3 A3 | "A"A3 "D"d3 | "Bm"b3 "E7"g3 | "E7"e3 "A"c3 | "A"A3 A3 | "A"A3 "E"e3 | "A"A3 "E"e2g | "A"a3 "E7"e3 "_d.C."y|] [|\ "A"a2a a3 | "E"g2g g3 | "F#m"f2f "B7"^d2B | "E"e3 E3 | "A"A6 | "B7"B3 c2^d | "E"e2c' "B7"b2B | "E"e6 "_d.C."y|] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center La Zone de Venus %%text Le Grand Rond - - - 2/1 %%begintext align %% The Ladies go forward lifting up their hands %% and joining them together in the form of pyramids, %% the Gentlemen at the same time follow %% the Ladies and enclose them by taking hold of %% each others hand, All Rigaudon; then the Ladies %% go Round to the Left, while the Gentlemen %% go Round to the Right - - 1/2 %%endtext %%text Chass\'e up and down - - 1/1 %%text A Double Moulinet, the Ladies in, and the Gentlemen out - - - 1/3 %%text Chass\`e up and down - - 1/1 %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:8 T: La Grotesque %R: march, reel P: Rondeau Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #8 M: 2/4 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 |:\ {d}c>deA | GABA | dc {c}BA/G/ | AB{A}GE |\ {d}c>deA | GABA | dcBA | (c/B/)A/G/ {G}A2 :| a>gfe | ^defB | ba/g/ {b}ag/f/ | {a}gf/e/ fB |\ a>gfe | ^defB | ag/f/ g/e/f/g/ | B^d "_Da Capo"e2 |] EEFE | FGAA | Bc (d/c/B/)A/ | (c/B/A/)G/ AA |\ EEFE | FGAA | Bc (d/c/)B/A/ | (c/B/)A/G/ "_Da Capo"A2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d |:\ ABcc' | baga | fede | cde2 | ABcc' | baga | fe dc | deA2 :| fgaf | beB2 | GeF^d | eEB2 |\ fgaf | be Bb | c'^d'e'a | bB"_Da Capo"e2 |] acdc | dBcA | eadf | eEA2 |\ acdc | dBcA | eadf | eE "_Da Capo"A2 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center La Grotesque. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% The first Couple advance and drop behind %% the fourth with their backs to them, while %% the third Couple do the same behind the %% second, then all turn to Face each other and %% Rigaudon - - - - 1/2 %%endtext %%begintext align %% The first and fourth Gentlemen Chass\'e to %% the Corners with each others Lady, while the %% second and third Gentlemen do the same, then %% the first and fourth Ladies give hands and turn %% Partners in their own Places, while the second %% and third Ladies do the same - - 1/1 %%endtext %%begintext align %% The Third Couple change places with the %% first by going under their Arms, then the fourth %% Couple change places with the second by going %% under their Arms - - - 1/3 %%endtext %%begintext align %% Half La Chaine to your own places - 1/1 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:9 T: Le Bouquet %R: reel, march Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #9 M: 2/4 L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 |:\ f4 (ag)(fe) | (d4 c2)d2 | e2d2g2f2 | edcB A2e2 |\ f4 (ag)(fe) | (d4 c2)d2 | e2d2g2f2 | {f2}e8 :| |:\ a2A2 Aagf | g2A2 Agfe | f2ed c2d2 | edcB AGFE |\ F2dF G2eG | A2fA B2ge | fafd A2c2 | {c2}d8 :| |: [K:Dm]\ "Mineur"\ defe d2^c2 | d2A2B2A2 | G2FE A2G2 | {G}F2ED dcBA |\ {c}B2AG gfed | ^cA=B^c defg | afed g2f2 | {f2}e8 :| |:\ A=B^cd e2f2 | e2A2a2^c2 | d2ef e2fg | {g}f6 a2 |\ bagf gfed | ^cA=B^c d2G2 | FAFD EGE^C | D8 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d |:\ d6 d2 | a6 f2 | g2f2e2d2 | a2A2c2A2 | d6 d2 | a6 f2 | g2f2e2d2 | a8 :||: a8 | A8 | d2f2e2d2 | a4 A4 | d4 e4 | f4 g4 | a4 A4 | d8 :||: [K:Dm] "Mineur"\ d6 e2 | f4 g2f2 | e2d2^c2A2 | d4 f4 | g4 b4 | a2g2f2e2 | d2f2e2d2 | a8 :||: a4 ^c2d2 | A6 g2 | f2d2 ^c2A2 | d2e2f2d2 | g4 b4 | a2g2f2g2 | a4 A4 | d8 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center Le Bouquet. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% Each Gentleman Chass\`e with the Lady on %% his Left, then Fall in two Lines and all Eight %% change places - - - 1/2 %%endtext %%begintext align %% Do the same back again - - 1/2 %%endtext %%center M I N E U R. %%begintext align %% The first and third Couple Contretems %% forward and Rigaudon, the first Gentleman goes %% back to his place with the third Lady, while %% the third Gentleman goes back to his place %% with the first Lady - - - 1/1 %%endtext %%begintext align %% Counter-part - - - - 1/1 %%endtext %%begintext align %% All Chass\'e Cross and Rigaudon, then %% Allemande - - - - 1/2 %%endtext %%begintext align %% The Ladies half Moulinet then Allemande %% with their Partners - - 1/2 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:10 T: Les Aimables Filles. %R: jig Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #10 N: Repeats added to the 1st strain to match the dance description: 1-1-2-1. M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 |:\ G2B B/c/dB | GFG A3 | c2B A2G | FGA D3 |\ G2B B/c/dB | GFG A3 | c2B A2G | AGF G3 :| d2g f/g/af | d^cd e3 | g2f e2d | ^cde A3 |\ d2g f/g/af | d^cd e3 | g2f e2d | ed^c "_Da Capo"d3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d |:\ G3 g3 | e2e d2f | e2d c2^c | d3 z2z | G3 g3 | e2e d2f | e2d c2B | c2d G3 :| B2e d2d | B2B A2^c | B2A G2^G | A3 a2g | f2e d2d' | b2b a2^c' | b2a g2f | g2a "_Da Capo"d3 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center Les Aimables Filles. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% The first Couple go between the fourth %% Couple, then half Moulinet and return to their %% places, while the third and second Couple do %% the same - - - - 1/2 %%endtext %%begintext align %% The Gentlemen Allemande to the Ladies on %% their Left, and then to their Partners - 1/1 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:11 T: Aimons toujours %R: march, reel Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #11 M: 2/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 Bc |\ {B}A3B | G2AG | FGcB | A2Bc |\ {B}A3B | G2AG | FG B/A/G/F/ | G2 :|\ |: Bc |\ d2ed | {d}c3B | AGFG | {G}A2Bc | d2ed | {d}c3B | AGcB | A2Bc |\ {B}A3B | G2AG | FGcB | A2Bc |\ {B}A3B | G2AG | FG B/A/G/F/ | G2 :| [K:Gm] |: "Mineur"Bc |\ d2ec | d2cB | AG^FG | AD Bc |\ d2ec | dgdc | {c}BA/G/ B/A/G/^F/ | G2 :|\ |: df |\ {f}e2ce | {e}d2fB | ABed | {d}c2f_A | Ge =Af | Bbce | dgfA | B2=Bd |\ ceAc | BdGB | AcAG | {G}^F2Bc |\ d2ec | dgdc | {c}BA/G/ B/A/G/^F/ | G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d gc |\ dd'dg | e2c2 | dBAG | d2gc | dd'dg | e2c2 | dgdD | G2 :||: ga | bgc'b | afdg | cBAG | d2ga | bgc'b | afdg | cBAG | d2gc | dd'dg | e2c2 | dBAG | d2gc | dd'dg | e2c2 | dgdD | G2 :| [K:Gm] |: "Mineur" g2 |\ g2g2 | gbag | c'bag | dcBA | G2g2 | G2Bc | d2D2 | G2 :||: =bg | c'2af | b2d2 | cBAB | f2d2 | e2f2 | g2a2 | befF | Bdgf | ecfe | dBed | cAce | dcBA | G2g2 | G2Bc | d2D2 | G2 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center Aimons toujours %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% The first and second Ladies Chass\'e Cross and %% Rigaudon, then Chass\'e back to their places, while %% the third and fourth Ladies do the same, each %% Gentleman taking his Partner by the Left %% hand goes Round with her in Form of the %% Allemande - - - - 1/2 %%endtext %%begintext align %% Counter-part - - - 1/2 %%endtext %%center M I N E U R. %%begintext align %% Balanc\'e and Rigaudon, then Allemande with %% the Ladies on the Left - - 1/1 %%endtext %%begintext align %% Balanc\'e and Rigaudon, then Allemande with %% your Partner - - - 1/1 %%endtext %%begintext align %% The first and third Couple meet in the %% middle, all Balanc\'e and Rigaudon in two Lines, %% the first and third Couple Moulinet to the Right, %% while the second and fourth Couple Allemande %% to the Right and Left - - 1/2 %%endtext %%begintext align %% Counter-part - - - 1/2 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:12 T: Les Quatre Saisons. %R: reel/march, jig, minuet/waltz Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #12 N: The dance description has "Quartre"; fixed. M: 1/4 L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 A,2 |\ (D3E/F/) ([E3A,2]F/G/) | ([F3A,2]G/A/) D2F2 | {F}E2D2C2D2 | (EDCB,) (A,B,CA,) |\ (D3E/F/) ([E3A,2]F/G/) | ([F3A,2]G/A/) D2F2 | E2D2 (CDEC) | {C}D6 :| "_Doucement"A2 |\ (A^G) e4 =G2 | (FA) d4 A2 | (BAGF) E2D2 | (CDEC) A,2A2 |\ (A^G) e4 =G2 | (FA) d4 A2 | (BAGF) (EDEC) | {C}D6 | |: [M:6/8][L:1/8] "_Vivement"A, |\ D2D (DF).A | d2d (dB).A | (dB).A (GF).E | D2D D2A, |\ D2D (DF).A | d2d (dB).A | (dB).A (GF).E | D3- D2 :| |: [M:3/4][L:1/8] "_Gracieusement"\ A2(TA3G/A/) | B2(TB3A/B/) | g2c2c2 | ({e}dcde)(df) |\ A2(TA3G/A/) | B2B2-Bc//d//e//f// | g2c2c2 | {c2}d6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d z2 |\ z2d2c2A2 | d2D2 z2d2 | g2f2e2d2 | a4 A4 | z2d2c2A2 | d2D2 z2d2 | g2f2e2a2 | d2A2D2 :| "_Doucement"z2 | z2a2c'2a2 | z2d2f2d2 | g4^g4 | a4A4 | z2a2c'2a2 | z2d2f2d2 | g2e2a2A2 | d2A2D2 |: [M:6/8][L:1/8] "_Vivement"z | d2z D2z | d2z D2z | d2F G2A | d2z D2z | d2z D2z | d2z D2z | d2f g2a | dAF D2 :||: [M:3/4][L:1/8] "_Gracieusement"d2f2d2 | G2g2f2 | e2a2g2 | f2d2z2 | d2f2d2 | G2g2f2 | e2a2A2 | d2A2D2 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center Les Quatre Saisons. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%center D O U C E M E N T. %%begintext align %% Each Gentleman join hands with his Lady %% the Right over the Left, makes her turn to %% the Right and advance one quarter of the %% Course, then the Ladies make the Gentlemen %% turn to the Right and advance another quarter %% of the Course: The hands must be held up all %% the time - - - - 1/2 %%endtext %%center V I V E M E N T. %%begintext align %% One Quarter of the Grand Moulinet with %% the Ladies in the Middle, the Ladies Chass\'e %% outside, while the Gentlemen Chass\`e inside, %% then Rigaudon - - - 1/3 %%endtext %%begintext align %% All Eight advance another Quarter in the %% grand Moulinet, the Gentlemen Chass\`e outside %% and the Ladies inside, then Rigaudon - 1/3 %%endtext %%center M I N U E T. %%begintext align %% The grand Quarr\'e in Minuet Steps - 2/4 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:13 T: Les Enfants %R: march, reel Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #13 M: 2/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 |:\ g2af | g2af | gd{d}c2 | B/A/G/F/ GD |\ EG ce | df gd | dc cB | A4 :| |:\ TA2 TB2 | Tc2 TB2 | TA2 TB2 | cATB2 |\ e2d/c/B/A/ | df gc | {c}BA/G/ AG/F/ | G2G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d |:\ g2d2 | G2d2 | gbaf | g3G | c2c'2 | b2g2 | zfgG | d4 :||: dd' dd' | dd' dd' | dd' dd' | dd' g2 | c2 c'2 | ba bf | g2d2 | g2G2 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center Les Enfants. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% The first and third Gentlemen Chass\'e with %% the Ladies on their Left in an oblique Line, %% while the second and fourth Gentlemen Allemande %% with the Ladies on their Left, then the %% second and fourth Gentlemen Chass\'e with the %% Ladies on their Left in an oblique Line, %% while the first and third Gentlemen Allemande %% with the Ladies on their Left - - 1/2 %%endtext %%begintext align %% Counter-part - - - 1/2 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:14 T: Le Berger Fidelle %R: jig Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #14 N: This version is for ABC software that supports voice overlay. M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 A2d |\ A2d AGF | E3 F2D | G2F E2D | E3 a2d' |\ a2d' agf | e3 f2d | {ef}g2f ede | d3 :| |: A2d |\ {d}c2d e2f | {a}g2f e2d | c2d e2f | {f}e3 A2d |\ {d}c2d e2f | g2f e2d | {d}c2d efe | d3 :| |: DFA |\ B2A {Bc}d2c | B2A d2c | B2A AGF | E3 dfa |\ b2a {bc'}d'2c' | b2a d'2c' | b2a gfe | d3 :| |: F2G |\ A2B c2d | B2A d2d | c2B A2G | F3 F2G |\ A2B c2d | B2A d2B | A2G {G}F2E | D3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d d2z |\ d2z d2z | a2z d2f | c2d A2d | a3 d2z | d2z d2z | a3 d2f | c2d a2A | d3 :||: a2a & A3 | g2f e2d & A3 A3 | c2d e2f & A3 A3 | g2f e2d & A3 A3 | c2z a2a & A2z A3 | g2f e2d & A3 A3 | c2d e2f & A3 A3 | g2f e2g & A3 A2A | f3 & d3 :||: d3 | d3 d3 | d3 d3 | d3 c2d | a3 d3 | d3 d3 | d3 d3 | d3 A3 | d3 :||: d3 | d3-d3 | d3-d3 | a3c3 | d3-d3 | d3-d3 | d3-d2g | a3 A3 | d3 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center Le Berger Fidelle %%begintext align %% The first Gentleman turns his Partner to %% face the outside, the second Couple follow the %% first, the third Couple follow the second, and %% the fourth Couple follow the third, then all %% Eight Balanc\'e and Rigaudon - - 1/2 %%endtext %%begintext align %% The first and second Couple hands cross, %% and back again, while the third and fourth %% Couple Chass\'e cross and back again - 1/2 %%endtext %%begintext align %% The first and second Couple Contretems and %% go to the Bottom, while the third and fourth %% Couple advance to the top and Rigaudon, then %% all Eight Allemance - - - 1/3 %%endtext %%begintext align %% The first and second Couple Contretems and %% go to the Bottom, while the first and second %% Couple advance to the Top and Rigaudon - 1/3 %% The third and fourth Couple Contretems and %% go to the Bottom, while the first and second %% Couple advance to the Top and Rigaudon - 1/3 %%endtext %%begintext align %% Each Lady tuns under her Partner's Arm %% and Rigaudon, then each Gentleman turns %% under his Partner's Arm and Rigaudon - - 1/4 %%endtext %%begintext align %% All Eight Allemande to the Right, then %% back to their places - - - 1/4 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:15 T: La Rose %R: reel, march Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #15 N: The Mineur section has initial repeat but no final repeat. The dance's pattern is 1-1-2-2-3-4-3. M: 2/4 L: 1/16 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 |:\ G3A B2D2 | E3F E4 | A2A>c BAGF | GFGA G2D2 |\ G3A B2D2 | E3F E4 | A2Ac BAGF | G4 G,4 :| |:\ cBcd c4 | BABc B2d2 | d2g2c2B2 | AGAB A4 |\ G3A B2D2 | E3F E4 | A2Ac BAGF | g4 G,4 :| [K:Gm] |: "Mineur"\ d6 e2 | {d}c6 d2 | {c}B2AB c2B2 | AG^FG AEDC |\ B,2G2 C2A2 | D2c2 E2g2 | C2e2 dcBA | G8 |] [|\ f6 g2 | {f}e6 f2 | dced fedc | BAcB AGFE |\ D2B2 E2c2 | F2e2 G2b2 | E2g2 fedc | "_Da Capo"B8 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d |:\ g4 G2G2 | c4 c2c2 | c4 d2D2 | G4 z4 | g4 G2G2 | c4 c2c2 | c4 d2D2 | G8 :|\ |:\ d4 D2D2 | g4 G2G2 | G2B2c2^c2 | d4 dcBA | G2g2 G4 | c4 c2c2 | c4 d2D2 | G4 z4 :|\ [K:Gm]\ |: "Mineur"z2g2b2g2 | z2a2^f2d2 | g4 ^f2g2 | d2d'2 c'4 | b4 c'4 | d'4 e'4 | c'4 d'2d2 | g4 G4 |]\ [| z2b2d'2b2 | z2c'2a2f2 | b6 e2 | f4 z4 | d4 e4 | f4 g4 | e4 f2F2 | B2b2 "_Da Capo"d'c'ba |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center La Rose - - - 2/1 %%begintext align %% The first and third Couple Contretems forward %% and Rigaudon, then Contretems in turning and %% Rigaudon, while the other Chass\'e in their own %% Corners and back again - - 1/2 %%endtext %%begintext align %% Counter-part - - - 1/2 %%endtext %%center M I N E U R. %%begintext align %% The first Couple face the fourth and Moulinet %% four, while the third Couple do the same %% with the second - - - 1/1 %%endtext %%begintext align %% Each Gentleman with his Right hand turns %% the Lady on the Left under his Arm and %% Rigaudon, then, with the Left hand, turns his %% Partner, and Rigaudon - - 1/2 %%endtext %%begintext align %% The fourth Couple face the first and Moulinet %% four, while the second Couple do the same %% with the third - - - 1/1 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:16 T: Les Plaisirs de Carel. %R: jig Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #16 M: 6/8 L: 1/8 P: Rondeau K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 !segno!A AAA |\ FDd dfd | cAe {fg}aaa | fdd {e}dcd | e2A AAA |\ FDd dfd | cAe {fg}a2a | fde fge | d2 :| A AA=c |\ BGB (B/^c/d).B | AFA ABA | GEG AEA | F2A AA=c |\ BGB BdB | AFA ABc | def g2f | "_Ca Capo"{f}e2 |] F FFF |\ F2B dcB | cFc edc | dBd fed | c2f faf |\ gee ege | fdd dfd | efg Tc2B | B2 !segno!|] [M:3/4] "Minuet"\ f2 ffff | f2 e2 d2 | e2 d2 e2 | A6 | d2 dddd | e2 d2 a2 | f2 d2 g2 | {f2}e6 | f2 ffff | f2 e2 d2 | e2 d2 e2 | A6 | d2 dddd | e2 d2 a2 | f2 g2 e2 | d6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d !segno!z d'3 |\ d3 f3 | a3 c'2a | d'3 b3 | a3 c'2a | d'3 d3 | a3 c'2a | d'3 a3 | d2 :| d f2d | g3 G3 | d3 f3 | e3 c3 | d2d f2d | g3 G3 | d3 f3 | b3 g2^g | "_Da Capo"a2 |] z d3 | B3 b3 | ^a3 f3 | b3 B3 | f3 ^d3 | e3 c3 | d3 B3 | e3 f3 | B2 !segno!|] [M:3/4] "Minuet"\ d2 f2 d2 | a2 g2 f2 | g2 f2 g2 | A2 agfe | d2 f2 d2 | g2 f2 c2 | d2 B2 G2 | A2 agfe | d2 f2 d2 | a2 g2 f2 | g2 f2 g2 | A2 agfe | d2 f2 d2 | g2 f2 c2 | d2 G2 A2 | D6 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center Les Plaisirs de Carel. %%begintext align %% Le Grand Rond. Then Fall in two %% Lines, the first and second Couple at the Top, %% the third and fourth Couple at the Bottom - - - - 2/1 %%endtext %%begintext align %% All Right advance with Contretems and %% Rigaudon, each Gentleman turns the opposite %% Lady, then all Retreat - - - 1/2 %%endtext %%begintext align %% The first and second Couple make half a %% Circle on the outside to the Left, while the %% third and fourth Couple do the same - 1/1 %%endtext %%begintext align %% The first and fourth Couple change places %% with Chass\'e and Rigaudon, then back again, %% while the second and third Couple do the same 1/3 %%endtext %%begintext align %% The First and second Couple make half a %% Circle on the outside, to the Right, while the %% third and fourth Couple do the same - 1/1 %%endtext %%center M I N U E T. %%begintext align %% All Eight Promenade with Minuet Steps, %% making an Allemande pass at each Quarter. %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:17 T: Le Pouvoir de la Beaut\`e N: The book has a handwritten accent-grave over the final 'e', but that's bogus French. R: march Z: 2014 John Chambers <jc:trillian.mit.edu> B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #17 M: 2/4 %V: 1 clef=treble middle=B %V: 2 clef=bass middle=d L: 1/16 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 G2G2 |\ A2Bc B2A2 | G4 gfed | efgd c2B2 | {B}A4 G2G2 |\ A2Bc B2A2 | G4 gfed | efga g2f2 | Hg4 :| B2B2 |\ A2A2 d2ed | ^c2A2 f2gf | e2d2 ^cdec | A4 d2fd |\ ^c2BA d2fd | ^c2BA B^cdA | B^cdG F2E2 | D4 |][K:Gm] |: "Mineur"\ B2c2 |\ d4 e2dc | d4 {e}d2cB | A2G2 ^FGAF | D4 B2c2 |\ d4 e2dc | d4 {e}d2cB | A2G2A2^F2 | HG4 :| B2d2 |\ f4 edcB | A2F2 Bcde | fgab d2c2 | B4B2d2 | f4 edcB |\ A2F2 Bbag | edcB F2A2 | B4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d g2g2 |\ c4d2D2 | E4B4 | c2B2A2G2 | d4g2g2 | c4d2D2 | E4B4 | c4d2D2 | HG4 :| G2g2 | f2d2f2g2 | a4d2d'2 | g2^g2a4 | A2a2f2d2 | a4f2d2 | a2f2g2f2 | g2b2a2A2 | "_Da Capo"d4 |][K:Gm] |: "Mineur"\ g2A2 |\ b4c'4 | b4g4 | c'2^c'2d'4 | d4g2a2 | b4c'4 | b4g4 | c2e2d2D2 | HG4 :| B2b2 | a2f2g2e2 | f4d4 | B4f2F2 | B4B2b2 | a2f2g2e2 | f4d4 | e4f2F2 | "_Da Capo"B4 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center La Pouvoire de la Beaut\`e %%begintext align %% Le Grand Rond, - - - - 2/1 %%endtext %%begintext align %% The first and third Couple half Right hand %% and Left, then Allemande, at the same time %% the second and fourth Couple Allemande, then %% Right hand and Left half Round - - 1/2 %%endtext %%begintext align %% All Eight, the Moulinet half Round - 1/1 %%endtext %%center M I N E U R. %%begintext align %% Half La Chaine - - - 1/1 %%endtext %%begintext align %% All Balanc\'e, Rigaudon and Allemande with %% their Partners - - - 1/2 %%endtext %%begintext align %% Finish La Chaine - - - 1/2 %%endtext %%begintext align %% All Balanc\'e, Rigaudon and Alemande with their %% Partners - - - - 1/1 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:18 T: La Promenade a quatre %R: jig Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #18 N: This version is for ABC software that understands voice overlays. M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 A |\ ABA d2c & D6 | B3 A2d & D6 | efg agf | efd cdB |\ ABA d2c & D6 | B3 A2d & D6 | egf edc | d3- d2 :| |: e |\ e2f g2f & A6 | e2a e2f & A6 | e2f g2f & A6 | f3 e2A & A6 |\ ABA d2c & D6 | B3 A2d & D6 | egf edc | d3- d2 :| [K:Dm] |: "Mineur"a |\ a3 f2a | a3 f2a | g2f gfe | fef dfg |\ a3 f2a | a3 f2a | g2f gfe | d3- Hd2 :| a |\ aga ^fga | bab b2g | fef efg | aga a2f |\ fef def | gfg g2e | ede ^cde | f3 "_Da Capo"e2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d z |\ d3 d3 | d3 d3 | g3 fed | a3 z2z | d3 d3 | d3 d3 | g3 a3 | d3- d2 :||: z | A3 A3 | A3 A3 | A3 A3 | A6 | d3 d3 | d3 d3 | g3 a3 | d3- d2 :| [K:Dm] |: "Mineur"z |\ dfa d'3 | dfa d'3 | g3 a3 | d'3 d2z | dfa d'3 | dfa d'3 | g3 a3 | d3- Hd2 :| z | d'3 de^f | g3 G3 | c'3 cde | f3 F3 | b3 Bcd | =e3 E3 | a3 A=B^c | d3 "_Da Capo"A2 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center La Promenade a Quatre. %%begintext align %% Le Grand Rond - - - - 2/1 %%endtext %%begintext align %% The first and second Couple Chass\'e cross and %% Rigaudon, then Allemande to their places - 1/2 %%endtext %%begintext align %% The second and fourth Couple do the same - 1/2 %%endtext %%center M I N E U R. %%begintext align %% The first and third Couple Balanc\'e and %% Rigaudon, then Moulinet, the second and fourth %% Couple Balanc\'e, Rigaudon and Allemande at the %% same time - - - 1/1 %%endtext %%begintext align %% Counter-part - - - 1/1 %%endtext %%begintext align %% All Eight half the Course with Rigaudon at %% each Quarter - - - 1/2 %%endtext %%begintext align %% Double Moulinet to your own Places - 1/1 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:19 T: L'Impromptu. %R: march, reel Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #19 M: 2/4 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 |:\ A2ce | aee2 | d2 e/d/c/B/ | c/B/c/d/ cc |\ A2ce | aee2 | d2 e/d/c/B/ | A2 A2 :| |:\ eAae | dBbd | cAac | B/A/G/F/ EB |\ ecae | dBbd | cAac | B2B2 | A2ce | aee2 | c2 e/d/c/B/ | c/B/c/d/ cc |\ A2ce | aee2 | d2 e/d/c/B/ | A2A2 :| Accc | Bddd | ce ed/c/ | B/A/B/c/ BB |\ Accc | Bddd | ce ed/c/ | B2"_Da Capo"B2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d |:\ a2a2 | c'2a2 | b2ge | a2A2 | a2a2 | c'2a2 | b2ge | a2A2 :||: c2c2 | B2G2 | A2A2 | e2z2 | c2c2 | B2G2 | A2A2 | e2E2 | a2a2 | c'2a2 | b2ge | a2A2 | a2a2 | c'2a2 | b2ge | a2A2 :| A2a2 | g2e2 | a2A2 | e2z2 | A2a2 | g2e2 | a2A2 | e2"_Da Capo"z2 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center L'impromptu. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% The first and third Couple Queue du Chat, %% then Right hand and Left - - 1/2 %%endtext %%begintext align %% The second and fourth Couple do the same 1/2 %%endtext %%begintext align %% The first and second Couple Poussette and %% change places, while the third and fourth Couple %% do the same, then the first and fourth Couple %% Poussette and change places, while the third %% and second Couple do the same - - 1/3 %%endtext %%begintext align %% Half La Chaine - - - 1/1 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:20 T: La Nouvelle Vergne R: jig Z: 2014 John Chambers <jc:trillian.mit.edu> B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #20 M: 6/8 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 ecA |\ {GA}B2E d2c | {c}B2A ecA | f2e d2c | {c}B3 ecA |\ {GA}B2E d2c | {c}B2A af^d | eBA G2F | {F}E3 :| BGE |\ {Bc}dc2 f2e | d2c eBd | ced cBA | GFE ae=g |\ Tg2f bfa | gb^d ebc | dfB ceG | A3 !segno!|][K:=f=c=g] K: Am "Mineur"\ EDF |\ E2A ^G2B | TB2A cBd | c2e d2f | Tf2e a^ce |\ d^cd gBd | =cBc fed | cBA ^G2A | B2E EDF | E2A ^G2B | TB2A cBd | c2e d2f | Tf2e ag^f |\ gb^d dec | B2c A2c | BAG ^F2E | E3 || ecA |\ {fg}a2A a2g | f2d dBG | {fe}g2G g2f | e2c cAF |\ f2F f2e | dcB ce^g | aed c2B | A3 !segno!|] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d A3 |\ e3 f2e | d2c A2c | d2c B2A | e3 A3 | e3 f2e | d2c f2f | g2a b2B | e3 :| e3 | G2A d2c | B2A G2g | a3 A3 | e3 c2A | B3 ^d2B | e2f g2a | d3 e3 | A3 !segno!|][K:=f=c=g][K:Am] "Mineur"A3 | c2d e2d | c3 a2^g | a3 b3 | c'3 a3 | b3 g3 | a3 d3 | ^d3 e2A | e3 A3 | c2d e2d | c3 a2^g | a3 b3 | c'3 a2b | e2^f g2a | g2e ^f2^d | e3 B3 | e3 || A3 | c3 ^c3 | d3 B3 | B3 B3 | c3 A3 | A3 A3 | B2^G A2B | c2d e2E | A3 !segno!|] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center La Nouvelle Vergne %%text Le Grand Rond - - . 2/1 %%begintext align %% Each Gentleman Balanc\'e to his Partner, %% then turns the Lady on his left - - - 1/2 %%endtext %%begintext align %% Each Gentleman Balanc\'e to the Lady he %% turned, and then turns his Partner - - - 1/2 %%endtext %%center M I N E U R. %%begintext align %% The Ladies half Moulinet and turn the %% opposite Gentleman, then make an End of the %% Moulinet and turn their Partners - 1/1 %%endtext %%begintext align %% Each Gentleman Chass\'e with the Lady on his %% Left to the Corner, then back again and turn %% his Partner - - - - 1/2 %%endtext %%begintext align %% The Gentlemen half Moulinet and turn the %% opposite Ladies, then make an End of the %% Moulinet and turn their Partners - - 1/1 %%endtext %%begintext align %% Each Lady Chass\'e with the Gentleman on %% her Right to the Corner, then back again and %% turn her Partner - - - 1/2 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:21 T: La Fantasie Liegeoise. %R: march, reel Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #21 N: The final c grace note needs a sharp; not fixed. M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 DFAd |\ D2d2 D2d2 | D4 edcB | Acef gfge | f2d2 DFAd |\ Dddd Dddd | D2D2 edcB | dcBA ^GABG | A4 :| |: Acea |\ A2a2 A2a2 | A2A2 GAFA | GAEA FADA | A,2A,2 Acea |\ Aaaa Aaaa | {a}g3f edcB | A2de fdec | {c2}d4 :| K: Dm |:"Mineur"DFAd |\ D2d2 D2d2 | D2zd D2zd | D2zB AGFE | F2E2 DFAd |\ DFAd DFAd | {f}e3d c=BA^G | AA=GF EDC=B, | A,4 :| |: FGAB |\ Afac BAGF | C2C2 EFGA | BegB AGFE | F2F2 DFAd |\ DFAd DFAd | Dddd FdEd | Dgfe fde^c | {c2}d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d d4 |\ B4 G4 | F4 G4 | A4 A4 | D4 d4 | B4 G4 | F4 ^G4 | A4 e4 | A4 :||: a4 | f4 d4 | A4 c2d2 | A2c2 d2D2 | A4 a4 | c4 d4 | B2A2 G2g2 | f2d2 a2A2 | d4 :| K: Dm |:"Mineur"d4 |\ B4 G4 | F4 A4 | B2G2 A4 | d2A2 d4 | f4 d4 | a4 e4 | Aagf edc=B | A4 :||: f4 | A4 B4 | c4 c4 | c4 c4 | f4 f4 | d4 f4 | b4 a4 | b2g2 a2A2 | d4 :| % - - - - - - - - - - Dance description - - - - - - - - - - N: The dance has "Fontasie" rather than "Fantasie" %%sep 1 1 400 %%center La Fontasie Liegeoise. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% The first and third Couple Contretems %% Forward and Rigaudon, then Swing Round to %% their Places - - - 1/2 %%endtext %%begintext align %% Counter-part - - - 1/2 %%endtext %%center M I N E U R. %%begintext align %% The first and third Gentlemen Contretems %% Forward with the Ladies on their Left, then %% turn them to their places - - 1/2 %%endtext %%begintext align %% Counter-part - - - 1/1 %%endtext %%begintext align %% La Chaine in the form of Allemande - 2/2 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:22 T: Les Petites Folies %R: jig Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #22 M: 6/8 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 d2d |\ c2c BAB | A3 c2c | B2B AGA | G3 e2g |\ (dB).g e2g | (dB).g e2g | (dc).B (cB).A | G3 :| |: E2F |\ (GF).G A2B | c2B c2d | e2f gfe | d3 E2F |\ GFG A2B | c2B c2d | e2d cBA | G3 :| |: B2c |\ ded gfe | d3 gfe | ded c2B | A3 B2c |\ ded gfe | d2d gfe | ded cBA | G3 :| |: B2c |\ dBG A2B | c2B c2d | ecA B2c | d3 g2a |\ bgd g2a | bgd g2a | bag def | g3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d G2g |\ fed g2G | d3 f2d | g2G d2c | BAG g2G | g2G g2G | g2G g2G | g2G d2D | G3 :||: c2d | G3- G2g | G3- G2g | G3- G2g | G3 c2d | G3- G2g | G3- G2g | c2G d2D | G3 :||: g3 | G2g G2g | G2z g3 | G2g f2g | d'2d g3 | G2g G2g | GBd G2c | B2G d2D | G3 :||: g2z | g2z d2z | d2g a2z | f2z g2z | G2z B2d | g2G B2d | g2G B2d | g2G d2D | G3 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center Les Petites Folies %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% Eath Gentleman leads his Partner a quarter %% of the Course on the Right and Rigaudon, each %% Lady Pirouette, then turns under her Partner's %% Arm and Rigaudon - - 1/2 %%endtext %%begintext align %% Another quarter of the Course in the same %% manner - - - - 1/2 %%endtext %%begintext align %% The Ladies Chass\'e on the inside and the %% Gentlemen on the outside and Rigaudon, then the %% Ladies Moulinet while the Gentlemen Pirouette 1/3 %%endtext %%begintext align %% The Gentlemen Chass\'e on the inside and the %% Ladies on the outside and Rigaudon, then the %% Gentlemen Moulinet while the Ladies Pirouette 1/3 %%endtext %%begintext align %% Each Gentleman leads his Partner a quarter %% of the Course on the Right and Rigaudon, each %% Lady Pirouette, then turns under her Partner's %% Arm and Rigaudon - - - 1/4 %%endtext %%begintext align %% Another quarter of the Course in the same %% manner - - - - 1/4 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:23 T: Le Passe-tems %R: march, reel Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #23 M: 2/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 |:\ [gB][gB] {f}fe/d/ | ef [g2B2] | ag/a/ bg | ea {g}fe/d/ |\ [gB][gB] {g}fe/d/ | ef [g2B2] | ag/a/ bg | f/g/a/f/ [g2B2] :| |:\ dd {e}dc/B/ | cc {d}cB/A/ | BAGA | B/c/d/B/ AD |\ dd {e}dc/B/ | cc {d}cB/A/ | Gd {d}cB/A/ | GD G2 :| K: Gm [|"Mineur"\ dd(de) | cc(cd) | BB BA/B/ | cBAD |\ dd(de) | cc(cd) | BA/B/ ce | d/c/B/A/ G2 |] [|\ B2df | c/B/A/B/ c2 | BfBf | FFF2 |\ B2df | c/B/A/B/ c2 | Aed^F | G2 z2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d |:\ g2dB | cAG2 | fdge | ^cAd2 | G2dB | cAG2 | fd gb | d'd g2 :||: b2g2 | a2d2 | gdBd | g2d2 | b2g2 | a2d2 | eBcd | g2G2 :| K: Gm [|"Mineur"\ G2gc | f2fB | e2e2 | c2d2 | G2gc | f2fB | e2c2 | d2G2 |] [| BdBd | AFAF | dBdB | AfF2 | dfBd | AFAF | cAdD | G2g2 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center Le Passe-tems. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% The first and third Ladies Chass\'e and change %% places with the Ladies on their Right, then %% half La Chaine to their own places - 1/2 %%endtext %%begintext align %% Counter-part for the Gentlemen - 1/2 %%endtext %%center M I N E U R. %%begintext align %% Each Couple Chass\'e one quarter of the %% Round to the Right and Rigaudon, then one %% other quarter of the Round and Rigaudon - 1/1 %%endtext %%begintext align %% Each Couple go one Quarter of the Course %% to the Left in form of Allemande, then one %% other Quarter of the Course to their own places 1/2 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:24 T: Les Plaisirs enchant\`es %R: reel Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #24 N: The tune and dance titles have some minor spelling differences. P: Rondeau M: C| L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 G2AB |\ ADAc BGBd | g4 gfed | edcB ABGA | ^F2D2 G2AB |\ ADAc BGBd | g4 g^fgd | edcB AGA^F | HG4 :| B2cd |\ cFce dBdf | b4 bagf | gfed edcB | A2F2 FEDC |\ D4 edcB | c2F2 FGAB | cedc dcBA | "_Da Capo"B4 |] bagf |\ =e2a2 gf=ed | ^c2A2 BAGF | =E2A2 GF=ED | ^C2A,2 A=Bcd |\ c=BAG =B^cd=e | d^c=BA agf=e | gf=ed f=ed^c | "_Da Capo"d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d g4 |\ ^f4 g4 | B2d2 =B2G2 | c4 ^c4 | d4 B2G2 | ^F4 G4 | B2d2 =B2G2 | c4 d4 | HG4 :| B4 | A4 B4 | d2f2 d2B2 | e4 c4 | f4 A4 | B2b2 e2g2 | f4 F4 | f4 F4 | "_Da Capo"B4 |] g4 |\ a4 b4 | a4 g4 | a4 b4 | a4 ^f4 | g4 ^g4 | a4 ^c'4 | d'4 a4 | "_Da Capo"d4 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center Les Plaisirs Enchant\'es %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% All Eight Contretems, the Gentlemen turn %% to the Left, while the Ladies turn to the Right %% and Rigaudon, then back to back Round to their %% places - - - - 1/2 %%endtext %%begintext align %% The Ladies present themselves to do the %% Round, the Gentlement Pirouette, each placing %% himself between two Ladies, puts his hands on %% theirs and all Rigaudon, then half Round in %% this manner - - - 1/1 %%endtext %%begintext align %% Right hand and Left four and four - 1/3 %%endtext %%begintext align %% The Gentlemen present themselves to do the %% Round, the Ladies Pirouette, each placing %% herself between two Gentlemen, puts her %% hands on theirs all Rigaudon, then half %% Round in this manner - - 1/1 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:25 T: L'Harmonie. %R: march, reel Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #25 M: C| L: 1/8 K: Eb % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 E2 (3(GFE) |\ B2e2 e2e2 | d4 B2 (3(dcB) | f2 (3(dcB) a2 (3(fga) | g2e2 E2 (3(GFE) |\ B2e2 e2e2 | d4 f2 (3(dcB) | b2 (3(gfe) d2c2 | B4 :| B2 (3(bab) |\ B2b2 a2g2 | g2f2 a2 (3(fga) | g2e2 d2c2 | B4 Eedc |\ B2A2 G2G2 | G4 B2 (3(GFE) | e2 (3(cBA) G2F2 | E4 |] B2 (3(edc) |\ B2B2 c2c2 | B4 A2(3(FGA) | G2 (3(EFG) F2 (3(DEF) | E2B,2 B2 (3(edc) |\ B2B2 c2c2 | B4 e2Be | g2eg b2 (3(bag) | {g2}f4 |] F2F2 |\ F2 (3(fga) g2b2 | b4 F2F2 | F2 (3(fga) g2 (3(bag) | {g2}f4 B2 (3(edc) |\ B2B2 c2c2 | B4 E2 (3(edc) | B2 (3(cBA) G2F2 | E4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d e4 | g4 e4 | b4 B4 |\ d4 B4 | e4 e4 | g4 e4 | b4 B4 | d2e2 f2F2 | B4 :|\ B4 | d4 e4 | B4 B4 | e4 f4 | g4 a4 | g2f2 e2B2 E4 e4 |\ g2a2 b2B2 | e4 |]\ e4 | g4 a4 | g4 d4 |\ e4 B4 | E4 e4 | g4 a4 | g4 g4 | e4 e4 | B4 |]\ B4 | d4 e4 | d4 B4 | d4 e4 | B4 e4 | g4 a4 |\ g4 e4 | g2a2 b2B2 | e4 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center L'Harmonie. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% The four Gentlemen half Moulinet, then %% Allemande with the opposite Ladies - 1/2 %%endtext %%begintext align %% All Eight Poussette with an Allemande pass\`e 1/3 %%endtext %%begintext align %% The four Gentlemen half Moulinet, then %% Allemande with their Partners - - 1/4 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:26 T: Le Rondeau de Fischar. %R: reel, march Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #26 M: 2/4 L: 1/16 K: C % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 |:\ c4 B2 (3(Bcd) | c2 (3(cde) d2 (3(def) | {f}e2dc (ed)cB | c2G2E2C2 |\ c4 B2 (3(Bcd) | c2 (3(cde) d2 (3(def) | {f}e2dc (ed)cB | c4 c4 :| |:\ g4 f2e2 | a6 bc' | g2g2f2e2 | d2de d2d2 |\ g4 f2e2 | a6 bc' | g2g2f2e2 | {e4}d8 | c4 B2 (3(Bcd) | c2 (3(cde) d2 (3(def) | {f}e2dc (ed)cB | c2G2E2C2 |\ c4 B2 (3(Bcd) | c2 (3(cde) d2 (3(def) | {f}e2dc (ed)cB | c4 c4 :| M: 3/8 L: 1/8 "Menuet"\ g4 {f}ed/c/ | gf {e2}d4 | (eg)(gc')(c'e) | {e}d2 (cB)AG |\ g4 {f}ed/c/ | gf {e}d3 f | (e/f/g/a/) c2B2 | {B2}c6 |] d4 {c}BA/G/ | (e2c2) (e/c/)(e/c/) | (f2d2) (f/d/)(f/d/) | g4 f2 |\ (eg)(ag)(c'g) | (eg)(ag)(c'g) | (eg)(ag)(fe) | {f}d2(cB)AG |] g4 {f}ed/c/ | gf {e2}d4 | (eg)(gc')(c'e) | {e}d2 (cB)AG |\ g4 {f}ed/c/ | gf {e2}d4 | (e/f/g/a/) c2B2 | c6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d |:\ c2e2g2G2 | c2e2g2G2 | c2e2f2g2 | c'2g2e2c2 | e2c2g2G2 | c2e2g2G2 | c2e2f2g2 | c'geg c4 :||: c2c'2b2c'2 | f2F2f4 | c'2c2B2c2 | g2G2z4 | c'2c2B2c2 | f2F2f4 | c'2c2B2c2 | GgdB G4 | c2e2g2G2 | c2e2g2G2 | c2e2f2g2 | c'2g2e2c2 | e2c2g2G2 | c2e2g2G2 | c2e2f2g2 | c'geg c4 :| M: 3/8 L: 1/8 "Menuet"\ c2e2c2 | d2B2G2 | c2e2c2 | g2G2z2 |c2e2c2 | d2B2G2 | c2g2G2 | c2G2C2 |] GgGgGg | GgGgGg | GgGgGg | GgGgGg | c2zc'cc' | c2zc'cc' | cz Bz cz | g2G2z2 |] c2e2c2 | d2B2G2 | c2e2c2 | g2G2z2 |c2e2c2 | d2B2G2 | c2g2G2 | c2C2z2 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center Le Rondeau de Fischar. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% All Eight Balanc\'e and Rigaudon, then Join %% hands and go half Round, each Gentleman %% Allemande with the Lady on his Left and then %% with his Partner - - - 1/2 %%endtext %%begintext align %% Counter-part - - - 1/2 %%endtext %%center M I N U E T. %%begintext align %% Half La Chaine - - - 1/1 %%endtext %%begintext align %% Each Gentleman makes two Minuet Steps %% to the Right and back again, while his Partner %% makes two Minuet Steps to the Left and back %% again - - - - 1/2 %%endtext %%begintext align %% Half La Chaine - - - 1/3 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:27 T: La Mignonette Fran\,coise. %R: jig Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #27 N: One spelling of "Contretems" is "Coutretems"; fixed. The cedille is missing in the dance description; not fixed. M: 6/8 L: 1/8 K: F % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 F |\ A2A AGF | c2c c2f | c2a c2B | TA3 G2F |\ A2A AGF | c2c c2f | edc Gc=B | c3 c2 :| |: c |\ g2c b2a | Tg2f e2f | g2c b2a | gfe fc_e |\ d>bd B>dB | c>ac A>cA | B2G F2E | F2F F2 :| |: A |\ A3 GFG | F2F F2c | c3 BAB | A2A A2f |\ {g}f2e {f}e2d | {e}d2c {d}c2B | ABc B2A | G2G G2 :| |: c |\ {cd}_e2e ecA | B2B B2d | f2f fd=B | c2c c2a |\ b2a {a}g2f | b2a {a}g2f | cba gfe | f2f f2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d z |\ f3- f2f | a2a agf | e2f e2c | f3 c2z | f3- f2f | a2a agf | c'2a g2g | c'3 c2 :||: z | c2e g2f | e2d c2d | c3 e2f | b2c' a2f | b3 g3 | a3 f3 | g2b c'2c | f3 F2 :||: z | f3 c3 | A3 F2a | a3 gfg | f2f f2d' | d'2c' {d'}c'2b | {c'}b2a {b}a2g | f3 g2f | c2c c2 :||: z | f3 f3 | d3 B2z | g3 g3 | e3 c2c' | d'2c' {c'}b2a | d'2c' {c'}b2a | e2f c'2c | f2f f2 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center La Mignonette Francoise. %%begintext align %% Le Grand Rond: Then fall in two Lines, %% the first and second Couple at Top, the third %% and fourth Couple at Bottom - - 2/1 %%endtext %%begintext align %% The first and second Couple Chass\'e cross %% and Rigaudon, while the third and fourth %% Couple do the same, then the first and third %% Gentlemen Moulinet with the opposite Ladies, %% while the second and fourth Gentlemen %% Allemande with the opposite Ladies -- 1/2 %%endtext %%begintext align %% Counter-part - - - 1/2 %%endtext %%begintext align %% Each Gentleman Balanc\'e with the Lady on %% his Left, then half La Chaine four and four %% on the opposite - - - 1/3 %%endtext %%begintext align %% Counter-part - - - 1/3 %%endtext %%begintext align %% The first and second Couple Face each %% other with Contretems and Rigaudon, then hands %% round four, while the third and fourth Couple %% do the same - - - 1/4 %%endtext %%begintext align %% The first and fourth Couple Face each other %% with Contretems and Rigaudon, then hands %% round four, while the second and third Couple %% do the same - - - 1/4 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:28 T: La Choisie. %R: jig Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #28 N: The G grace note in the last bar needs a sharp. M: 6/8 L: 1/8 K: Am % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 |:\ (AB).c (de).f | {f}e3- e2a | (^ga).b (Bc)d | {d}Tc3 B3 |\ (ce).c (Be).B | (ce).c (Be).B | {d}cBA {c}BA^G | {G}A3 A,3 :| |:\ (cd).e (fg).a | {a}g3- g2a | (gf).e (de).c | (Bc).d .G(Bc) |\ .G(cd) .G(de) | .G(ef) .G(ga) | (ed).c {c}BAB | c3- c2B | (Ac).e (Ac).e | (^GB).e (GB).e | (AB).c (Bc).A | ^G2A B2E |\ (Ac).e (Ac).e | (^GB).e (GB).e | (AB).c (BA).^G | {G}A3 A,3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d |:\ z6 | aAB cBA | e3 ^g3 | a3 e3 | a3 ^g3 | a3 ^g3 | a2c d2e | A3- A3 :||: z6 | c'cd edc | B2c f2^f | g3 z2z | g3 z2z | g3 z2z | c2f g2G | ceg c'2z | c'3 a3 | e'3 e3 | f3 d3 | e3 E3 | c3 A3 | e3 E3 | c2A e2E | A3- A3 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center La Choisie. %%begintext align %% Le Grand Rond. Then fall in two Lines, %% the first and second Couple at the Top, the %% third and fourth at the Bottom - - 2/1 %%endtext %%begintext align %% Four an Four half Right hand and Left, %% then back again, the second and fourth %% Gentlemen Contretems Forward and Rigaudon, %% then Moulinet, with the opposite Ladies, at %% the same time the first and third Gentlemen %% Chass\'e to the Left in the Corner and back %% with Rigaudon, while the second and fourth %% Ladies Chass\'e to the Right in the Corner and %% back with Rigaudon, then fall into the contrary %% side Lines - - - - - 1/2 %%endtext %%begintext align %% Counter-part - - - - 1/2 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:29 T: La Royale O: c.1755 %R: reel Z: 2014 John Chambers <jc:trillian.mit.edu> B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" #29 M: 2/4 L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 |:\ F3G |\ A2A2 Bcd2 | A4 d2cB |\ Adcd efge | f2d2 F3G |\ A2A2 Bcd2 | A4 d2cB |\ (3ca^g (3fed c2B2 | A4 :| Adfa |\ a2g2 Aceg | g2f2 fafd |\ gbge fafd | c2A2 Adfa |\ a2g2 Aceg | g2f2 gbge |\ fafd A2c2 | d4 "C"|] FAdA |\ GBeB FAdF | EAcE FAdF |\ GBed cBAG | F2D2 FAdF |\ GBeB FAdF | EAcE FAdF |\ GBeg fdec | d4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d d3e | f2d2 g2g2 | f2d2 d2d2 | f2d2 c2A2 | d2d2 d3e | f2d2 g2g2 | f2d2 ^g2e2 | a2d2 e2E2 | A4 :| d2d2 | f2e2 c2A2 | d2d2 d2d2 | e2c2 d2D2 | a2a2 d2d2 | f2e2 c2A2 | d2d2 e2c2 | d2d2 a2A2 | d4 |] d2d2 | e2c2 d2d2 | A2A2 d2d2 | g2g2 a2A2 | d2d2 d2d2 | e2c2 d2d2 | A2A2 d2d2 | g2g2 a2A2 | d4 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center La Royale %%text Le Grand Rond - - - 2/1 %%begintext align %% The first and third Gentlemen take the %% Ladies on their Left, cross Corners and change %% places, then the second and fourth Gentlemen %% do the same - - - 1/2 %%endtext %%begintext align %% The four Ladies hands Round to their places, %% then the four Gentlemen do the same. - 1/3 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:30 T: Les Amusements de Spa. %R: jig Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #30 M: 6/8 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 |:\ aec AEC | A,DE F2E | cde fga | BcA {A}B2E |\ aec AEC | A,DE F2E | cde fga | EAG A3 :| |:\ cde aAc | Bcd bBd | ced cBA | BEE E3 |\ cde aAc | Bcd bBd | ceA EAG | AA,A, A,3 :| M: 6/8 K: Am [| "Mineur"\ aec AEC | A,DE F2A | ABc BcA | ^G2^F ^G2E |\ aec AEC | A,DE F2E | ABc BcA | BA^G A3 |] [|\ cde edc | B2A B2G | Bcd {d}cBA | ^G2^F ^G2E |\ ABc BcA | ^GBe ^gab | edc {c}BA^G | A3 A3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d |:\ a3- a3 | A3-A3 | a3 d3 | e3- e3 | A3 A3 | a3- a3 | A3 d3 | e3 A3 :||: a3 A3 | g3 e3 | a3 A3 | e3 E3 | A3 a3 | g3 e3 | a2c e2E | A3- A3 :| M: 6/8 K: Am [| "Mineur"\ a3- a3 | A3- A3 | c3 def | e2B E3 | A3- A3 | a3- a3 | c2A e2f | d2e A3 |]\ [| a3 ^f3 | g2d G3 | d3 f3 | e2B E3 | c2A d2f | e3 E3 | c2A d2e | aec A3 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center Les Amusements de Spa. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% The first Couple take hands, go between the %% fourth and change places, then Balanc\'e and %% Rigaudon while the third and second Couple %% do the same - - - 1/2 %%endtext %%begintext align %% The fourth Couple take hands, go between %% the first and change Places, then Balanc\'e and %% Rigaudon, while the second and third Couple %% do the same - - - 1/2 %%endtext %%center M I N E U R. %%begintext align %% The four Ladies half Right hand and Left %% to the opposite places, then the four Gentlemen %% do the same - - - 1/1 %%endtext %%begintext align %% The first and second Couple hands Round %% to their places, while the third and fourth %% Couple do the same - - - 1/2 %%endtext %%begintext align %% __ %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:31 T: La Tiroloise. %R: jig Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #31 M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 |:\ [f2A2D2]f fed | a2a a2g | fdf ece | ddd d3 |\ f2f fed | cde e2d | cdc BcB | A2A A3 :| |:\ d2d ded | (d/c/B)B B3 | e2e efe | (e/d/c)c c3 |\ dfa cea | dfa cea | Bgf edc | d2d d3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d |:\ d3 d3 | c3 A3 | d3 a2A | d2d d3 | d3 d3 | A3 c2d | e3 E3 | A2A A3 :| |:\ d3 d3 | g3 g3 | ^g3 g3 | a3 A3 | d3 A3 | d3 a2f | g2d a2A | d2d d3 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center La Tiroloise. %%begintext align %% Le Grand Rond. - - - 2/1 %%endtext %%begintext align %% The first and third Couple Contretems %% Forward, each Gentleman with the Left hand %% takes the opposite Lady by the Right hand and %% makes her turn under his Arm to the Right, %% them Moulinet to their places - - 1/2 %%endtext %%begintext align %% Counter-part - - - 1/2 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:32 T: L'Amour du Village. %R: reel Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #32 M: C| L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 dcBc |\ d2d2 edef | g2g2 dcBA | cBAG F2G2 | A2D2 dcBc |\ d2d2 edef | g2 g2 dcBA | cBAG A2F2 | G4 :| B2B2 |\ BAGA B2^c2 | d4 G2G2 | GFEF GEAG | F4 A2d^c |\ B2ed ^c2fe | d2g2 fefg | a^cdg f2e2 | "_Da Capo"d4 |] K: Dm "Mineur"B2dB |\ A2dA G2eG | {G}^F2D2 G^FGB | AGAB c2B2 | {B2}A4 B2dB |\ A2dA G2eG | ^F2D2 d2d2 | dgGc B2A2 | G4 |] B2Fd |\ d2Bf fedc | d2B2 B2Fd | d2Bf fedc | B4 B2Fd |\ d2Bf fedc | d2B2 B2Fd | d2Bg fedc | "_Da Capo"B4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d g2g2 |\ gabg c'bc'a | gdBG bagf | edcB AdBG | defd g2g2 | gabg c'bc'a | gdBG bagf | edcB cAdD | G4 :| g2g2 | gfef geag | fafd e2e2 | ed^cd ed^cA | d2de fed2 | gfe2 agf2 | bab^c' d'2de | fabg agaA | "_Da Capo"defd |] K: Dm "Mineur"G2g2 |\ ^f2d2 e2c2 | d2d'c' bd'bg | ^f=efg a^fg^c | de^fd G2g2 | ^f2d2 e2c2 | d2d'c' baga | b2c'2 d'2d2 | g4 |] B2b2 | b2dd' d'c'ba | bfdf B2b2 | b2dd' d'c'ba | bfdf B2b2 | b2dd' d'c'ba | bfdf B2b2 | b2de f2F2 | "_Da Capo"B4 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center L'Amour du Village. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% The first Couple face the fourth and Rigaudon, %% while the third Couple face the second and %% Rigaudon, then Moulinet four and four to their %% own places - - - - 1/2 %%endtext %%begintext align %% The second Couple face the first and Rigaudon, %% while the fourth Couple face the third and %% Rigaudon, then hands Round four and four to %% their own Places - - - 1/1 %%endtext %%center M I N E U R. %%begintext align %% Each Gentleman Balanc\'e with the Lady on %% his Left, then turn his Partner - - 1/1 %%endtext %%begintext align %% All Eight Chass\'e cross with the Partners %% and back again - - - 1/2 %%endtext %%begintext align %% Each Gentleman Balanc\'e with his Partner %% and Rigaudon, then Allemande with the Lady %% on his Left - - - - 1/1 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:33 T: La Precieuse. %R: jig Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #33 M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 A2A |\ ABA F2E | D3 A2A | d2d ede | [f3A3D3] A2A |\ ABA F2E | D3 A2A | ded efe | d3 :| |: FAc |\ dAf gea | f2d FAc | dAf gea | d3 A2A |\ GFG GAG | F2E A2A | G2F EDE | D3 :|[K:=f=c] [K:Dm]\ |: "Mineur"a2a |\ f2f {e}dcd | B3 g2g | e2e {d}cBc | A3 f2f |\ d2d {c}BAB | G3 g2f | {f}e2d ^c2d | e3 :| |: c2c |\ f2f fef | a3 A2A | d2d d^cd | e3 A2f |\ f2e e2d | d2^c c2d | BAG FGE | D3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d d2d |\ d3 d2a | d3 zza | f2d a2A | dfa d2d | d3 d2a | d3 zza | f2d a2A | d3 :||: d2d | d3 e2A | d2D D2d | d3 e2A | d2d f2f | g2d c2A | d2g f2d | a2d a2A | d3 :|[K:=f=c][K:Dm]|: "Mineur" z2z | d'2d' b2b | gfg e3 | c'2c' a2a | fef d3 | b2b g2g | e2d ^c2d | g2f e2d | A3 :||: z2z | d2d a2f | c3 z2z | d2d f2d | A2A A2z | d2z A2z | A2z A2d | G3 A3 | d3 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center La Precieuse. %%begintext align %% Le Grand Rond - - - - 2/1 %%endtext %%begintext align %% The first Gentleman with his Left hand, %% takes his Partner by the Right, and puts his %% Right behind her while she puts her Left %% behind him; the third Couple do the same, and %% in that Position the first and third Couple %% Queue du Chat - - - 1/2 %%endtext %%begintext align %% Counter-part - - - 1/2 %%endtext %% M I N E U R. %%begintext align %% Each Gentleman Chass\'e to the Corner on %% his Right and Rigaudon, in this manner compleat %% the Square, while the Ladies do the same %% to the Left - - - - 2/1 %%endtext %%begintext align %% The four Ladies Contretems in the middle %% and Rigaudon, then Allemande with their %% Partners - - - - 1/2 %%endtext %%begintext align %% The four Gentlemen Contretems in the middle %% and Rigaudon, then Allemande with their %% Partners - - - - 1/2 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:34 T: Le Bois de Boulogne. %R: reel Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #34 M: 2/4 L: 1/16 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 |:\ [B4D4G,4] dBcA | GABc d2d2 | dfga gdcB | AGFE D4 |\ [B4D4G,4] dBcA | GABc d2d2 | dfga gBcA | G2G,2 G,4 :| |:\ a4 {g}f2ed | g4 {e}d2cB | cfac BdgB | AGFE D4 |\ a4 {g}f2ed | g4 dcBA | BdBG AcAF | G4 G,4 :|[K:Gm] [| "Mineur"\ B4 dcBA | GBAc Bdce | {e}d2cB AG^FG | AG^F=E D4 |\ B4 dcBA | GBAc Bdce | d2G2 {B}A2G^F | G2G,2 HG,4 |] B4 {e}d2cB | fgfb f4 | G4 {c}B2AG | Bdce d4 |\ bagf =ed^c=B | A^c=ec Aceg | {g}f2=ed {f}e2d^c | "_Da Capo"d2D2 D4 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d |:\ G4 B2d2 | g2G2B2G2 | d2c2B2G2 | d4 dcBA | G4 B2d2 | g2G2B2G2 | d2c2B2d2 | G8 :||: d4 d'2c'2 | b2d'2b2g2 | a2f2g2G2 | d4 f2a2 | d4 d'2c'2 | b2g2f2d2 | g2B2c2d2 | G8 :|[K:Gm] [| "Mineur"\ G2g2^f2d2 | g2d2 G2c2 | B2G2c2e2 | d4 dcBA | G2g2^f2d2 | g2d2 G2c2 | B2e2c2d2 | HG8 |] b4 B4 | b4 B4 | g4 G4 | g4 G4 | g4 G4 | A4 ^c4 | d4 A4 | "_Da Capo"d8 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center Le Bois de Boulogne. %%begintext align %% Le Grand Rond - - - - 2/1 %%endtext %%begintext align %% The first and third Couple advance with %% Contretems and Rigaudon, the first Gentleman %% and third Lady pass through the fourth Couple %% and turn to their places, while the third %% Gentleman and first Lady pass through the second %% Couple and turn to their places - - 1/2 %%endtext %%begintext align %% Counter-part - - - 1/2 %%endtext %%center M I N E U R. %%begintext align %% The first and third Couple hands Round %% with the Couple on their Left and change %% places, then do the same again 'till you %% compleat half the Course - - - 1/1 %%endtext %%begintext align %% Each Couple Back to Back with their %% Partners and Allemande - - - 1/2 %%endtext %%begintext align %% The first and third Couple hands Round %% with the Couple on their Left and change %% places, then do the same again 'till you have %% finished the Course - - - 1/1 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:35 T: La Chatouilleuse. %R: jig Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #35 M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 DFA |\ dfa gfe | d2A BGB | AFA AGF | {F}E3 DFA |\ dfa gec | d2A BGB | AFA GFE | D3 :| |: Ad=c |\ B2G Bed | ^c2A efg | fga agf | e3 DFA |\ dfa gec | d2A BGE | AFD EDC | D3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d z2z | d2f a2g | f3 g3 | f3 fed | A3 z2z | d2f a2g | f3 g3 | f3 g2a | d3 :| |: f3 | g3 ^g3 | a3 A3 | d3 d3 A3 z2z | d2f a2g | f2f g3 | f3 g2a | d3 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center La Chatouilleuse. %%begintext align %% Le Grand Rond - - - - 2/1 %%endtext %%begintext align %% The first and Third Couple a Quarter of the %% Round with the Couple on their Right, and %% Rigaudon; the same again and then you are in %% opposite places - - - 1/2 %%endtext %%begintext align %% The Ladies half Moulinet on the Right, at %% the same time the Gentlemen make half a %% Course on the Left, and then the Allemande - 1/2 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:36 T: Les Plaisirs de Flore %R: reel Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #36 M: 2/4 L: 1/16 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 dBAG |\ ecBA BdBF | GDB,G, dBAG | ecBA BdBF | G2G,2 dBAG |\ ecBA BdBF | GDB,G, dBAG | ecBA BdBF | G4 :| |: bgfe |\ afed ged^c | dAFD bgfe | afed ged^c | d2D2 dBce |\ dG,B,D GBAF | GgBc dBce | dG,B,D GBAF | G4 :|\ [K:Gm] "Mineur"bag^f |\ gedc BAG^F | GDB,G, BGBd | e^FAc dDcB | A2D2 bag^f |\ gedc BAG^F | GDB,G, dGBd | e^FAc dcBA | G2G,2 :| |: deff |\ FEDE FBcA | Bdfb deff | FEDE FBcA | B2B,2 dBAG |\ ecBA dBA^F | G2G2 dBAG | ecBA dBA^F | G2G2 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d g4 |\ c4 d4 | G4 g4 | c4 d4 | G4 g4 | c4 d4 | G4 g4 | c4 d4 | G4 :||: g4 | f4 e4 | d4 g4 | f4 e4 | d4 g2c2 | B2G2B2d2 | g4 G2c2 | B2G2B2d2 | G4 :|\ [K:Gm] "Mineur"g2a2 | b2c'2d'2d2 | g4 G4 | c4 B2AG | d4 g2a2 | b2c'2 d'2d2 | g4 G4 | c4 B2d2 | G4 :||: B4 | d2B2 d2f2 | B4 B4 | d2B2 d2f2 | B4 b4 | c'4 d'2d2 | e4 B4 | c4 d2D2 | G4 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center Les Plaisirs de Flore. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% The first and fourth Couple Right hand and %% Left, while the second and third Couple do the %% same - - - - 1/2 %%endtext %%begintext align %% The first and second Couple Right hand and %% Left, while the third and fourth Couple do the %% same - - - - 1/2 %%endtext %%center M I N E U R. %%begintext align %% All Eight the Double Moulinet to the Right %% one Quarter of the Course and Rigaudon, then %% Chass\'e and change places with their Partners - 1/1 %%endtext %%begintext align %% One other Quarter of the Course in the same %% manner - - - - 1/1 %%endtext %%begintext align %% One other Quarter of the Course in the same %% manner - - - - 1/2 %%endtext %%begintext align %% Compleat the Course in the same manner - 1/2 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:37 T: La Bientot faite. %R: jig Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #37 N: The middle part of the instructions should probably be 1/2, not 2/1. M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 A>BA |\ FDd e>de | f2d [A2D2]d | [B2D2]g {f}e2d | c3 ABA |\ FDd e>de | f2d [f2A2D2]a | [g2B2D2]b ABc | d3 :| |: fga |\ afd dcd | e3 efg | gec cBc | d3 dcd |\ e2e fef | g2g aga | bag f2e | d3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d d3 |\ d2f a2A | d2f d2f | g2b g2^g | a3 c3 | d2d c2A | d2f d2f | g2e a2A | d3 :||: d3 | d3 B3 | A3 e3 | c3 A3 | d3 f3 | g3 a3 | b3 f3 | g3 a2A | d3 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center La Bientot faite. %%begintext align %% Le Grand Rond. Then fall in two Lines - 2/1 %%endtext %%begintext align %% Contretems Forward and Rigaudon, then %% hands Round four and four, finishing in %% opposite Lines - - - - 2/1 %%endtext %%begintext align %% Counter-part - - - 1/2 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:38 T: Le Plaisir des Dames. %R: reel Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #38 M: 2/4 L: 1/16 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 E2 |\ AGAB AcBd | {d}cBcd cedf |\ e2{g}fe dcBA | GABG E2(3(EFG) |\ AGAB AcBd | {d}cBcd cedf |\ eagf gef^d | {d}e6 :||: (cd) |\ edef eedc | dcB^A B2Bc | dcde ddcB | cBAG A2e2 |\ fAdf eAce | fAdf eAce |\ fedc BABG | {G}A6 :| [K:Am] "Mineur"cd |\ edef ea (3(^gab) | d2de dfed |\ (3(ced) (3(cBA) (3(Bdc) (3(BA^G) | (3(AED) (3(CDE) A,2cd |\ edef ea (3(^gab) | d2de dfed |\ (3(ced) (3(cBA) (3(Bdc) (3(BA^G) | {G}A6 |] ec |\ {c}B2cA {A}^G2ec | {c}B2cA {A}^G2ec | f3e dcBA | (3(^GAB) (3(GAB) E2cd |\ edef ea (3(^gab) | d2de dfed |\ (3(ced) (3(cBA) (3(Bdc) (3(BA^G) | {G}A6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d z2 | a2A2 c2e2 | a4 A2d2 | c4 d4 | e4 E4 | a2A2 c2e2 | a4 A2d2 | c2a2b2B2 | e2B2E2 :||: z2 | z2c'2f2^a2 | b2f2 B4 | z2b2e2g2 | a2e2 A2c2 | d4 c2A2 | d4 c2A2 | d2B2 e2E2 | A2a2A2 :| [K:Am] "Mineur"z2 |\ a2A2 c2e2 | B2b2^g2e2 | a2c2d2e2 | a4 A4 | a2A2 c2e2 | B2b2^g2e2 | a2c2d2e2 | a2e2A2 |] a2 | ^g2a2e2a2 | ^g2a2e2a2 | d2e2f2d2 | e4 E4 | a2A2 c2e2 | B2b2^g2e2 | a2c2d2e2 | a2e2A2 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center Le Plaisir des Dames. %%begintext align %% Le Grand Rond - - - - 2/1 %%endtext %%begintext align %% Every Gentleman goes behind Partner %% and Allemande with each Lady until he gets %% Round to his own place - - 2/2 %%endtext %%center M I N E U R. %%begintext align %% Each Gentleman gives his Left hand to his %% Partner, and his Right hand to the Lady on his %% Left; All Rigaudon and go half Round in that %% Position - - - - 1/1 %%endtext %%begintext align %% The Gentlemen Quit hands, turn and Chass\'e %% on the outside to the Right, while the Ladies %% Chass\'ee inside on the Left to their own places - 1/2 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:39 T: La Bien ais\`ee %R: reel Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #39 N: Different accents are used in the tune and dance titles. M: 2/4 L: 1/16 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 AGFE |\ D2D2 afed | {d}c2BA gecA | dAFD GEFD | A4 AGFE |\ D2D2 afed | {d}c2BA gecA | dAFD ECA,C | D4 :| |: ABcd |\ efgf gfed |{d}c2BA GBAG | {G}F2ED gAfA | edcB ABcd |\ efgf gfed | {d}c2BA GBAG | FAde fdec | d4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d d2a2 | f2d2 f2g2 | a4 e2g2 | f4 e2d2 | A4 z4 | z2d2f2g2 | a4 e2g2 | f2d2 a2A2 | d4 :||: z4 | A4 A4 | A2B2 c2A2 | d2f2 e2d2 | a4 z4 | A4 A4 | A2B2 c2A2 | d2fg a2A2 | d4 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center La Bien Ais\'ee %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% The first Gentleman gives his Right hand to %% the third Lady, the third Gentleman gives his %% Right hand to the first Lady, All four change %% places and Rigaudon, then the second and fourth %% Couple do the same - - - 1/2 %%endtext %%begintext align %% All Eight Right hand and Left, half Round - 1/2 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:40 T: Les Plaisirs Champetres. %R: reel, march Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #40 M: 2/4 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 |:\ c>Bc>d | efed | cBAG | A2E2 |\ c>Bc>d | efed | cBAG | A2 A2 :|\ ed/c/ de | Tf2 ea | ed/c/ de | Tf2 ea | gfed | cd/e/ fe | dcBA | B4 |\ c>Bc>d | efed | cBAG | A2E2 |\ c>Bc>d | efed | cBAG | A2 A2 |] K: Am "Mineur"\ cAAc | BEEe | dcBd | cB/c/ AE |\ cAAc | BEEe | dcBc | A4 |]\ ec/d/ ec | dggG | cedc | B2G2 | gf/e/ dc | fz ez | dcdB | c2 C2 |]\ ecce | dB Bz | dBBd | cA Az |\ fg/f/ ez | de/d/ cz | Bc/d/ E^G | A2 A,2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d A>GA>B | cdcB | A2e2 | aAce | a>ga>b | c'd'c'b | a2 e2 | a2 A2 :| A2 Bc | d2 c2 | A2 Bc | d2 cA | e2 g2 | a2 dc | B2 f2 | edcB | A>GA>B | cdcB | A2 e2 | aAce | a>ga>b | c'd'c'b | a2 e2 | a2 A2 |] K: Am "Mineur"\ a2 c'a | ^g2 e2 | ^f2 ^g2 | a2 A2 | a2 c'a | ^g2 ac | d2 e2 | A4 |] c2 c'2 | b2 B2 | A2 ^f2 | g2 G2 | e2 a2 | d2 c2 | g2 G2 | c4 |] c2 c'2 | b2 ^g2 | e2 ^g2 | a2 A2 | d2 c2 | B2 A2 | d2 e2 | A4 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center Les Plaisirs Champetres. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% All Eight Contretems, the Ladies go Round %% to the Left and the Gentlemen to the Right, %% with Rigaudon to each Lady as he meets her - 1/2 %%endtext %%center M I N E U R. %%begintext align %% Half La Chaine - - - 1/1 %%endtext %%begintext align %% The Poussette - - - 1/2 %%endtext %%begintext align %% Compleat La Chaine - - -1/3 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:41 T: La Reverie %R: jig Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #41 M: 6/8 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 E |\ A2A Ace | a2a a2c | ded cdc | B2B B2E |\ A2A Ace | a2a a2d | cec BdB | A2A A2 :| e |\ a2a agf | b2b b2a | gag fge | f2B B2B |\ e2e e^de | f2f fef | gag fgf | e2e "Da Capo"e2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d z |\ a2a c'2a | c'2a c'2a | b3 a3 | e3 e3 | c2A c2A | c2A c2f | e3 e3 | a2A A2 :| A | c2A f2f | g2e ^c2B | e3 a2c' | b3 b2a | g3 e3 | ^d3 B3 | e2g b2B | e2e "Da Capo"e2 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center La Reverie. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% The first and third Couple Contretems %% Forward and Rigaudon, the first Gentleman and %% third Lady pass through the fourth Couple, %% and turn to their places, at the same time the %% first Lady and third Gentleman pass through %% the second Couple and turn to their places - 1/2 %%endtext %%begintext align %% The first and second Couple Right hand and %% Left, the third and fourth Couple Right hand %% and Left at the same time - - 1/1 %%endtext %%begintext align %% The second and fourth Couple Contretems %% Forward and Rigaudon, the second Gentleman %% and fourth Lady pass through the first Couple %% and turn to their places, at the same time the %% second Lady and fourth Gentleman pass %% through the third Couple and turn to their %% places - - - - 1/2 %%endtext %%begintext align %% The first and fourth Couple Right hand and %% Left, the second and third Couple Right hand %% and Left at the same time - - - 1/1 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:42 T: La Belle Veuve. %R: reel Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #42 M: 2/4 L: 1/16 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 ed |\ cdec A2c2 | BAGF E2B2 | cAce a2c2 | c2B2 z2B2 |\ c2ac B2g2 | A2fA G2e2 | c2a2 gef^d | e6 :| |: BA |\ GABG E2d2 | cdec A2=g2 | fedc dcBA | {A}G4 z2e2 |\ f2df e2a2 | d2Bd c2e2 | F2d2 cABG | A6 :| M: 6/8 K: Am |: "Mineur"AB |\ cBAc B2E2 | FEDF E2A2 | B,2F2E2D2 | C2B,C A,2AB |\ cBAc B2E2 | FEDF E2A2 | ^G2A2 d2c2 | B6 :| |: ed |\ cdec A2G2 | FGAF D2dc | BcdB G2F2 | EFGE C2cB |\ A2Bc dcBA | ^G2E2A2C2 | B,3F EDCB, | A,6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d z2 |\ A4 c2A2 | e4 g2e2 | a4 c'2a2 | e'2e2g2e2 | a2f2g2e2 | f2^d2e2g2 | a2f2b2B2 | e2B2E2 :||: z2 | e4 g2e2 | a4 c2A2 | d2e2f2d2 | e2e'2c'2a2 | d'2b2c'2a2 | b2g2a2c2 | d2B2e2E2 | a2e2A2 :| M: 6/8 K: Am |: "Mineur"z2 |\ a4 e2c2 | d4 c2A2 | d2B2 e2E2 | A4 z4 | a4 e2c2 | d4 c2A2 | e2c2B2A2 | e2B2E2 :||: z2 | A4 c2A2 | d4 f2d2 | g4 B2G2 | c4 e2c2 | f2e2d2f2 | e2d2 c2A2 | d2B2e2E2 | a2e2A2 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 N: Redundant "the the" changed to "the". "MINEUR" fixed. %%center La Belle Veuve. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% The Ladies are to keep their places, but %% the Gentlemen must Allemande with each Lady %% on his Left, until he gets half Round - - 1/2 %%endtext %%begintext align %% The Gentlemen are to keep their places, but %% the Ladies must Allemande with each Gentleman %% on her Left, until she gets half Round - 1/2 %%endtext %%center M I N E U R. %%begintext align %% The Ladies Right hands cross, and the %% Gentlemen join hands with their Partners in %% form of a Double Moulinet, each Gentleman %% Contretems and advances before his Partner, %% then join their Left hand cross, holding their %% Ladies with the Right in the form of a Star, %% then Rigaudon - - - 1/1 %%endtext %%begintext align %% All Eight Chass\'e up and down with Rigaudon - 1/1 %%endtext %%begintext align %% Each Gentleman holding his Lady by both %% hands, makes her turn Round to the Right, %% and Chass\'e to the Corner in that Position, then %% makes her turn Round to the Left and Chass\'e %% back again - - - - 1/2 %%endtext %%begintext align %% Half La Chaine with the Allemande passes - 1/2 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:43 T: La Belle Paisanne. %R: jig Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #43 M: 6/8 L: 1/8 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 A2c |\ e2a agf | e3 fdd | ecc BAB | c3 A2c |\ e2a agf | g3 bge | cag fef | e3 | |: c2e |\ efe edc | d3 B2d | ded dcB | c3 CDE |\ EFE CDE | EFE EFG | Adc BAG | A3 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d A3 |\ a3 d3 | c3 d3 | A3 e3 | a3 A3 | c3 f3 | e3 g3 | a3 b3 | e3 :||: a3 | c'3 f3 | b3 b3 | e3 g3 | a3 a3 | g3 a3 | g3 a2g | f2c d2e | A3 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center La Belle Paisanne. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% The first and third Couple Queue du Chat %% and Allemande with each others Partner, then %% return to their places - - - - 1/2 %%endtext %%begintext align %% The second and fourth do the same - - 1/2 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:44 T: La Graziosetta %R: march Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #44 M: C| L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 A2 |\ A2d2 d2c2 | B4 A4 | B2A2 B2c2 | dcde d2A2 |\ A2d2 d2c2 | B4 A4 | B2A2 B2c2 | d6 |]\ d2 |\ e2f2 g2f2 | e2d2 c2d2 | e2f2 g2f2 | e2A2 A2d2 | c2d2 edcB | c2A2 A2d2 | c2d2 edcB | A4 e4 |\ e3d e2f2 | g4 f4 | e2d2 e2c2 | dcde d2f2 |\ e2d2 e2f2 | g4 f4 | e2d2 e2c2 | d6 |] [M:3/4] f2gfef | d2A2A2 | d2c2d2 | edefe2 |\ f2gfef | d2A2A2 | d2cdec | d6 |]\ e2gfed | edcBA2 | B2B2B2 | c2BcA2 | B2B2B2 | c2BcA2 | B2dcBc | A4A2 |\ e2gfed | edcBA2 | d2d2d2 | efgef2 |\ d2d2d2 | efgea2 | f2gfef | d6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d z2 |\ d4 f4 | g2e2 f2d2 | g2f2 g2a2 | d8 | d4 f4 | g2e2 f2d2 | g2f2 g2a2 | d6 |] d2 | c2d2 e2d2 | c2B2 A2B2 | c2d2 e2d2 | a4 z4 | A4 z4 | a4 z4 | A4 z4 | a2A2 c2e2 | A2a2 g2f2 | e2c'2 d'2f2 | g2f2 g2a2 | d6 d2 | g2f2 g2a2 | b2c'2 d'2f2 | g2f2 g2a2 | d6 |] [M:3/4] d'2g2a2 | f2d2z2 | f2e2d2 | a6 | d'2g2a2 | f2d2z2 | d2a2A2 | d2A2D2 |] A4z2 | a4z2 | e2^g2e2 | a2e2A2 | e2^g2e2 | a2e2f2 | d2e2E2 | A6 | a6 | A6 | f2d2f2 | a2A2d2 | f2d2f2 | a2A2c2 | d2G2A2 D6 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center La Graziosetta. %%begintext align %% The first Gentleman leads his Partner and %% the second Couple the whole Round to the %% left, while the fourth Lady leads her Partner %% and the second Couple to the Right - - - 1/1 %%endtext %%begintext align %% The Gentlemen go Round to the Right and %% the Ladies to the Left, with the Allemande and %% Rigaudon at every Quarter of the Course - - 1/2 %%endtext %%center M I N U E T. %%begintext align %% This must be performed with Minuet Steps all through. %%endtext %%begintext align %% The Ladies go to the Right with hands %% Round in the middle, while each Gentleman %% goes Round to the Left - - 1/1 %%endtext %%begintext align %% The Course, each Couple turning Round at %% every Quarter - - - 1/2 %%endtext %%begintext align %% __ %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:45 T: Allemande. %R: reel, march Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #45 M: 2/4 L: 1/16 K: A % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 |:\ a4 e4 | {d}c2Bc A2E2 | F2E2F2G2 | AGAB A2A2 |\ a4 e4 | {d}c2Bc A2E2 | F2E2F2G2 | {G}A4 z2 :| |: e2 |\ (fd).A.d (fd).A.d | (ec).A.c (ec).A.c | (de).c.d (Bc).A.B | (GA).B.G E2e2 |\ (fd).A.d (fd).A.d | (ec).A.c (ec).A.c | (dc).B.A (GA).B.G | (AE).C.E A,4 :| |:\ (CE).A.E (CE).A.E | (DF).A.F (DF).A.F | (EG).B.c (dc).B.A | (GA).B.G E2E2 |\ (CE).A.E (CE).A.E | (DF).A.F (DF).A.F | (EG).B.d (cB).A.G | (AE).C.E A,4 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d |:\ z2A2c2e2 | a4 z2c'2 | d'2c'2d'2b2 | a4 A4 | z2A2c2e2 | a4 z2c2 | d2c2d2e2 | a2e2A2 :||: c'2 | d'4 d4 | c'4 c4 | b2a2g2f2 | e6 c'2 | d'4 d4 | c'4 c4 | b2d'2e'2e2 | a4 A4 :||: A4 a4 | f4 f4 | g4 a4 | e4 E4 | A4 a4 | f4 d4 | e4 E4 | a4 A4 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center Allemande. %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% The first and third Gentlemen lead up and %% Allemande with each others Lady, then return %% and Allemande with their Partners - - 1/2 %%endtext %%begintext align %% The second and fourth Couple do the same 1/2 %%endtext %%begintext align %% Each Lady with the Right hand behind, %% joins her Partner's Right, and each Gentleman %% with his Left hand behind, joins his Partner's %% Left; in this Position they must do the Course, %% but all turn and face each other at every %% Quarter - - - - - 2/3 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:46 T: Le Prince de Galles %R: jig, waltz Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #46 M: 6/8 L: 1/8 K: Dm % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 A |\ d2A fed | a2A A2a | def efd | ^cde Aag |\ fef c2c | dcd A2A | BAB Gge | f2F F2 :| |: f |\ (f//g//a3/)f gbg | (e//f//g3/)e faf | (d//e//f3/)d ege | (^c//d//e3/)c Ad=c |\ BAB GAB | Adf ed^c | dAG FGE | D2D D2 :| [K:=B][K:D][M:3/4] |:\ "_Gracieusement"\ f4e2 | d2c2d2 | edefga | (g2f2)g2 |\ a2(gf) (ba) | {a}g2(fe) (ag) | {g}f2(ed) (gf) |[1 {f2}e6 :|[2 {f2}e6 |] |:\ e3g fa | g2f2e2 | (fd)(cd)(Be) | (d2c2)A2 | B2(AG) (ed) |\ c2(BA) (ag) | f2{a}g2{f}e2 |[1 {e2}d6 :|[2 {e2}d6 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d z |\ d3 d'3 | c'3 c3 | B3 g3 | a3 ^c3 | d3 a3 | b3 f3 | g3 c'3 | f3- f2 :||: z d'3 b3 | c'3 a3 | b3 g3 | a3 f3 | g3 e3 | f2d g2a | f2g a2A | d3- d2 :| [K:=B][K:D][M:3/4] |:\ "_Gracieusement"\ d2d'2a2 | f2e2d2 | a2c'2a2 | d'2d2e2 | f2d2B2 | e2c2A2 | d2B2G2 |[1A2agfe :|[2 A2c2e2 |] |:\ a2a2a2 | a2a2a2 | d2f2g2 | a4f2 | g4^g2 | a4c'2 | d'2g2a2 |[1dcdefg :|[2 d2A2D2 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%center Le Prince de Galles %%begintext align %% Le Grand Rond - - - 2/1 %%endtext %%begintext align %% The first and third Gentlemen lead their %% Partners half a Circle to each others Place, %% then the second and fourth do the same - 1/2 %%endtext %%begintext align %% Each Couple Allemande, then the Gentlemen %% Allemande to the Right and the Ladies to the %% Left, until they get Round to their places - 1/2 %%endtext %%center M I N U E T. %%begintext align %% This must be performed with Minuet Steps %% all through. %%endtext %%begintext align %% The Gentlemen lead their Partners up the %% middle, then Round on the Right to their %% places - - - - 1/1 %%endtext %%begintext align %% Every Couple cross each other, then back %% again to their places - - 1/1 %%endtext %%begintext align %% The Ladies hands cross in the Middle, then %% turn to their Partners - - - 1/2 %%endtext %%begintext align %% The Gentlemen do the same - - 1/2 %%endtext %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:47 T: Le Charmant Vainqueur %R: waltz, reel, jig Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #47 N: The waltz has 10- and 12-bar strains; the reel has two 8-bar strains; the jig has 8- and 16-bar strains. M: 3/4 L: 1/8 K: Gm % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 GA |\ {A}B3ABG | d2g2ab | {g}^f3=ed2 | _e2d2c2 |\ d2B2f2 | b3ag2 | a2bagf | {f}=e2A2d^c |\ d=e{f}Te3d |[1 d4 :|[2 d3 |: bab |\ {g}^f3=efd | gagf_ef | d2edcB | c2A2c2 | B2d2eg | {g}f3fga | bBd2c2 | B2b2a2 | g2abag |\ ^f3dgf | ga{b}Ta3g |[1 g3 :|[2 d4 |] M: C| d2 |\ B2G2 B2c2 | dcBA G2g2 | {g}^f2g2 aga^f | g^fga g2d2 |\ B2G2 B2c2 | dcBA G2b2 | a2g2 ^fgaf | g6 |] de |\ f2ed e2dc | d2cd B2d2 | cdBc ABGB | AG^F=E D_ede |\ f2ed e2dc | d2cd B2b2 | B2cA BGA^F | G6 |] M: 6/8 G2d |\ {c}BAG d2g | {g}^f=ed g2a | bag dcd | {c}B2A G2d |\ {c}BAG d2g | {g}^f=ed g2a | bag dg^f | g3 |] b2=f |\ dcB F2f | dcB F2f | fed cBA | {c}BAB d2g |\ edc =B2g | edc =B2g | gfe dc=B | c=Bc edc | ded dcB | cdc cBA | BAG d2G | ^F=ED d=e^f |\ gab aga | bag ^fga | dcB AG^F | G3 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d z2 |\ G4g2 | f2e2c2 | d4g2 | c2f2F2 | B2b2a2 | g2f2=e2 | f2gf=ed | a3gf=e | fga2A2 |[1 d4 :|[2 d3 |: z2z | d6 | G4A2 | B2cBAG | F2f2e2 | d2B2e2 | d2d'2c'2 | b2f2F2 | B4d2 | e2c2e2 | d2c2BA | Bcd2D2 |[1 G3 :|[2 G4 |] M: C| z2 |\ g4 G2A2 | B6 b2 | a2g2 d'2d2 | g4 G4 | g4 G2A2 | B6 g2 | c2e2 d2D2 | G6 |] z2 | b4 f4 | B6 b2 | "[p.2]"\ a2g2 ^f2g2 | d4 z4 | b4 f4 | B6 d2 | e2c2 d2D2 | G6 |] M: 6/8 z2z |\ G3 B2c | d3 B2d | g3 ^f3 | g3- g3 | G3 B2c | d3 B2d | g2c d2D | G3 |] z2z | b3 a3 | b3 a3 | b3 f3 | B3 =B3 | c3 G3 | c3 G3 | c3 g3 | c'3 a3 | b3 g3 | a3 ^f3 | g3 B2c | d3 B2A | G3 d3 | g3 d3 | B2c d2D | G3 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:48 T: La Fourlane Venetienne T: La Barcariuole %R: jig, tarantella Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #48 M: 6/8 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 A ABc |\ d2d g2f | e2a dcd | Bgf edc | d2A, A,B,C |\ D2D G2F | E2A DCD | B,GF EDC | D2 |] d (f/g/a).a |\ (g/a/b).b (e/f/g).g | (f/g/a).a def | Bgf edc | d2D (F/G/A).A |\ (G/A/B).B (E/F/G).G | (F/G/A).A (D/E/F).F | B,GF EDC | D2 |] f fff & A AAA |\ ggg eee & AAA AAA | fff eee & AAA FFF | egf edc & B2x x3 | d2f A/f/A/f/A/f/ |\ A/g/A/g/A/g/ A/e/A/e/A/e/ | A/f/A/f/A/f/ F/d/F/d/F/d/ | Bgf edc | d2 |] % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d z d'3 | b3 g3 | a3 f3 | g3 a3 | d3 d3 | B3 G3 | A3 F3 | G3 A3 | d2 |] a d'3 | g3 a3 | d3 f3 | g3 a3 | d3 d'3 | g3 a3 | d3 f3 | g3 a3 | d2 |] z d'3 | c'3 c'3 | d'3 d3 | g3 a3 | d3 d'3 | c'3 c'3 | d'3 d3 | g3 a3 | d2 |] % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:49 T: Minuet du Dauphin %R: minuet, waltz Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #49 N: The fermata on the first beat of the last bar is a bit odd. M: 3/4 L: 1/8 K: G % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 |:\ GBB2A2 | Acc2B2 | BdcABG | A2DDD2 |\ GBB2A2 | Acc2B2 | BdBGAF | G6 :|\ |:\ Bdgbag | fagfed | efgefd | e4A2 | dffeed | eggffe | faA2^c2 | d4D2 |\ BcdBca | ABcABg | ABcABG | A4D2 |\ GBBAAG | AccBBA | (3(Bcd)D2F2 | G6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d z2d'2d2 | z2d2g2 | z2d'2g2 | d6 | z2d'2d2 | z2d2g2 | z2d'2d2 | g2d2G2 :||: d4z2 | d4z2 | ^c4d2 | A4z2 | d2B2z2 | ^c2A2z2 | d2a2A2 | d6 | d6 | d6 | d4g2 | d4z2 | B2d2e2 | f2d2f2 | g2d2D2 | HG2B2d2 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400 %%sep 2 1 500 %%sep 1 1 500 X:50 T: Le Passe-pied de la Reine %R: minuet, waltz Z: 2015 John Chambers <jc:trillian.mit.edu> S: http://books.google.com/books?id=ipV0y26Vq8EC B: Giovanni Andrea Gallini "A New Collection of Forty-Four Cotillions" c.1755 #50 M: 3/4 L: 1/8 K: D % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 1 staff breaks arranged to fit a wider page: V: 1 |:\ FEDEFG | AGABcA | d2B2e2 | c2BcA2 |\ efg2B2 | cde2A2 | d2e2{d}c2 | d6 :|\ |:\ A2FGA2 | D2d2c2 | {c2}B4A2 | ^G2B2e2 | {e2}d4c2 | B2A2B2 | c2dcBc | A6 |\ EDEGFA | GFGBA=c | B2e4 | {d}Tc3de2 |\ A2A2A2 | A2BAGF | GA/B/F2TE2 | D6 :| |:\ a2a2a2 | d6 | edefge | f2efd2 |\ gfgafg | edefde | cd(Td3c/d/) | e6 :|\ |:\ AGAB=cA | B2ABG2 | BAB^cdB | c2BcA2 |\ dcdecd | edefge | f2e2d2 | a6- |\ agfedc | Bcdefd | ef/g/f2Te2 | d6 :| % - - - - - - - - - - - - - - - - - - - - - - - - - - - - - % Voice 2 preserves the original staff layout: V: 2 clef=bass middle=d |:\ d6 | c6 | B2G2E2 | A2e2a2 | g2g2g2 g4f2 | b2g2a2 | defgfe :||: d4 c2 | B4A2 | ^G4A2 | d4c2 | B4A2 | e2f2^g2 | a2d2e2 | A2c2e2 | a6 | edegfa | gfefge | "[p.2]"\ a2A2g2 | f2d2d'2 | c'4d'2 | g2a2A2 | defgfe :||: d2c2A2 | B2b2f2 | g2e2a2 | d'2a2d2 | b4a2 | g4f2 | e2f2d2 | A2agfe :||: f4d2 | g2d2G2 | ^g4e2 | a2e2A2 | f4z2 | c4A2 | d2c2B2 | A2agfe | f2d2f2 | gabc'd'2 | g2a2A2 | d2A2D2 :| % - - - - - - - - - - Dance description - - - - - - - - - - %%sep 1 1 400

[get.cgi V=1/1 B=0 scale=0.60 512x512 ]

file	size	description
Coll_16975.log	119856	Log file, useful mostly for debugging
Tune-16975-NewColl44Cot2.abc	99588	ABC music file with the extracted tune(s)
Tune-16975-NewColl44Cot2.txt	99588	Plain-text file with the extracted tune(s)
Tune-16975-get.log	36616	Log file, useful mostly for debugging

These files should be available for 24 hours.