CSRHW-abc1 [TXT]

X:000 T: A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c. C: William Christie B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 S: archive.org file IMSLP333182-PMLP429041-airsmelodiespecu00fras.pdf Z: 2022 John Chambers <jc:trillian.mit.edu> F:http://roaringjelly.org/~jc/music/book/WilliamChristie/CSRHW-abc1.abc 2024-11-27 172414 UT K: none % = = = = = = = = = = %%sep 2 2 500 %%center A %%center COLLECTION %%center of %%center STRATHSPEYS, REELS, HORNPIPES, WALTZES, &c. %%center ARRANGED AS MEDLEYS %%center for the %%center Harp %%center Piano forte Violin and Violoncello %%center by %%center WILLIAM CHRISTIE %%center Teacher of Dancing %%center ------------------------------ %%center EDINBURGH %%sep 2 2 500 %%sep 2 2 500 X:011 T: Auchry C: by Wm. Christie R: air B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: 9/8 L: 1/8 Q: "Slow." K: F %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for 2 6-bar lines. V: 1 staves=2 "^Grazioso."c |\ Tf>ga (c<A)d {cd}c<F ~f/>g/ | {fg}a>gf/d/ (cA)c {c}d2(e/d//e//) |\ "_cres:"(f/a/).g/.f/.e/.d/ ({d}c>B)A Bcd | (c<f)A {A}TG>FG [F2A,2] :|\ F | (A//B//c3/)~F (B//c//d3/).B (Ac)f | {d}cAF .A,([BG][AF]) ([A/F/][G2E2])F | (A//B//c3/)~F (B//c//d3/).B (Ac)f | "_cres:"(d<g)f (ec)e [f2A2]F ||\ (A//B//c3/)~F (B//c//d3/).B (Ac)f | {d}cAF .C([c/A/][B/G/])([A/F/][B/G/]) ([A/F/][G2E2])F |\ "_Exp.o"(A//B//c3/)B (A<d)c (B<b).a | .g(Bd) .c(EG) [F2A,2] |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d "^Grazioso."z |\ [f3F3] [f2F2]b [a2A2]z | f2B A2F [B2B,2]z | "_cres:"f2b agf dcB | A2F c2C F2 :| z | [f3F3] [B3B,3] [f3F3] | [f3F3] [e2E2][fF] x/[c2C2]z | [f3F3] B2d f2a | "_cres:"[b3B3] c'2c [f3F3] ||\ [f3F3] [B3B,3] [f3F3] | A3 F3 x/[c2C2]z | "_Exp.o"f2e f2A B2f | g2B c2C F2 |] % = = = = = = = = = = X:012 T: Miss Garden Campbell of Troup's Hornpipe C: by Wm. Christie R: minuet B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/8 Q: "Allegretto" K: F %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 |: "_Dolce."\ [A2F2][AF][BG] {d}[c2A2][B2G2] {B}[A4F4] | (F2.[d2B2]) ({e}[d2B2].[c2A2]) ({d}[c2A2].[B2G2]) |\ [A2F2][AF][BG] {d}[c2A2][B2G2] {B}[A4F4] | [A2F2][B2G2] [G2E2][E2C2] [F4A,4] :|\ Tf2fg {b}a2g2 {g}Tf4 | ~d2f2 c2f2 {fg}a2g2 | f2fg {b}a2g2 {g}f4 | ~d2fd (cb).a.g {g}f4 ||\ f2fg {fg}a2g2 {gfe}f4 | ~d2fe (dc).B.A (GF).E.D |\ ~C2FA ~c2dB {B}A2Bd | (cf).d.B ABGE [F4A,4] |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d |: "_Dolce."\ f2F2 f2c2 F2f2 | d2z2 B2z2 c2z2 | f2F2 f2c2 F2f2 | d2B2 c2C2 F4 :| a2c'2 f2c'2 a2c'2 | b4 a2f2 [c'4c4] | a2c'2 f2c'2 a2c'2 | b4 c'2c2 f4 || a2c'2 f2c'2 a2c'2 | b4 a2f2 c2B2 | A2F2 A2G2 F2B2 | A2B2 c2C2 F4 |] % = = = = = = = = = = X:013 T: Sir Arch.d Dunbar of Northfield's Strathspey C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: F %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 A |\ F>c d/c/B/A/ F>c A>f | ~F>f .d/.c/.B/.A/ .G(CE.G) |\ F>c d/c/B/A/ F>c A>f | (3.d(.f.d) {d}Tc>B .A(FA>.f) ||\ F>c d/c/B/A/ F>c A>f | ~F>f .d/.c/.B/.A/ .G(CD.G) | (3FAc (3BAG (3FAc (3Acf | (3.d(.f.d) {d}c>B .A>(FA.c) |]\ [|\ ~f>g (b/a/).g/.f/ {ef}g2 c>_e | (3.d(.b.d) (3.c(.a.c) B<G e>g |\ ~f>g (b/a/).g/.f/ {ef}g2 c>_e | | dd (c/B/).A/.G/ F>c ||\ ~f>g (b/a/).g/.f/ {ef}g2 c>_e | (3.d(.b.d) (3.c(.a.c) B<G {AB}Tc>B |\ A<F B>d c>f {b}a>g | f>cd<f (c/B/).A/.G/ F |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ F2f2 a2f2 | F2f2 e2c2 | A2F2 f2f2 | B2c2 F2f2 || F2f2 a2f2 | a2f2 e2c2 | F2G2 A2A2 | B2c2 F2f2 |] [|\ [A2a2][F2f2] [c2c'2][A2a2] | [B2b2][A2a2] [B2b2][c2c'2] | [A2a2][F2f2] [c2c'2][A2a2] | [B2b2][B2b2] [c2c'2][F2f2] || [A2a2][F2f2] [c2c'2][A2a2] | [B2b2][A2a2][G2g2][E2e2] | [F2f2]B2 A2F2 | A2B2 c2F |] % = = = = = = = = = = X:021 T: Mr F.G. Campbell of Troup and Glenlyon's Reel. C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.2 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 B |\ .A(FEF) AF~c2 | fcAc dBTc>B | .A(FEF) AF~c2 |[1 (CF).A.F [G2E2][GE] :|[2 (fc)af [g2e2][ge] |] b | afcf af~g2 | (fc).A.c dBbg | afcf af~g2 | (fc).a.f [g2e2][ge]b || afcf af~g2 | fcAc dBTc>B | Afcf Af~c2 | (AF).C.F [G2E2][GE] |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ F2f2 f2f2 | A2f2 B2c2 | F2f2 f2f2 |[1 A2F2 c2C :|[2 a2f2 c'2c |] z | f2a2 f2c'2 | a2f2 b2g2 | f2a2 f2c'2 | a2f2 c'2c2 || f2a2 f2c'2 | a2f2 B2c2 | f2a2 f2A2 | F2A2 c2C |] % = = = = = = = = = = X:022 T: When will ye wed me with a ring. O: Old. R: air N: This is version 1, for ABC software that doesn't understand dim/crescendo symbols. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.2 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has initial repeat but no final repeat symbol; not fixed. M: C L: 1/8 Q: "Larghetto" K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 "_Dolce."D |\ ~G2D>E G2{B}d2 | {d}(cB)(AG) (E2.D2) | {B}c2~c>d {cd}e2.d2 | {F}G2(e>d) d3B ||\ "^cres:"{d}(c>B)cd {cd}e2d2 | {d}(cB)(AG) "dim."E2D z/E/ | G2D>E G2{Bc}d>c | B2(TA>G) G3 :: B |\ !f!~d2Bd g2(Bd) | {d}(cB)(AG) "_dim."(E2.D2) | ~d2(Bd) g2({ga}!p!b>a) | {a}g2(e>d) d3d ||\ "^cres."{f}(e>d)ef {f}g2(Bd) | {d}(cB) {B}AG"_dim."E2D z/E/ | {F}G2D>E G2{Bc}d>c | B2(TA>G) [G3B,3] |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ G2B>c B2G2 | A3B c2B2 | cCEG c2B2| (GB) (c>B) [G3g3]=f ||\ e3d c2B2 | FGAB c2Bz | GgBc BGBc | d2D2 G3 :: z |\ G2g2 b2g2 | fgab c'2b2 | g2G2 B2d2 | (gb) (c'>b) gGgb ||\ c'bc'a g2G2 | FGAB c2Bz | GgBc BGBc | d2D2 G3 |] % = = = = = = = = = = X:023 T: Mrs Cumine of Auchry's Strathspey. C: by Wm Christie. R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.2 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> N: Bar 1 changed to match bar 3, and fix the rhythm. M: C L: 1/8 K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 B |\ ~G>DG>B (d/c/).B/.A/ {F}G>B | Tc>A (e/d/).c/.B/ c<A-A>B |\ ~G>DG>B (d/c/).B/.A/ {F}G>B | ~c>e (d/c/).B/.A/ BG-G>B || ~G>DG>B (d/c/).B/.A/ {F}G>B | (3.c(.e.c) (3.B(.d.B) (e/d/).c/.B/ A>B | GD BD dD g>b | {b}Ta>f (3.d(.a.f) {f}g2 g |]| a |\ {ga}b>g ddgdgg d>g G>gb>g | {b}Ta>f (3.d(.a.f) {f}g2 ~g>a || {ga}b>g ddgdgF (3D(.A.F) {F}G2 G |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ G2g2 d2g2 | f2g2 a2d2 | B2g2 d2g2 | c2d2 G2G2 || G2g2 d2G2 | A2B2 c2d2 | B2g2 b2g2 | d'2d2 g2G |[| z | g2g2 g2g2 | b2g2 d'2d2 | g2g2 g2g2 | d'2d2 g2G2 || g2g2 g2g2 | b2g2 d'2d2 | g2b2 a2g2 | d2D2 G2G |] % = = = = = = = = = = X:031 T: Miss Robinson of Clermeston's Reel. C: by Wm Christie. R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.3 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 c |\ ~B2(.G.B) DBGB | ~B2(.G.B) ceAc | {c}TB2(.G.B) DBGd | cAdF {F}G3 :| d | ~g2(.d.g) Bg GB | .d(gfg) (Tag)af | ~g2(.d.g) Bg GB | cA dF {F}~G3d || ~g2(.d.g) Bg GB | .d(gTfg) (Tag)af | gb dg Bg GB | cA dF {F}G3 |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ [G2g2][G2g2] [G2g2][G2g2] | [G2g2][G2g2] [A2a2][A2a2] |\ [G2g2][G2g2] [G2g2][B,2B2] | [C2c2][D2d2] G2g :| z |\ [G2g2][G2g2] [G2g2][G2g2] | b2g2 d2d'2 | [B2b2][B2b2] [G2g2][G2g2] | c2d2 G2g2 ||\ [G2g2][G2g2] [G2g2][G2g2] | b2g2 d'2d2 |\ g2b2 {d}g2g2 | c2d2 G2g |] % = = = = = = = = = = X:032 T: Lord Fife's Waltz C: by Wm Christie R: waltz N: This is version 1, for ABC software that doesn't understand crescendo symbols. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.3 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> N: Fixed the smudged beaming in bar 16 to get the rhythm right. M: 3/8 L: 1/16 Q: "Allegretto" K: F %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted to get better staff breaks. V: 1 staves=2 AB |\ c2(ca).g.f | ({g}fe) e2 fd | (dc)(cA)(Ac) | (TcB) G2 AB |\ {AB}c2(ca).g.f | ({g}fe) e2 fd | (dc)(cA)(Ac) | ({c}BG) F2 :: EF |\ (G2Gc).=B.c | ({d}c_B) A2 fe | d2(dg).^f.g | (=fe)dc=Bc |\ G2(Gc)(=Bc) | ({d}c_B) A2 fe | d2(g^fg).=B | (dc) c2 ::\ (c!f!d/e/) |\ ~f2afcA | (db) ~g2 eg | {g}f2afcf | (3egf (3efd (3cde || ~f2afcA | (Bb) ~g2 eg | {g}f2acde | (gf) f2 :: AB |\ !p!.[c2A2] ((3{d}c=Bc) ((3{d}cBc) | [c2A2] ((3{b}a^ga) ((3{b}aga) |\ .[B2G2] ((3{c}BAB) ((3{c}BAB) | .[B2G2] ((3{a}g^fg) (3{a}gfg |\ !f![A2F2] (3(AB).c (3(cd).e | ~f2(fe)(ed) | (dc)(cA)(Ac) | ({c}BG) F2 :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 | F2f2d2 | c2c'2b2 | a2f2a2 | c'2c'bag | f4 d2 | c4 B2 | A2F2A2 | c2F2 :: z2 | c2e2c2 | f4 d2 | g2=b2g2 | c'4 g2 | c2e2c2 | f4 d2 | g4 G2 | c2C2 :: z2 | ac'fc'ac' | gc'ec'gc' | ac'fc'ac' | c2g2b2 | ac'fc'ac' | gc'ec'gc' | ac'fc'bg | [F4f4] :: z2 |!p! F2A2c2 | f4 z2 | C2E2G2 | c4 z2 |!f! f2F2c2 | d2c2B2 | A2F2A2 | c2F2 :| % = = = = = = = = = = X:033 T: Miss Cumine of Auchry's Strathspey C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.3 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: F %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 G2 |\ ~F3c (AB).c.A {F}d4 df3 | cd3 Ad3 cf3 Ad3 |\ ~c3F (AB).c.A {F}d4 df3 | {dc=B}c3G (BA).G.F D4 D2 :|\ g2 |\ {g}f3c (AB).c.A {c}a4 Ta3g | f3cAf3 de3fg3 | {g}f3c (AB).c.A {c}a4 Ta3g | {e}f3c (BA).G.F D4 D2g2 ||\ {g}f3c (AB).c.A {c}a4 Ta3g | Tf3cA2f2 d2e2f2g2 |\ (ag).f.e (fe).d.c df3 Bd3 | ~c3G (BA).G.F D4 D2 |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ F4f4 B4B4 | A4f4 F4f4 | A4f4 B4B4 | c4F4 B4[B,2B2] :| z2 | [f4c'4][f4c'4] [f4c'4][f4c'4] | a4f4 b4b4 | a4f4 f4f4 | a4f4 b4B4 || [f4c'4][f4c'4] [f4c'4][f4c'4] | a4f4 B4d4 | f4a4 b4B4 | c4f4 B4B2 |] % = = = = = = = = = = X:041 T: Let that stand there. a Reel. O: Old. R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.4 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F % ending on Bb %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 E |\ F<c-Tc>A ~c3B | A<d-Td>^c d3e | fdTcA FGAF | ~G2AF D2D :| e | fcfa fcfa | {a}Tg>fga ~g2(.f.g) | Ta>gfd cAFA | ~G2AF D2De || Tfcfa fcfa | {a}Tg>fga ~g2(.f.g) | {fg}a>gfd cAFA | GcAF D2D |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | [F2A2]f2 c2e2 | f2e2 d2c2 | B2f2 A2f2 | e2f2 B2B :| z | [f2a2]f2 [f2a2]f2 | c'2c2 c'2c2 | f2b2 a2f2 | e2f2 B2b2 || a2f2 a2f2 | c'2c2 e2c2 | f2B2 A2f2 | e2f2 B2B |] % = = = = = = = = = = X:042 T: Mr Gillan's Strathspey C: by Wm Christie R: air, reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.4 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 Q: "Slow when not Danced" K: A %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for 2 6-bar lines, for compactness and proofreading. V: 1 staves=2 E2 |\ CE3-~E3F E3FA3B | ce3 TB3c {B}A3BA2E2 |\ F3GTF3E F3A {c}d3f | (fe).d.c (dc).B.A F4 F2 :|\ [d2B2] |\ ce3-e3f e3fa3e | (fg).a.f e2c2 {B}A3BA2E2 | Ff3Tf3g {ga}Ta3gTf3e | (fe).f.g (ag).f.e f4 Tf2ag ||\ fa3 ef3 ce3 Bc3 | Ac3 ~B3c {B}A3BA2E2 |\ Ff3-Tf3g {fg}a3gTf3e | (dc).B.A (Bd).c.B AF3-TF2 |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 | a4A4 c4A4 | e4E4 A4c4 | d4A4 D4d4 | a4A4 d4D2 :| z2 | a4a4 a4c'4 | d'4a4 a4c'4 | d'6e'2 f'2e'2d'2c'2 | d'4a4 d'4d4 || d'4c'4 a4e4 | A4[E4e4] A4c4 | d6e2 f2e2d2c2 | d4B2c2 d4D2 |] % = = = = = = = = = = X:043 T: Mr Gillan's Reel C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.4 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 F |\ {F}TE2EC (EF).A>B | (cA).d.c (BA).G.F | {F}E2EC (EF).A.B | cA EG {G}[A3E3C3] :| B | Tc2{Bc}.a.g (fe).d.c | (db)ba {a}Tg2fe | .c(ag).a bgeg | (af).e.^d {d}e2ef || (ge).a.g (fe).d.c | (BA).d.c (BA).G.F | EA ce fdec | BGEG {A}[A3E3C3] |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ A2A2 c2A2 | a2d2 e2d2 | c2A2 c2d2 | e2E2 A2A :| z | a2e'2 c'2a2 | e2e'2 e2g2 | a2c'2 e'2e2 | f2B2 e2Ez || e4 c2A2 | D2d2 D2d2 | c2A2 d2A2 | e2E2 A2A |] % = = = = = = = = = = X:044 T: Mrs Garden Campbell of Troup and Glenlyon's Strathspey. O: Old Gaelic Air R: air, strathspey N: This is version 1, for ABC software that doesn't understand crescendo symbols. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.4 #4 (and top 2 staffs of p.5) S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 Q: "Very Slow when not Danced" K: C % ending on F %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 c |\ G<E ({E}TDC) (D<E) ~c>d | "_cres."{cd}e>d {d}c>A {B}TA>GEc |\ G<E {E}DC D<E ~c>d | {cd}e>d cG {G}A2 A :| c |\ "_8vo ad lib."G<E {dcB}c2 G>A c>d | "_cres."{cd}e>dTc>A {B}A>GEc | G<E {dcB}c2 "_<.."~G>A "_<.."~c>d | {cd}e>d cG {G}A2 Ac ||\ !f! G<E ~c>A G>A ~c>d |"_cres."{cd}e>d {d}Tc>A {B}TA>GEG |\ "_Exp.o"A>B {AB}c>A {A}G{F}E ~c>d | {cd}e>d cG {G}A2 A |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ c2BA G2E2 | C>D E>F A>B [c2C2] | c2BA G2E2 | CGce f2F :| z | c'2c2 e>f e>d | c>de>f a>b[c'2c2] | c'2c2 e>f e>d | c>de2 f2F2 || c2ef e2c2 | c'>ba2 f>ec2 | F2f2 e2c2 | c>d ec f2 F |] % = = = = = = = = = = %%text Communicated by Dr. Stewart. X:051 T: Mrs Garden Campbell of Troup and Glenlyon's Reel. C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.5 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: C %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 A |\ (TGE)EG {G}c2cd | ec dA cEDE | (CE)EG {G}c2Tcd | (e/f/g) Te>d {d}c2 c :|\ e |\ (Tge)eg ~a2ea | geae gede | (ge).e.g ~a2ea | (gd) {f}Te>d {d}c2ce || (Tge)eg ~a2ea | geae gdec | dAcG AEGD | (E<c) TE>D {D}C2 C |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ c2c2 c2f2 | e2f2 g2G2 | c2c2 e2f2 | g2G2 c2C :| z | c'2c'2 f2a2 | c'2f2 g2G2 | c2c'2 a2f2 | g2G2 c2c2 || [c2c'2][c2c'2] f2a2 | c'2a2 g2e2 | f2e2 c2B2 | c2G2 C2c |] % = = = = = = = = = = X:052 T: The Right Hon.ble Lady Saltoun's Strathspey C: by Wm Christie. R: strathspey N: This is version 1, for ABC software that doesn't understand trailing grace notes. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.5 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: Am %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 E2 |\ Ee3 {d}Tc3B AE3 ~G4 | Dd3 {c}B3G DG3 ~B4 |\ ce3 Ec3 AE3 ~G4 | E3c (dc).B.c {B}A4 A2 :| B2 |\ A2a2Tg2.e2 (cd).e.f ~g4 | a2e2g2B2 GB3 ~d4 | Aa3 {a}Tg3e (cd).e.f Tg3f/g/ | a3ge2g2 Bg3 {^G}A4 ||\ Aa3Tg3e (cd).e.f ~g4 | a2e2g2B2 GB3 (~d4 |\ e2)(E2 c2)(E2 A2)(E2 G2).E2 | E3e (dc).B.c {B}A4 A2 |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ A4A4 A4A4 | B4G4 g4G4 | A4A4 A4B4 | c4E4 A4A2 :| z2 |\ [a4A4][b4B4] [c'4c4][c'4c4] | [a4A4][g4G4] [g4G4][g4G4] | [a4A4][b4B4] [c'4c4][c'4c4] | [a4A4][c'4c4] [e'4e4][a4A4] ||\ [a4A4][b4B4] [c'4c4][b4B4] | [a4A4][g4G4] [g4G4][b4B4] |\ [c'4c4][c'4c4] [a4A4][b4B4] | [c'4c4][e4E4] [a4A4][a2A2] |] X:053 T: The Right Hon.ble Lady Saltoun's Reel. C: by Wm Christie. R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.6 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Am %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 E |\ .E.e.c.e {^G}A2Ac | BG {AG^F}G2 DG {AGF}G2 |\ .E.e.c.e (ABc).A | (Bg) B^G {G}A2A :| B |\ .A.a.^g.a {^d}e2(.e.^f) | gd {edc}d2 (Bd).g.d | .e.a.^g.a {^d}e2(.e.^f) | (gd).c.B {B}A2AB ||\ .A.a.^g.a {^d}e2(.e.^f) | gd {edc}d2 (Bd).g.d |\ ea^ga e=gdg (Bg) B^G {G}A2A |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ A2A2 a2^f2 | g2G2 B2G2 | A2A2 A2A2 | e2E2 A2A :| z | [a2A2][a2A2] [c'2c2][c'2c2] | [b2B2][b2B2] [g2G2][g2G2] | [a2A2][a2A2] [c'2c2][c'2c2] | [b2B2][e'2e2] [a2A2][a2A2] || a2e2 a2c'2 | b2b2 g2b2 | a2e2 c2d2 | e2E2 A2A |] % = = = = = = = = = = X:061 T: Miss Dunbar of Northfields Hornpipe.* T: * Now Mrs McIntosh of Raigmore. C: by Wm Christie R: air, minuet N: This is version 1, for ABC software that doesn't understand voice overlys. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.6 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/8 Q: "Allegretto" P: Dolce. K: A %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for 2 8-bar lines, for compactness and proofreading. V: 1 staves=2 |:\ c2({d}TcB) (A2.c2) (E2.c2) | B2({c}TBA) G2ed (d2c2) | c2({d}TcB) (A2.c2) (E2.c2) | B2ed ~c2dB A4 ::\ e2({f}ed) ~c2ag (f2.e2) | {c}d2dc B2ba (g2.f2) | e2{f}ed ~c2ag (f2.e2) | {c}d2({e}dc) B2bg {g}a4 :: !p!.c2~c2 (A2c2 e2.d2) | .B2~B2 E2ed (d2.c2) | .c2~c2 (A2c2 e2.d2) | .B2~B2 (e2g2) {g}a4 ::!f!\ {^d}e2{d}e2 ~c2.a.g (fe).=d.c | {c}d2{c}d2 (dB).d.c (ed).c.B | (AG)(BA) (cB)(dc) (ed)(fd) | {^d}e2{d}e2 (~G2B2) A4 :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d |:\ a2e2 A2a2 c2a2 | d2^d2 e2g2 a2A2 | a2e2 A2a2 c2a2 | d2B2 e2E2 A4 :: c'2b2 a2e'2 d'2c'2 | b2a2 g2f2 e2d2 | c2B2 A2e2 d2c2 | d4 e2E2 A4 ::!p! A2a2 A2(a2 g2.a2) | e4 g2e2 a4 | A2a2 A2(a2 g2.a2) | e4 ([e'2e4]d'2) [c'4a4] ::!f! a2c'2 a2e'2 c'2a2 | b4 [g2e8]a2 b2g2 | .a2.e2 .A2a2 f2d2 | c2A2 e2E2 A4 :| % = = = = = = = = = = X:062 T: Mr Officer's Strathspey C: by Wm Christie R: strathspey N: This is version 1, for ABC software that doesn't understand voice overlays (used only in the final chord). B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.6 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: A %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 c2 !segno!|:\ A3A, A,A,A,2 C3EA3c | {c}d2(E2G3B) (dc).B.A (cB).A.G |\ {G}A3A, A,A,A,2 C3E {G}A3E | (3D2B,2D2 (3E2C2E2 (3F2D2F2 (3G2E2G2 || {G}A3A, A,A,A,2 C3EA3c | {c}d2(E2G3B) (dc).B.A (cB).A.G | .A2(A,2C2)(E2 A2)(C2E2)(A2 | c2).A2 .d2.B2 .e2.c2 .f2.d2 |[|\ e2fg (ag).f.e {c}a4 ~a3g | f2b2g2b2 f2b2e2b2 | e2fg (ag).f.e {c}a4 ~a3g | f2b2 (ag).f.e Ta3ba2c2 ||\ e2fg (ag).f.e {c}a4 a3g | f2b2 g2b2 f2b2 e2b2 |\ db3 ca3 B3gb3g | (ag)fe (fe)dc (dc)BA (cB)A[Gc] !segno!:| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 !segno!|:\ A4c4 A4a4 | g4e4 a4e4 | c4A4 a4A4 | B4A4 d4B4 || A4c4 A4a4 | g4e4 a4e4 | c4A4 a4a4 | a4e4 a4d4 |[|\ c4A4 a4e4 | [^d4^D4][e4E4] [f4F4][g4G4] | [a4A4][a4A4] [a4A4][a4A4] | d4e4 A4a4 || [c'4c4][a4A4] [c'4c4][e'4e4] |\ [^d'4^d4][e'4e4] [=d'4=d4][c'4c4] | [b4B4][a4A4] [g4G4][e4E4] | c4A4 e4A2z2 !segno!:| % = = = = = = = = = = X:063 T: Williams' Love. a Reel. C: by John Christie. R: reel N: This is version 1, for ABC software that doesn't understand voice overlays. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.6 #3 (and top 4 staffs of p.7) S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 E |\ (Ac).e.e (ae)fe | (ce).e.e (ef).g.a | (ce)(Tfe) dcBA | EAGB A3 :: c | (ec).c.c Acec | (dB).B.B GBdB| cAec aecA | EAGB A3 :: e |!p! aefa cefa | gefg agfe | aefa ceaf | ecdB A3 :| E |!f!(Ac).e.c (dB).G.B | (ce)(Tfe) (dc)(TBA) | GEGB AcTB>A | EAGB A3E || (Ac).e.c dBGB | cefe dcBA | GEBE eETB>A | GEGB A3 |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ z2[a2e2] [a2e2][a2e2] | z2[a2e2] [a2e2][a2e2] | A2c2 d2d2 | c2e2 A2a :: z | z2[a2e2] [a2e2][a2e2] | E2-[e2B2E2-] [e2B2E2-][e2B2E2] | A2a2 c2A2 | c2e2 A2a :: z |!p! [a2c2][a2d2] [a2c2][a2d2] | e2B2 e2z2 | a2d'2 c'2d'2 | e'2e2 a2A :| z |!f! A2a2 g2e2 | a2c'2 d'2d2 | e2e2 A2d2 | c2e2 A2a2 || A2a2 g2e2 | a2c'2 d'2d2 | e2g2 a2d2 | e2E2 A2A |] % = = = = = = = = = = X:071 T: The Punch is done a Jig O: Communicated by Mr Jaffrey Senior. R: jig B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.7 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 Q: "Allegretto" K: A %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted slightly, to make the spacing a bit more equal. V: 1 staves=2 a/f/ |\ e<cA {G}A>BA | e<cA {G}A>BA | d<B=G ~G>AG | dBA =G2f ||\ e<cA {G}A>BA | e<cA {G}A>BA | {G}A>BA A<af | ecA A2 a/f/ ||\ e<cA {G}A>BA | e<cA {G}A>BA | d<B=G ~G>AG | dBA =G2 c/d/ ||\ {cd}e2c Td2B | Tc2A TB2G | {G}A>BA A<af | ecA A2 |[| f |\ e<af T=g2e | Tf2d Te2c | TB>=cB B<=ge | dBA ~=G2f ||\ e<af T=g2e | Tf2d Te2c | ~d>ed d=gb | afd ~d2f ||\ e<af T=g2e | Tf2d Te2c | TB>=cB B<=ge | dBA =G2g ||\ fdf ece | dBd cAB | {G}A>BA A<af | ecA A2 |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ [a3A3] [a3A3] | [a3A3][a3A3] | [=g3=G3] [b3B3] | d'2d [=g2=G2]z ||\ [a3A3] [a3A3] | [a3A3][a3A3] | [a3A3] c2d | e3 A3 ||\ [a3A3] [a3A3] | [a3A3] [a3A3] | [b3B3] [=g3=G3] | [d3D3] [g2G2]z ||\ [a3A3] [g3G3] | [a3A3] [e3E3] | [c3C3] [d3D3] | [e3E3] [a2A2] |[| z |\ [a3A3] [e3E3] | [d3D3] [a3A3] | [=g3=G3] [g3G3] | =g2d G2z ||\ [a3A3] b2c' | [d'3d3] [a3A3] | [f3F3] [=g3=G3] | [f3F3] [d3D3] ||\ [a3A3] [e'3e3] | [d'3d3] [c'2c2]a | [=g3=G3] [g3=G3] | g2d G2z || [d'3d3] [c'3c3] | [b3B3] [a2A2]e | c3 d3 | e3 A2 |] % = = = = = = = = = = X:072 T: The Loch of Forfar. a Strathspey. R: strathspey N: This is version 1, for ABC software that doesn't understand trailing grace notes. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.7 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> N: Grace notes before barlines are transcribed in the next measure. M: C L: 1/16 K: A %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 B2 |\ {G}A3E EEE2 C3E~E3F | A3E EEE2 A3d {d}Tc3B |\ {G}A3E EEE2 C3EE3F | DDD2 (D3E) {F}=G4G2 :| B2 |\ AAA2 (Tc3A) E3Ac3A | AAA2 (Tc3A) {c}e4 Tf4 | {ef}.e2(A2c2.e2) .a2.e2.c2.A2 | EEE2 (E3F) {F}=G4 G3B ||\ AAA2 (Tc3A) d3A {d}c3A | AAA2 (Tc3A) {c}e4 Tf4 |\ {ef}e2fg (ag).f.e (fe).d.c (dc).B.A | EE3 TE3F {F}=G4G2 |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ A4A4 A4A4 | A4c4 d4e4 | c4A4 A4A4 | d4B4 =G4G2 :| z2 | A4a4 a4a4 | a4a4 c'4d'4 | c'4a4 a4a4 | e4e4 =g4g4 || a4a4 c'4a4 | a4a4 c'4d'4 | c'4c'4 a4d4 | e4E4 =G4G2 |] % = = = = = = = = = = X:081 T: Dundarg. a Reel C: by Wm Christie R: reel N: This is version 1, for ABC software that doesn't understand voice overlays. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.8 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has final repeat, but no initial repeat. Not fixed; repeat as you like. M: C| L: 1/8 K: A %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 B |:\ A/A/A (Tc>d) {cd}e2 (.c.A) | EA-A>B cAec |\ A/A/A (Tc>d) {cd}e2 (.c.A) | =GdBG DGBG :|\ A<aTc>d {cd}e2 (.a.e) | c<a Tc>d ecaf | e<a Tc>d {cd}e2 (.a.e) | (d<=g)~G>A (Bd).c.B ||\ A<aTc>d {cd}e2(.a.e) | c<aTc>d ecaf |\ eace dfBd | ceA=c Bd=GB :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |: a2A2 c2A2 | a2A2 a2A2 | a2A2 c2A2 | B2=g2 b2g2 :| A2a2 c'2[a2c'2] | a2a2 [a2c'2][a2d'2] | [a2c'2]a2 [a2c'2][a2=c'2] | b2=g2 g2[e2^g2] || a2a2 a2a2 | a2a2 c'2d'2 | c'2a2 b2g2 | a2f2 =g2g2 :| % = = = = = = = = = = X:082 T: The Reel of the Mearn's O: A Favorite Set R: strathspey N: This is version 1, for ABC software that doesn't understand voice overlays or trailing grace notes B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.8 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/16 Q: "Strathspey Time." K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted slightly, to get more even note spacing. V: 1 staves=2 B2 |\ ~G4 B3G (TB3A)A2g2 | GG3B3G TA3GB3G | (Bcd2) TB3G (TB3A)A2a2 | (efg2) Td3B {B}d4 d2 :: g2 |\ (efg2) (.d3.g) B3AA2a2 | (efg2) Td3B ~d3e~g3a | .b.a.g.e g3d TB3AA2a2 |[1 (efg2) Td3B {B}d4d2 :|[2 (efg2) Td3B G4G2 |]\ D2 |:\ GB3TA3G ~[E6A,6] A2- | TA3GTB3G Tc3GTB3G | (Bcd2) (.B2.G2) TE4 D3E |[1 GB3A3B ~G4 D3E :| |[2 GB3A3B G4G2 |: B2 | G3g T[gg4]gg2 g3a T[aa4]aa2 | (bg3)~g3a g3a {ga}b3g | bage g3d e2g2a2b2 | Tg3eTd3B G4G2 ::\ e2 | g3bTa3g eee2 ~a4 | ggg2 (b3g) Ta3gb3g | a3gb3g eee2 ~a4 | gb3a3b ~g4d2 :: e2 |\ ~g4 (.d3.g) BA3 ~a3(g/a/) | Tg4(d3g) B3gd3g | B3gd3g BA3 Ta3(g/a/) | g3eTd3B G4G2 :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ g4G4 d4c4 | B4G4 d4G4 | g4G4 d4D4 | c4d4 g4G2 :: z2 | c'4b4 d'4d4 | g4g4 b4g4 | g4b4 d'4d4 |[1 c'4d'4 g4g2 :|[2 c4d4 G4G2 |] z2 |: g4A3B c4A4 | G4G4 c4G4 | g4G4 c4G4 |[1 d4D4 G4G2z2 :| |[2 d4D4 G4G2 |: z2 | g4b4 d'4d4 | g4g4 b4g4 | g4b4 c'4c'4 | c4d4 g4G2 :: z2 | g4a3b c'4a4 | b4g4 [d4f4]g4 | f4g4 c4c4 | d4D4 G4G2 :: z2 | g4g4 d4d'4 | b4b4 g4g4 | g4b4 d'4a4 | c'4d'4 g4g2 :| % = = = = = = = = = = X:082 T: The Reel of the Mearn's O: A Favorite Set R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.8 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/16 Q: "Strathspey Time." K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted slightly, to get more even note spacing. V: 1 staves=2 B2 |\ ~G4 B3G (TB3A)A2g2 | GG3B3G TA3GB3G | (Bcd2) TB3G (TB3A)A2a2 | (efg2) Td3B {B}d4 d2 :: g2 |\ (efg2) (.d3.g) B3AA2a2 | (efg2) Td3B ~d3e~g3a | .b.a.g.e g3d TB3AA2a2 |[1 (efg2) Td3B {B}d4d2 :|[2 (efg2) Td3B G4G2 |]\ D2 |:\ GB3TA3G ~[E6A,6] A2- | TA3GTB3G Tc3GTB3G | (Bcd2) (.B2.G2) TE4 D3E |[1 GB3A3B ~G4 D3E :| |[2 GB3A3B G4G2 |: B2 | G3g T[gg4]gg2 g3a T[aa4]aa2 | bg3~g3a g3a {ga}b3g | bage g3d e2g2a2b2 | Tg3eTd3B G4G2 ::\ e2 | g3bTa3g eee2 ~a4 | ggg2 (b3g) Ta3gb3g | a3gb3g eee2 ~a4 | gb3a3b ~g4d2 :: e2 |\ ~g4 (.d3.g) BA3 ~a3(g/a/) | Tg4(d3g) B3gd3g | B3gd3g BA3 Ta3(g/a/) | g3eTd3B G4G2 :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ g4G4 d4c4 | B4G4 d4G4 | g4G4 d4D4 | c4d4 g4G2 :: z2 | c'4b4 d'4d4 | g4g4 b4g4 | g4b4 d'4d4 |[1 c'4d'4 g4g2 :|[2 c4d4 G4G2 |] z2 |: g4A3B c4A4 | G4G4 c4G4 | g4G4 c4G4 |[1 d4D4 G4G2z2 :| |[2 d4D4 G4G2 |: z2 | g4b4 d'4d4 | g4g4 b4g4 | g4b4 c'4c'4 | c4d4 g4G2 :: z2 | g4a3b c'4a4 | b4g4 [d4f4]g4 | f4g4 c4c4 | d4D4 G4G2 :: z2 | g4g4 d4d'4 | b4b4 g4g4 | g4b4 d'4a4 | c'4d'4 g4g2 :| % = = = = = = = = = = X:083 T: O if Jockey wou'd but steal me. a Reel. O: Old. R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.9 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has final repeat but no begin repeat symbol; not fixed. M: C| L: 1/8 K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 c |:\ (B/c/d) d>e gdec | (B/c/d) ~d>e =fcAc |\ (B/c/d) d>e Tgage | =fgfc AFAc :|\ TB>G G/G/G G>BA>c | B>G G/G/G c=FAc | B>G G/G/G Td>edB | c>dTc>B A=FAc ||\ B>G G/G/G G>BA>c | B>G G/G/G c=FAc |\ BGBc dgdB | c=fcB A=FAc :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |:\ g2g2 [g2b2][g2c'2] | g2g2 a2=f2 | g2g2 [B2g2][c2g2] | [=f2=F2][a2A2] [f2F2][f2F2] :|\ [g2G2][g2G2] [g2G2][d2D2] | [g2G2][g2G2] [=f2=F2][f2F2] | [g2G2][g2G2] [g2G2][g2G2] | [=f2=F2][f2F2] [f2F2][f2F2] ||\ [g2G2][g2G2] [g2G2][d2D2] | [g2G2][g2G2] [=f2=F2][f2F2] |\ [g2G2][g2G2] [b2B2][g2G2] | [a2A2][=f2=F2] [f2F2][f2F2] :| % = = = = = = = = = = X:091 T: Mormond. a Strathspey. C: by Wm Christie R: strathspey, air N: This is version 1, for ABC software that doesn't understand trailing grace notes, diminuendo symbols, or voice overlays. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.9 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 Q: "Slow." K: A %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for 3 4-bar lines, to make it fit on 2 lines at scale=0.6 V: 1 staves=2 F2 |\ [E3C3][FD][A3C3]c {c}TB3AB2c2 | "_cres."{F}[E3C3][FD][A3C3]c {c}B2ed {d}c2 (B/A/G/F/)|\ E3FA3c {c}TB3AB2c2 | cf3 e3c {c}TB4 {AB}A2 :| f2 |!p!\ (ec3) a3c' {c'}Tb3ab2c'2 | "_cres"(ec3) a3c' {c'}b2ab {fg}a4 |\ (ec3) a3c' {c'}b3ab2c'2 | "_>.."(ac3) "_>.."(fc3) {c}TB4 {AB}A3f || (ec3) a3c' {c'}Tb3ab2c'2 | "_cres"(ec3) a3c' {c'}b2ab {ab}c'2 zd' |\ "_Exp.o"{d'}c'3b {b}a3f {f}e3c {c}H[B2G2] zc | ~d3e (f/a/g/b/ a)>c {c}TB4 {AB}A2 |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ a4A4 e4E4 | A4a4 e2g2a2A2 | [c3a8]dc2A2 e4E4 | A2d2c2A2 e2E2 A2 :| z2 |\ [a4A4]c'2a2 e'4e4 | [a4A4]c'2a2 e2e'2 c'2a2 | [a4A4]c'2a2 e2f2g2a2 | [c'4c4][a4A4] e'2e2[a4A4] ||\ [a4A4]c'2a2 e'4e4 | a4c'2a2 g2e2 [a2A2]z2 | a3b c'3d' c'2a2 H[e2E2]z2 | f3e d2c>d e2E2 A2 |] % = = = = = = = = = = X:092 T: Mrs Gordon of Aberdour's Strathspey C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.9 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: A %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 {ef}g2 !segno!|\ ~a3b (ba).g.f {f}e4 e3c | Tf3ef3g {b}Ta3ga3f |\ e3f (fe).d.c {c}B4 TB3c | Ac3 FA3 {F}[E4C4][E2C2] :|\ F2 |\ A3ce3c (dc).B.A (BA).G.F | .E2(E2A2c2) e2(E2A2c2) | ef3 ce3 Bc3 AB3 | FA3 D3F {F}[E4C4][E3C2]F ||\ A3c e3c (dc).B.A (BA).G.F | .E2(E2A2c2) .e2(E2A2c2) |\ e2c2 f2c2 a2c2 b2c2 | {g}a3e (fe).d.c Bb3ge3 !segno!y|] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 !segno!|\ a4c'4 c'4a4 | d'4d4 d'4d'4 | c'4a4 e'4e4 | a4d4 a4A2 :| z2 | A4a4 f4d4 | c4A4 a4A4 | c4A4 e4E4 | D4d4 A4A4 || A4a4 f4d4 | c4A4 c4A4 | A4a4 f4e4 | c4A4 e4E4 !segno!y|] % = = = = = = = = = = X:093 T: Mrs Dingwall of Brucklay's Reel C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.9 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 Q: "Con Spirito" K: A %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 e |:\ (Ta>g)ab ~a2ec | A>Bcd eAcA | (Ta>g)ab a2ec | B>cde fBdB :| ({f}e>d)cB {B}A2E>F | A>Bcd eAcA | ({f}Te>d) cB {B}A2EA | ~G>ABc dEGE || ({f}e>d)cB {B}TA2E>F | A>Bcd eAcA | (Td>cd).e (fg).a.b | (ag).f.g | bege :| % = = = = = = = = = = V: 2 clef=bass middle=d % = = = = = = = = = = z |:\ A2a2 A2a2 | A2a2 A2a2 | A2a2 c'2a2 | b2B2 d2B2 :| A2e2 a2A2 | a2A2 c2a2 | a2e2 A2c2 | e2E2 e2E2 || A2e2 a2c2 | A2a2 c'2a2 | f2d2 d'2d2 | e2B2 e2E2 :| X:101 T: Mrs Duff of Carnucie's Reel C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.10 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: Bb %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 F |\ Bc B<f~d2 | c<G G>F E<G ~c2 | Bc B<f~d2 | c<G Fc {c}B2B :| d | .f(Bdf) b<d~f2 | e<g Tg>f e<g ~c2 | .f(Bdf) b<d~f2 | g>a {ga}b>g {d}e>fTg>a || .b(Bdf) b<f~d2 | e<g d<f c<f A>c | B<d FG {F}B2B |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: ef=bass middle=d z | B2B2 d2B2 | c3d e2f2 | B2B2 d2B2 | e2f2 B2B :| z |\ [B2b2][B2b2] [B2b2][C2d2] | [E3e3][Dd] [E2e2][F2f2] | [D2d2][B,2B2] [B2b2][B2b2] | [E2e2][E2e2] [E2e2][E2e2] ||\ [D2d2][B2b2] [B2b2][B2b2] | [c2c'2][B2b2] [A2a2][F2f2] |\ [B2b2][D2d2] [E2e2][E2e2] | f2F2 B2B |] % = = = = = = = = = = X:102 T: Mrs Duff of Carnucie's Reel C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.10 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Bb %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 g |\ f>d d/d/d {d}Tc2cd | BFGE DFBd | f>d d/d/d {d}c2cd | Bbdf {d}Tc2B :| F | (DF)BF {F}G2GB | FB dB edcd | (DF)B(F {F}G2)GB | FB DB {D}TC2(.B,.F) || (DF).B.F {F}G2GB | FB dB edcd | Bfdf egfa | bfdf {d}Tc2B |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | B2b2 a2f2 | d2e2 B2b2 | B2b2 F2f2 | d2B2 f2B :| z | B2d2 e2e2 | d2B2 f2F2 | B2d2 e2e2 | d2B2 f2d2 || B2d2 e2e2 | d2B2 F2f2 | f2b2 e2f2 | d2B2 [F2f2][B,B] |] % = = = = = = = = = = X:103 T: The Smith he's black an brucket O: Old S: Communicated by J. Allardyce R: air, waltz, minuet B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.10 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/8 Q: "Moderato." K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 D |\ (D2G2) .G2.d2 B2G2 | .A2.A2 =f2c2 A2F2 |\ (D2G2) .G2.d2 B2G2 | (AB).c.A (dc).B.A G3 :|\ d |\ ~g3b (ag).f.a g2d2 | ~=f3a (gf).e.g f2c2 | ~g3b (ag).f.a g2B2 | (AB).c.A (dc).B.A ~G3d ||\ ~g3b (ag).fa. g2d2 | ~=f3a (gf).e.g f2c2 |\ (g2.b2) (f2.a2) g2B2 | (AB).c.A (dc).B.A G3 |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | G4 B4 G4 | =F4 A4 F4 | G4 B4 G4 | c4 d2D2 G3 :| z | g4 d4 g4 | =f4 c4 f4 | g4 d4 g4 | c4 d2D2 G4 || b2g2 d2d'2 b2g2 | a2=f2 c2c'2 f2a2 | b2g2d'2 d2g2G2 | c2e2d2 D2G3 |] % = = = = = = = = = = X:104 T: The Nine-Pint Coggie. a Reel. O: Old R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.10 #4 (and top 2 staffs of p.11) S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 g !segno!|\ B>G G/G/G ~G2D>E | ~=F2cF Ac-cd |\ {c}B>G G/G/G ~G2D>E | {F}G2(.g.d) Bdd :|\ e |\ g>(aTgd) TB>cde | .=f(gfc) Ac-ce | .g(aTgd) Bcde | (g/f/e/f/) (.g.d) Bd-de ||\ .g(aTgd) TB>cde | .=f(gTfc) Ac-ce |\ (d/c/B) (c/B/A) ~G2 (.D.E) | {F}TG2(gd) Bd-dg !segno!|] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z !segno!|\ g2G2 B2G2 | =F2A2 f2F2 | G2g2 G2B2 | d2D2 G2G :| z | g2b2 g2g2 | =f2a2 f2f2 | g2b2 g2g2 | c2d2 G2g2 || g2b2 g2g2 | =f2a2 f2^f2 | g2d2 e2B2 | d2D2 G2Gz !segno!|] % = = = = = = = = = = X:111 T: The Banks of the Deveron C: by Wm Christie R: air, jig N: This is version 1, for ABC software that doesn't understand crescento symbols. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.11 #1 (top 2 staffs cont. from p.10) S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 Q: "Slow." K: Am %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 "_Dolce."E/>G/ |\ {G}A>GE GED | (~C>D)E G<D E | A>GE GED | "_<...."Ccd {cd}[e2c2G2] (e/>d/) ||\ {d}(!p!c>B)A AGE | GED (~C>D)E | "_Exp.o"(E<A)G (Ee)>d | [c2A2] T[B^G] {AB}[A2E2C2] :| |: !c/>d/ |\ "_cres"{cd}e>dc gec | {e}dcd eGE | {cd}e>dc gec |!p!(de).g ~a2 (Ta/>g/) ||\ !f!{g}e>dc gec | {e}dcd eGE | "_Exp.o"(E<A)G (E<e)d | [c2A2] T[B^G] {AB}[A2E2C2] :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ A2a G2g | edc G2z | A3 G3 | c2G C2z ||\ A3 a3 | g3 c3 | A2B c2d | e2E A2 :| |: z |\ c3 c'3 | g3 c3 | [c'3c3] [c'3c3] | !p!bc'b a2 a/>b/ ||\ !f![c'3c3] [c'3c3] | gab [c'3c3] | a2b c'2d' | e'2e [a2A2] :| % = = = = = = = = = = X:112 T: Mrs Rose's Strathspey C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.11 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: Am %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 A |\ E<Ac>A G<CE<G | (E<A)c>A e>Ac>A | E<Ac>A G<CE<G | {E}TD>CDG D<AA :| B | c>eTg>e d<GB<d | c>eTg>e a>eg>e | ~c>eg>e d<GB<d | c<ed<g e<aA>B || c>eg>e d<GB<d | ~c>eg>e a>eg>e | .c.A.e.A cCEG | D<GE<c {c}TB>AA |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | A2A2 c2c2 | A2A2 c2A2 | A2A2 c2C2 | G2B2 A2A :| z | c2c'2 b2g2 | e2c2 c'2c'2 | c2c'2 b2g2 | c'2b2 a2a2 || c2c'2 b2g2 | e2c2 c'2c2 | A2c2 e2c2 | B2e2 A2A |] % = = = = = = = = = = X:113 T: Dr Stewart's Reel. C: by Wm Christie. R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.11 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Am %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 d |\ Tc>A A/A/A G>E {E}TD2 | (CEG).E cEGE |\ TA>E E/E/E G>E{E}D2 | (C<E) Tc>B {B}A2A :|\ d |\ c>e e/e/e (Tgd)de | Tc>e e/e/e (Tg>d)ea | Tg>e e/e/e (Tgd)de | (cea).g e2e>d ||\ Tc>e e/e/e (Tgd)de | ceea gded |\ cAcG Ec CE | (D<E) Tc>B {B}A2A |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ A2A2 G2G2 | c2c2 c2c2 | A2A2 G2G2 | c2e2 A2A :| z | c2c'2 g2g2 | c2c'2 b2c'2 | c2c'2 g2g2 | a2A2 c2c2 || c2c'2 g2g2 | c'2a2 b2g2 | a2e2 c2c2 | G2E2 A2A |] % = = = = = = = = = = X:121 T: Sarah Williamson's Lament O: Very Old. R: air, lament, strathspey N: This is version 1, for ABC software that doesn't understand diminuendo symbols. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.12 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 Q: "Very Slow." K: Bb %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 "_Con Lamento."(Bc) |!p!\ .[d2B2].[d2B2]~[d2B2] (c>d) | (f<d)(Tc>B) (G2.F2) |"_cres" [d2B2][d2B2] [d2B2](~c>d) | (B3c/.d/) F2(Bc) ||\ [d2B2][d2B2] ~[d2B2](c>d) | (f<d)(Tc>B) (G2.F2) |"_Exp.o" (~F2.d2) (~F2.c2) | [B4D4-] [F2D2] :| |: (~d>e) |!f!\ [f2d2][f2d2] [f2d2](~d>e) | (fd)(Tc>B) (G2.F2) | [f2d2][f2d2] [f2d2](~d>e) | "_dim . . ."([f4d4] B2) zd ||"_cres"\ (~e>f)ge (~d>e)fd | ({f}ed)(cB) (G2.F2) |"_Exp.o" (~F2d2) (~F2.c2) | [B4D4-] [F2D2] :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ B2b2 B2f2 | B2c>d e2d2 | B2b2 B2f2 | d2B2 fedc || B2b2 B2f2 | B2c>d e2d2 | B4 f2F2 | Bdfb B2 :||: z2 | !f!b2B2 b2B2 | bBcd e2d2 | B2b2 B2b2 | "_dim . . ."Bdfb B2b_a ||"_cres" g2e2 b2B2 | ABcd e2d2 | B4 f2F2 | Bdfb B2 :| % = = = = = = = = = = X:122 T: John Cumine Esq.r of Auchry's Strathspey C: by Wm Christie R: reel N: This is version 1, for ABC software that doesn't understand voice overlays. % The single "voice overlay" here is rather trivial, and not needed. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.12 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: Bb %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 c |\ BB | G<BFe {e}Td>c |\ BB | Gef>d Be | ~d>efd e(Fc.e)| ~d>ef>d Be | d<f c<f d<f ~B>e ||\ ~d>ef>d Be | d>ef>d (e/d/).c/.B/ (B/A/).G/.F/ |\ E>e D>d C>c B,>B | Ge d<f B |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ b2B2 b2f2 | e2d2 c2F2 | B2b2 B2c>d | e2f2 B2B :| z | B2b2 b2a2 | b2B2 f2F2 | B2b2 b2b2 | b2[f2a2] b2B2 || B2b2 b2a2 | b2B2 f2z2 | e2B2 c2d2 | e2f2 B2B |] % = = = = = = = = = = X:123 T: Miss Dunbar of Northfield's Favorite.* a Reel. T: * Now Mrs McIntosh of Raigmore. C: by John Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.12 #3 (and 2 staffs on p.13) S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> N: Some of the turns (tildes) are written after their note head. M: C| L: 1/8 K: Bb %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 F |\ TB2dc ~B2df | ({a}gf)df ec-cd | ~B2(.d.c) Bdce | dBcA BB,-B, :| F | (D/E/F) (.B,.B) FD dB | cedf ec-cd | ~B2(.d.c) Bdce | dBcA BB,-B,F || (D/E/F) (B,.B.) FD dB | cedf ecce | dfBd egec | dBcA B3 |: F | ~B3c dBfd | ecge ~f3g | fd-df ec-ce | dBcA [B3D3] :| F | d/d/d (.D.B) GBFB | DBFD ~C3E | D/D/D (.D.B) GBFB | (ce).d.c ~B3F || D/D/D (.D.B) GBFB | DB dB ~c3e | dfBd egec | dBcA [B3D3] |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | B2f2 d2B2 | B2B2 F2f2 | B2f2 d2e2 | f2F2 B2B :| z | B2d2 B2b2 | a2b2 f2F2 | B2f2 d2e2 | f2F2 B2B2 || B2d2 B2b2 | a2b2 c'2a2 | b2b2 e2e2 | f2F2 B2B |: z | B2f2 b2B2 | c2e2 d2B2 || B2d2 f2a2 | b2f2 d2B :| z | B2B2 e2d2 | B2 B2 F2Fz | B2B2 e2d2 | c2F2 B2B2 || B2B2 e2d2 | B2b2 a2f2 | b2B2 e2c2 | f2F2 B2B |] % = = = = = = = = = = X:131 T: The Braes of Boyndlie O: Old. R: march, reel N: This is version 1, for ABC software that doesn't understand voice overlays or cres/diminuendo symbols. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.13 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 Q: "Andante." K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 G>B |!p!\ d2(e>d) {c}B2G>B | d2(e>d) {c}B2B>d | "_<...."e2e>f g2({b}a>g) | {f}Tg4 {fg} B2B>d |"_cres"\ e2e>f g2({b}a>g) | g2"_<..."(~d>e) g3d | e2(dB) {B}d2(G>B) | ({B}A4 {GA}G2) :| |: (~g>a) |"_cres"\ {ga}b2(b>a) g3e |!p! d2(e>d) B2(d>e) |!f! g2(~g>a) {ga}b2(a>g) | {f}Tg4 {fg} B2(d>e) |"_cres"\ (g>f)ga {ga}b2a>g | (g<"_<...."e) (~d>e) g3d | e2(dB) {B}d2G>B | ({B}TA4 {GA}G2 :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ [B2g4]c>B [G2g2][G2g2] | [B2g4]c>B [G3g3]b | c'2c2 B2d2 | gGBd g2zB |\ c3A B2d2 | g2b>c' b2B2 | c2BG g2G2 | d2D2 G2 :| |: z2 |\ gGga bgbc' | b2c'>b g2z2 | g2b>c' d'2d2 | gGBd g2zc' |\ [bd'6]agf g2d2 | e2B>c B2G2 | c2BG g2G2 | d2D2 G2 :| % = = = = = = = = = = X:132 T: My hearty wanton Carlie. a Strathspey. O: Old. R: strathspey. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.13 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> N: The repeat symbols make no sense, but not fixed. M: C L: 1/8 K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 1 staves=2 B |\ (D<G)B>G d>GB>G | c<e B<g {B}A>GEA |\ (D<G)B>G d>GB>G | c<e B<g {B}TA2G :|\ e | Td>eg>B {B}TA>GEe | d>eg>d Te>dg>d | (e/f/g) (.B.g) {B}A>GEa | gdBg {B}TA2G :: a |\ g/g/g ~g2 d>gb>g | Ta>gb>g Ta>gea |\ g/g/g ~g2 d>gb>g | a>gb>g Ta2 (ga/b/) | g/g/g ~g2 d>gb>g | Ta>gb>g Ta>gea |\ gB, A,<E-~E>F | (G/F/E/D/) G>B, D>B,G>B, | C<EB,<G A,<E-~E>F | (G/F/).E/.D/ {F}G>B, TA,2 G,>D |\ (G/F/).E/.D/ G>B, A,<E-~E>F | (G/F/E/D/) G>B, DB,GB, |\ .C.E.B,.G A,<E-EA | (G/F/).E/.D/ {F}G>B, TA,2G, |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | g2G2 B2G2 | c2G2 d2c2 | B2G2 g2g2 | c2G2 d2G :| z | g2g2 d2c2 | B2[B2g2] [c2g2][B2g2] | [c2g2][G2g2] d2c2 | B2G2 d2G :: z | g2g2 g2g2 | c'2g2 d'2c'2 | b2g2 g2g2 | c'2g2 d'2g2 | g2g2 g2g2 | d2g2 d'2c'2 | b2c'2 b2g2 | c2g2 d2G |[| z | G2G2 A2A2 | G2G2 G2G2 | c2B2 A2A2 | G2B2 d2G2 | G2G2 A2A2 | G2G2 G2G2 | c2B2 A2A2 | B2G2 D2G |] % = = = = = = = = = = X:141 T: Bonny Lasssie turn you. a Reel. O: Old. R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.14 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 g !segno!|\ B>G-TG>D E<GTA2 | BGdG Bd-dg | B>G-TG>D E<GTA2 | B<dTe>d Bd-d :| e | g>dd>B A/A/A Ta2 | g>d-Td>B gdgb | g>dTd>B A/A/A Te2 | g>dTe>d Bd-de || g>dTd>B A/A/A ~a2 | g>dTd>G gdgb | gddB ceAa | (b/a/g/f/) (.g.d) Bd-dg !segno!|] % = = = = = = = = = = V: 2 clef=bass middle=d z !segno!|\ G2B2 c2A2 | G2B2 G2g2 | g2B2 c2A2 | G2c2 G2g :| z | g2g2 d'2c'2 | b2g2 g2g2 | g2g2 d'2c'2 | b2c'2 b2g2 || g2g2 d'2c'2 | b2g2 b2g2 | g2g2 c2c2 | d2D2 G2Gz !segno!|] % = = = = = = = = = = X:142 T: Mr Matthew's Strathspey C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.14 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has final repeat symbols, but no begin repeat; not fixed. M: C L: 1/16 K: Bb %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 F2 |:\ B3dc3e (dc).B.A ~B4 | (3B2c2d2 (3c2d2e2 .d2(F2A2.c2) |\ B3dc3e (dc).B.A B4 | (3c2d2e2 (3f2g2a2 {a}b2ag (fe).d.c :|\ B3fd3f (ba).g.f {e}d4 | B3f (ed).c.B (ABc2) (.F2.c2) | B3fd3f (ba).g.f {e}Td4 | (3e2f2g2 (3f2g2a2 {a}b2ag (fe).d.c ||\ B3fd3f (ba).g.f {e}Td4 | B3f (ed).c.B (ABc2) F3_A |\ (3G2F2E2 (3e2d2c2 (3d2c2B2 (3b2a2g2 | (3f2e2d2 (3c2B2A2 Bd3 BF3 :| % = = = = = = = = = = V: 2 clef=bass middle=d z2 |:\ B4e4 f4B4 | B4A4 B4f4 | b4e4 f4d4 | c4F4 B4z4 :| B4b4 b4b4 | d4b4 f4a4 | b4B4 d4B4 | e4f4 g4a4 || b4b4 b4b4 | d4B4 f4d4 | e4c4 B4e4 | f4F4 B4B4 :| % = = = = = = = = = = X:143 T: Mr Matthew's Reel C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.14 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Bb %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 d |\ ~B2FB (dB).c.d | (Bc) (GB) (FG) (DF) | ~B2FB (dB).c.d | (BF).G.A {c}B2B :| d | ~f2df (bf)gb | (fb) (fg) (df) (cd) | ~f2df (bf)gb | (af).g.a {a}b2bg || ~f2df (ba).g.f | (gb) (fg) (df) (cd) | fg df cd Bc | (BF).G.A {c}B2B |] % = = = = = = = = = = V: 2 clef=bass middle=d z |\ B2d2 B2f2 | d2e2 d2B2 | B2d2 B2f2 | d2e2 d2B :| z | b2b2 d'2e'2 | d'2b2 f2f2 | d2B2 d2e2 | f2e2 B2bz || b2b2 b2d2 | e2d2 f2F2 | B2b2 a2g2 | f2F2 B2B |] % = = = = = = = = = = X:144 T: O what needs I my apron wash O: Old. R: air N: This is version 1, for ABC software that doesn't understand trailing grace notes or cres/diminuendo symbols. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.14 #4 (and top 2 staffs on p.15) S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 Q: "Andante" K: Eb %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 "_Amoroso."(G>F) |\ E2 (F>G) B2 (GB) | c2 F2 ~[F2D2] (EC) | "_<....."E2 (FG) B2 c2 | {EF}G4 z2(TF.E/.F/) ||\ "_cres."E2 (F>G) {G}B2 (GB) | c2 F2 ~[F2D2] {EF}G>F | "_>.."E3 C "_>.."~B,3 C | (E4 [F2D2]) :| |: (B3/c//d//) |"_cres."\ [e2G2] ([fd][ge]) {c}B2 (GB) | c2 F2 ~[F2D2] {ef}g>!p!f | {d}[e2G2] ([fd][ge]) B2 c2 | {EF}G4 z2 (B3/!f!c//d//) ||\ ("_>"eB) ("_>"fg) ("_>"eB) ("_>"GB) | c2 F2 ~[F2D2] {EF}G>F | "_>.."E3 C ~"_>.."B,3 C | (E4 [F2D2]) :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ e2B2 G2E2 | A2A2 B2z2 | e2B2 G2A2 | BEGB e2B2/c/d/ ||\ e2B2 G2E2 | A2=A2 B2z2 | EFGA BB,BA | G2E2 B2 :| |: z2 |\ e2b2 g2e2 | a2=a2 b2z2 | e2b2 g2a2 | begb e2 za ||\ g2b2 g2e2 | A2=A2 B2z2 | EFGA GeBA | G2e2 B2 :| % = = = = = = = = = = X:151 T: Mr Bruce's Strathspey. C: by Wm. Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.15 #1 (top 2 staffs cont'd from p.14) S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: Eb %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 B2 |:\ TG3E EEE2 B3EGB3 | {G}TF3B, B,B,B,2 FB,3DB3 |\ G3E EEE2 B3EGB3 | c3f (ed).c.B (AG).F.E [1 GB3 :|[2 Ge3 |]\ Tg3e .b.b.b2 g3Be3g | Tf3B .b.b.b2 f3Bdf3 | Tg3e .b.b.b2 Tg3Beg3 | {g}f3B (ed).c.B (AG).F.E Ge3 ||\ g3e .b.b.b2 g3Beg3 | f3B .b.b.b2 f3Bdf3 |\ g3(B b2)(B2 f2)(B2 e2)(G2 | (3F2).B2.A2 (3.G2.F2.E2 B2E2G2B2 :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |:\ e4e4 g4e4 | d4B4 d4B4 | e4e4 g4e4 | A4B4 E4 [1 e4 :|[2 e4 |]\ [e4e'4][e4e'4] [e4e'4][e4e'4] | [d4d'4][B4b4] [d4d'4][B4b4] | [e4e'4][e4e'4] [e4e'4][e4e'4] | b4g4 e4e'4 ||\ [e4e'4]e'4 e'4e'4 | d'4b4 d'4b4 | e'4e4 d4e4 | B4b4 g4e4 :| % = = = = = = = = = = X:152 T: Mr Bruce's Reel. C: by Wm. Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.15 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: Eb %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 B, |\ ~E2GE BEGE | ~B,2DB, FB,DB, | ~E2GE BEGE |Be FB GEE :| a | ~g2 (.e.g) fBdB | dBfB bBaB | ~g2 (.e.g) fBdB | eGFB GEEa || ~g2 (.e.g) fBdB | eBfB bBaB | gBfB eBcA | Ge FB GEE |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ E2e2 g2e2 | d2B2 d2B2 | G2e2 g2e2 | G2B2 E2e :| z | e2e'2 d'2b2 | g2b2 B2d2 | e2e'2 d'2b2 | g2b2 e2e2 || e2e'2 d'2b2 | e2d2 B2d2 | e2d2 e2A2 | B2B2 E2e |] % = = = = = = = = = = X:153 T: Willie's drown'd at Gamry O: Old. R: air, lament N: This is version 1, for ABC software that doesn't understand voice overlays. N: (The single "overlay" here isn't important, and the chord form works about as well.) B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.15 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 Q: "Slow" K: Am %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 "_Con Lamento."A |\ c>B A2 (G>E) | D>E G2 zA |"_cres."~c>d {cd}e3 d | ce z2 ze |\ !f!g>a {a}g2 fe | {e}d>c {c}B3 d | c>e TE2 (D>E) | G A3 z :| |: g |\ !p!a>b a2 (ge) | ~d>e g2 zg | a"_cres."e ([ge][fd])([ec][dB]) | ce z2 ze |\ "_Exp.o"g>f e2 (dc) | (d/c/)(f/e/) {e}d2 (cA) | A<c TE2 (D>E) | G A3 z:| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ a2 A2 B>c | G2 g2 f2 | ef g2 G2 | c2 egec | e>f e2 dc | BA e2 Ez | C2 c2 B>c | B A3 a :||: z | a>e a2 bc' | [G4g4] e2 | fa g2 G2 | c2 egec | c'2 c2 de | f>^f [G2g2] z2 | fe [c2g4] B>c | B A3 z :| % = = = = = = = = = = X:161 T: Mrs Ernest Leslie's Strathspey C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.16 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: Flydian %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 c |\ A<c G<c A<c {A}TG>F | E<CE<G {B}c2~c>G | A<cG<c A<c {cd}e>d | c<A G<E {E}A2A :| f | {ef}g>fe<g f<a {A}Tg>f | e<ce<f {e}g2Tg>a | {a}g>feg f<aTg>f | e<c G<E {E}A2 A>f || {f}e>dc<f e<gf<a | (g/f/).e/.d/ ~c>e {e}g2 g>a | (3gaf (3edc (3dec (3BAG | {AB}c>G E>G {G}A2 A |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ [f2c'2][e2c'2] [f2c'2][c2e2] | [C2c2][C2c2] [C2c2] [C2c2] | [F2c2][E2c2] [F2c2][C2c2] | f2c2 F2f :| z | c'2c'2 f2g2 | c'2c2 e2c2 | c'2c'2 d'2b2 | c'2c2 f2[F2f2] ||c'2c2 e2f2 | g2c2 e2c2 | c'2c2 g2f2 | e2c2 f2F |] % = = = = = = = = = = X:162 T: The Rocks of Melross. a Reel. C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.16 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Flyd %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 c |\ (A/B/c) TG>E {E}G2 Gc | Ac Gc ecdA | cG AE {E}G2 Gc | .A(ed>c) A2A :| f | (ef/g/) e>c {c}a2Ta>g | e<g d>e ~c>de>f | (Tg>a)ge {c}a2Ta>g | e>c {e}Td>c A2Af || (e/f/g) e>c {c}a2Ta>g |e<g d>e ~c>de>f | geae gdec | (Tdc).B.c A2A |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | [f2c'2][e2c'2] [c2c'2][e2c'2] | f2e2 c2f2 | [e2c'2][f2c'2] [e2c'2][c2c'2] | c2de f2F :| z | c'2c2 f2f2 | g2G2 c2c2 | c'2c2 f2f2 | e2g2 f2F2 || c'2c2 f2F2 | G2g2 e2c2 | c2c'2 b2c'2 | g2e2 f2F |] % = = = = = = = = = = X:163 T: My Bonny Laddie has my heart O: Old. R: air, waltz N: This is version 1, for ABC software that doesn't understand voice overlays or crescendo symbols. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.16 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 Q: "Slow and Tender." K: Em %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 B, |\ E>F B2 (E>F) | {F}AF {F}E2 D2 | E>F B2 (A>B) | df {f}e2 (e>f) ||\ {ef}"_cres."g>f e2 (dB) | B<d {D}F2 ED | "_< . . ."E>F {F}d2 {c}B2 | {B}A~F E2 :| |: (e>f) |\ {ef}"_cres."g>f e2 (dB) | B<d {DE}F2 ED | {f}!p!g>f e2 (dB) | df {f}e2 (~g>a) ||\ {g}"_Exp.o"b>a {a}g2 (fe) | dD {DE}F2 ED | "_< . . ."E>F {F}d2 {c}B2 | {B}A~F E2 :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ eB E2 e2 | d2 a2 f2 | eB Ggdg | fB [E2e2] g>f ||\ eB e2 fg | gf d2 zf | [e2b2] [f2a2] g2 | ab [E2e2] :| |: z2 |\ [be4]>a g2 fg | GB d2 zf | [eb4]>f g2 bg | fB [E2e2] b>a ||\ [d'g4]>c' b2 [da][eg] | f2 d2 zf |eB fd gG | AB [E2e2] :| % = = = = = = = = = = X:164 T: Mr Leids Strathspey C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.17 #4 (plus top 2 staffs on p.17) S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: Em %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 B,2 |\ TE3FE2B2 G3EB3E | {G}F3DA3D .d2.D2 (BA).G.F |\ TE3FEB3 GE3 Be3 | {^c}d3A (BA).G.F {F}E4E2 :| f2 |\ Te3fe2b2 g3e (ag).f.e | {ed^c}d3ef2d2 a3d (ba).g.f | Te3fe2b2 g3e (ag).f.e | ~^d3f (ba).g.f ge3-e3B ||\ Te3fe2b2 g3e (ag).f.e | Tf3d Aa3 f2d2 (ba).g.f |\ gb3eg3 Bg3Ge3 | (d^c).B.A (BA).G.F GE3-E2 |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ [e4E4][e4E4] [e4E4][e4E4] | [d4D4][d4D4] [f4F4][d4D4] |\ [e4E4][e4E4] [e4E4][g4G4] | f4B4 e4E2 :| z2 |\ [e'4e4][e'4e4] [e'4e4][e'4e4] | [d'4d4][d'4d4] [d'4d4][d'4d4] ||\ [e'4e4][e'4e4] [e'4e4][e'4e4] | [b4B4][b4B4] [e4E4][e4E4] |\ [e'4e4][e'4e4] [e'4e4][e'4e4] | [d'4d4][d'4d4] [d'4f4][d'4d4] |\ [e'4e4]e4 g4e4 | f4B4 e4E2 |] % = = = = = = = = = = X:171 T: Mr Leids Reel C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.17 #1 (top 2 staffs cont'd from p.16) S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Em %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 c |\ ~B2(.G.B) EBGB | (F/E/D) (.A.D) FADA | ~B2(.G.B) EBGB | F^df(d {d}e2)e :| f | g2(.e.b) gebg | ~f2(.d.a) fdfa | ~g2(.e.g) bgeg | f^d bf ge-ef || eBgB bBgB | (d/e/f) (e/f/g) (f/g/a) (.A.F) | EBFB GBAc | Bb^df {f}e2e |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | [e2E2][e2E2] [e2E2][e2E2] | [d2D2][d2D2] [d2D2][f2F2] |\ [g2G2][e2E2] [e2E2][e2E2] | b2B2 e2E :| z |\ [e'2e2][e'2e2] [e'2e2][e'2e2] | [d'2d2][d'2d2] [d'2d2][d'2d2] | [e'2e2][e'2e2] [e'2e2][e'2e2] | [b2B2][b2B2] [e2E2][e2E2] ||\ [b2g2e2][b2g2e2] [b2g2e2][b2g2e2] | d'2^c'2 d'2d2 | e2^d2 e2f2 | g2B2 e2E |] % = = = = = = = = = = X:172 T: Mrs Dingwall of Bruklay's Waltz. C: by Wm Christie R: waltz, minuet B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.17 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: 3/8 L: 1/16 K: C %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for 3 lines, for compactness and proofreading. V: 1 staves=2 G2 |\ (~c2e2).g2 | {e}f2{e}f2{e}f2 | (ef).g.f.e.d | (ce).d.B.G.B |\ (~c2e2).g2 | {e}f2{e}f2{e}f2 | (ef).g.f.e.d | {dcB}c4 :: ~c2 |\ B2dBdB | c2(eg)(^fg) | (e<f) (c<f) (A<f) | (eg).f.e.d.c | B2dBdB | c2(eg)(^fg) | {e}f2dBGB | {dcB}c4 H:: ~A2 |\ "_Minore"(c2e2).e2 | ~e4 e2 | (df)edce | (cB)GBGB |\ (c2e2).e2 | e4e2 | (df).e.d.c.B | {B}A4 :| "_Dolce"A2 |\ (A2a2)a2 | ~a4a2 | {^f}g2{f}g2{f}g2 | ~g4g2 |\ (G2g2).g2 | ~G4g2 | {e}f2{e}f2{e}f2 | {e}f4e2 |\ (e2a2).a2 | {e}f2{e}f2{e}f2 | (d2g2).g2 | e2{B}c2{B}c2 |\ (d2e2).f2 | (e2g2).f2 | (ef).e.d.c.B | "^D Capo"{B}A4 |] y2 % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 | cc'gc'ec' | fc'ac'fc' | cgegcg | GgBgdg | cc'gc'ec' | fc'ac'fc' | c2g2G2 | c2C2 :: z2 | [G2G6]g2g2 | [c2c6]c'2c'2 | f2a2f2 | c'2c2z2 | [G2G6]g2g2 | [c2c6]c'2c'2 | f2g2G2 | c2C2 H:: z2 |"_Minore" [aa6]e'c'e'c'e' | [aa6]e'c'e'c'e' | g2b2c'2 | g4z2 | [aa6]e'c'e'c'e' | [aa6]e'c'e'ac' | d'2e'2e2 | a2A2 :| "_Dolce"z2 |\ [aa6]e'c'e'c'e' | [aa6]e'c'e'c'e' | g2b2d'2 | g2b2d'2 | [gg6]d'bd'bd' | [gg6]d'bd'bd' | f2a2c'2 | f'2f2 ^g2 | a4A2 | d2e2f2 | g4G2 | c2g2c'2 | [g4b4]z2 | c'4d'2 | c'd'e'2e2 | "^D Capo"a2A2 |] y2 % = = = = = = = = = = X:181 T: The Loch of Strathbeg. a Strathspey. C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.18 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has final repeat but no initial repeat; not fixed. M: C L: 1/8 K: C %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 c |:\ G<gec d<B~c2 | G>cE>c .D(dB).G | G<gec d<B~c2 |\ [1 G<c E<c D<G ~C2 :|[2 G<c E<e d<g ~c2 |] e<g c<g e<g {g}Ta2 | g<c Tg>f .e(Gc.e) | g<cTg>f e<g {g}a2 | g<a e<g d<g ~c2 ||\ e<g c<g e<g {G}Ta2 | g<c {a}Tg>f .e(Gc.e) |\ g<d e<c d<A c<G | AEGE D<G ~C2 :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |: c2c'2 g2c2 | e2c2 B2G2 | c2c'2 g2c2 |\ [1 e2c2 G2 [C2c2] :|[2 e2c'2 g2[c2c'2] |] c'2c'2 c'2f2 | e2c2 c'2c'2 | c'2c'2 c'2f2 | e2c'2 [g2b2]c'2 ||\ c'2c'2 c'2f2 | e2c2c'2c2 | B2c2 f2e2 | c2c2 G2 [C2c2] |] % = = = = = = = = = = X:182 T: The Brander. a Reel. O: Old. R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.18 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has final repeat but no initial repeat; not fixed. M: C| L: 1/8 K: C %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 G |\ ~c2ec {dcB}c2ec | ~G2BG Bd-de | ~c2ed Tc>dea | gede cAA :| f | (e/f/g) (.c.g) ecgc | BGdG Bd-d>f | (e/f/g) (.c.g) ecgc | ~G>A cd ec-cf || (e/f/g) (.c.g) ecgc | BGdG Bd-df | afge fdec | ~G>Acd ec-~c :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | [C2c2][C2c2] [C2c2][C2c2] | B2G2 g2G2 | [C2c2][C2c2] [C2c2][C2c2] | [C2c2][B2^g2] [A2a2]A :| z | c2e2 c'2c2 | G2B2 g2G2 | c2e2 c'2c2 | g2G2 c2c2 || c2e2 c'2c2 | G2B2 g2G2 | f2e2 d2c2 | g2G2 c2C :| % = = = = = = = = = = X:183 T: Miss Macleod of Dalvey's Favorite C: by Wm Christie R: march, strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.18 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 Q: "Andante" K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for 2 8-bar lines, for compactness and proofreading. V: 1 staves=2 (B>c) |\ d2(~G>A) B2(cA) | (B<G) (TB>c) {Bc}d2 (e>d) |\ (d<c) (c<B) (B<A) (A<G) | ({GA}B>c) (d/c/B/c/) {B}A2 (~B>c) ||\ d2 (~G.A) B2(cA) | (B<G) (B>c) {ed^c} d2(e>d) |\ (dB) (ec) {B}A2 {F}d>c | (B<G) (TA>G) G2 :| |: (B>c) |\ ~d2 (g3/a//g//) (fe)(dc) | B2 Tc2 {Bc}d2 zc |\ "_Exp.o"(BG) (dG) (BG) (dc) | (B>c) (d/c/B/c/) {B}A2 (B>c) ||\ ~d2 (g3/a//g//) (fe)(dc) | {cBA}B2 (e>d) Hd2 zc | (Bd) (ec) {B}A2 {F}d>c | (B<G) (TA>G) G2 :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ g2g2 G2d2 | g2G2 g2c>B | (A<a) (G<g) (F<f) (E<e) | {D}defg d2B>A || Ggba g2[d2f2] | g2e2 d2(c/d/e/f/) | g2c2 d2D2 | g2d2 G2 :| |: z2 | g2e2 (dc)(BA) | Gg Ag Bg Ag | Gg Bg Gg Bc | defg c>c'b>a || [G2g2] [B2b2] (d'c')(ba) | [G2g2][C2c2] H[D2d2] ef | g2c2 d2D2 | g2d2 G2 :| % = = = = = = = = = = X:191 T: Miss Macleod of Dalvey's Waltz C: by Wm Christie R: waltz, minuet N: This is version 1, for ABC software that doesn't understand crescento symbols B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.19 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: 3/8 L: 1/16 K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 (DE/F/) |\ "_< . ."(GB) D2 (FA) | "_< . ."(GB) D2 (FA) | (GB)(dc)(cB) | (BA)(AG)(GF) ||\ "_< . ."(GB) D2 (FA) | "_< . ."(GB) D2 (FA) | (GBd).D AF | GB ~G2 :: (de/f/) |\ (gf) {f}e2 af | gb ~g2 (fa) | (gd)(ec) (d/c/B/c/) | (BA)(AG)(GF) ||\ "_< . ."(GB) D2 (FA) | "_< . ."(GB) ~d2 (cB) |\ (ce)dDAF | GB ~G2 :: "_8vo ad libitum"(DE/F/) |!f!\ G2(DG)(B,G) | (G,G)(B,G)(DG) |\ (FA,)(AA,)(FA,) | G(CB,C)(A,F) || ~G2(DG)(B,G) | (G,G)(B,G)(DG) | (FA,)(AA,)(FA,) | GB ~G2 :: (de/f/) |!p!\ gdbdgd | fdadfd | gdbdeG | "_< . ."({A}GF) F3 D ||!f!\ (GB) (DG)(FA) | (GB) (Dd) (cB) | (ce)dDAF | GB ~G2 :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ g2G2d2 | g2f2d2 | g2f2g2 | d2d'2d2 || g2G2d2 | g2f2d2 | g2B2d2 | G2g2 :: z2 | g2c'2d'2 | g2b2d'2 | b2c'2g2 | d'2d2z2 || g2G2d2 | g2b2g2 | c2d2D2 | G2g2 :: z2 |!f! GdBdGd | BdGdBd | DdFdAd | GABcdD || GdBdGd | BdGdBd | DdAdDd | G2g2 :: z2 |!p! b2g2b2 | d'2d2d'2 | b2g2^c'2 | d'2d2z2 || g2G2d2 | g2b2g2 | c2d2D2 | G2g2 |] % = = = = = = = = = = X:192 T: Commin' thro' Kilbleen. a Strathspey. O: Old. R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.19 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: Dm %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 E |\ D/D/D (D>E) ~C>DEG | A/A/A (A>=B) ~c>d {cd}e>d |\ c<A-A>c ~C>DEG | A<DD>F ({F}TE>D)D :| c |\ A<d-~d>f {f}Te>dcG | A<d-~d>f e>gd>f | (e/f/g) (.d.e) ~c>dcG | A/A/A (a>g) Te2(d>c) ||\ A>d-~d>f {f}e>dcG | A<d-d>f e<g d<e |\ c<d A<c ~C>DEG | A<DD>G {F}TE2D |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ d2d2 c2c2 | d2f2 e2c2 | d2d2 c2c2 | d2D2 A2D :| z |\ [d'2d2][d'2d2] [c'2c2][c'2e2] | [d'2d2][d'2d2] [^c'2^c2][d'2d2] | [e'2e2][d'2d2] [c'2c2][c'2c2] | d'2d2 a2d2 ||\ [d'2d2][d'2d2] [c'2c2][c'2e2] | [d'2d2][d'2d2] [c'2c2][b2B2] |\ [a2A2][f2F2] [e2E2][c2C2] | d2D2 A2D |] % = = = = = = = = = = X:193 T: Johnny Lad. a Reel. R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.19 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Dm %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 A |\ ~d>efa gece | defd {f}e2d^c | defd gece | Td>cAc {c}d2d :| c | TA2FA {A}G2Gc | {c}A2Ac defd | cAFA {A}G2Gc | (TA>G)Ac {c}d2Td>c || TA2FA {A}G2Gc | {c}A2Ac defg | aAFA {A}G2Gc | {B}A>GAc {c}d2d |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | d'2d'2 c'2c'2 | d'2d2 a2A2 | d'2d'2 c'2c'2 | d'2a2 d2d :| z | f2f2 e2c2 | f2F2 B2B2 | F2f2 g2c2 | d2A2 D2d2 || f2f2 e2c2 | f2F2 B2d2 | f2F2 c2c2 | d2A2 D2D |] % = = = = = = = = = = X:201 T: O if I were Where Gadie runs, or the Hessian's March R: air, march N: This is version 1, for ABC software that doesn't understand voice overlays or crescendo symmbols. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.20 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 Q: "Slow" P: Maestoso. K: D %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted to put each strain on its own staff V: 1 staves=2 clef=treble {c}d>B |\ ~A3B ~d3e | "^< . .".[f2d2].[f2d2] T[f2d2](ed) | "^< . ."[f2d2][f2d2] {g}[f2d2](ed) | ({f}e>d)(e>f) {f}e2d>B |\ "_cres"~A3B ~d3e | [f2d2][f2d2] {g}[f2d2](ed) | "^Exp.o"{de}f2A2 ~A3B | {c}[d4A4F4] [d2A2F2] :| |: {c}d>B |!f!\ .[A2F2].[F2D2] .[F2D2].[F2D2] | [A2E2][E2C2] [E2C2][E2C2] | [F2D2][D2F,2] [D2F,2][D2F,2] | ({f}e>d)(e>f) {f}e2d>B |\ .[A2F2].[F2D2] .[F2D2].[F2D2] | [A2E2][E2C2] [E2C2][E2C2] | [F2D2]D2 {c}d>eTf>e | {c}d4 d2 :| |: {c}d>B |!p!\ (TA>F)(A>B) (~d>c)(d>e) | (Tf>e)(fa) (gf)(ed) | "_crec"(Tf>ef)a (gf)ed | ({f}e>d)(e>f) {f}e2d>B |\ ({B}A>F)A>B (~d>cd)>e | (fd)(fa) (gf).e.d | "_Exp.o"{g}f>e {c}d>B A>FA>B | d4 d2 :| |: (e/d/c/B/) |\ ([AF][FD]).[FD].[FD] .[FD].[FD].[FD].[FD] | ([AE][EC]).[EC].[EC] .[EC].[EC].[EC].[EC] |\ [FD][DF,][DF,][DF,] [DF,][DF,][DF,][DF,] | {e}e>de>f {f}e2d>B |\ ([AF][FD]).[FD].[FD] .[FD].[FD].[FD].[FD] | ([AE][EC]).[EC].[EC] .[EC].[EC].[EC].[EC] |\ (FD).F.A {c}deTfe | [d4A4F4] [d2A2F2] :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ [f3d4]g [f3d4]e | d2D2 d4 | d2D2 d4 | A2a2 A2z2 |\ f3g f3e | d2D2 d4 | d2a2 f3g | [f2d2]A2 D2 :| |: z2 | !f!zdfa dafa | zcea Aaea | zFAd DdAd | A2a2 A2B>c |\ zdfa dafa | zcea Aaea | zdfa AaAa | [fd4]afa [f2d2] :| |: z2 | !p![D2D4]d2 [D2D4]d2 | [D2D4]d2 [D2D4]d2 | [D2D4]d2 [D2D4]d2 | A2a2 A2z2 |\ [D2D4]d2 [D2D4]d2 | [D2D4]d2 [D2D4]d2 | d>ef>g a2A2 | [fd4]afa [f2d2] :| |: z2 |!f!\ dafa dafa | caea Aaea | DdAd DdAd | AaAa .A(ABc) |\ dafa dafa | caea Aaea | d3f a2A2 | d2A2 D2 :| % = = = = = = = = = = X:202 T: Lassie an' Siller an' a's my ain O: Old O: Communicated by J. Allardyce. R: jig B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.20 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 Q: "Allegretto Mod.to" K: D %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 A |\ ~F2A ABA | {c}d2A ABA | F2A Agf | {f}e2E (EA).G ||\ ~F2A ABA | ABd {f}e>de | (fe).d (AB).c | {c}d2D D2 :| |: g |\ {g}fef def | gaf efg | {g}fef def | ~g2B Beg ||\ {g}fef def | gaf eag | (Tfe).d (AB).c | {c}d2D D2 :| % = = = = = = = = = = V: 2 clef=bass middle=d % = = = = = = = = = = z |\ D3 d3 | f3 d3 | d3 d3 | A3 c3 ||\ d3 d3 | f3 a3 | d'2d a2A | d2A D2 :| |: z |\ d'3 d'3 | e'2d' a3 | d'3 d3 | g3 G3 ||\ d3 d3 | e2d c3 | d2f a2A | d2A D2 :| X:203 T: Mill O' Tiftie's Annie O: Old. R: air, minuet, waltz N: This is version 1, for ABC software that doesn't understand voice overlays. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.20 #3 (with 2 staves on p.21) S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 Q: "Lento" K: D %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 "^Con Affetto."B |\ A<F {F}TE2 D2 | E>F A2 ({A}GF) | ~G>A B2 (d>B) | ({B}A>F) [E3C3] F ||\ A<F {F}TE2 D2 | E>F {F}A3 B | d<f {f}e2 (f>e) | (d>B) A2 z |] A |\ B>d e2 (Tf>e) | d>B A2 ({A}GF) | ~G>A B2 (d>B) | ({B}A>F) [E3C3] F ||\ A>F {F}E2 D2 | E>F A2 (A>B) | d<f {f}e2 (f>e) | ({c}d>B) A2 z |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ D2 A2 d2 | a2 A2 d2 | B2 G2 g2 | fd a2 Az ||\ D2 A2 d2 | a2 A2 fg | fd a2 A2 | [fd4]>g f2 z |] z |\ z2 a2 d'c' | bg f2 d2 | B2 G2 g2 | fd a2 Az ||\ d2 c2B2 | A4 f>g | fd a2 A2 | [fd4]>g f2 z |] % = = = = = = = = = = X:211 T: Miss Boyd's Strathspey C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.21 #1 (top 2 staffs cont'd from p.20) S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: D %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 d2 |\ A3BA3F D3d {B}A2GF | {F}TE3F (GF).E.D CE3-~E3F |\ A3BA3F D3d {B}A2GF | {F}TE3CA,3A FD3-D2 :| f2 |\ a3bTa3f g3ba3f | g3e (gf).e.d ce3-e3f | a3bTa3f g3ba3f | (ed).c.B A3a fd3-~d3f ||\ ab3 fa3 ef3 de3 | Bd3 {B}A3F EA,3CE3 |\ D3FA3F D3d {B}A2GF | {F}TE3CA,3A F2D2D2 |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ D4d4 f4d4 | c4d4 A4A4 | D4d4 f4d4 | a4A4 d4D2 :| z2 |\ [f4d'4][d4d'4] [g4d'4][d4d'4] | [c4c'4][d4d'4] [A4a4][A4a4] |\ [f4d'4][d4d'4] [g4d'4][d4d'4] | a4A4 d4d4 ||\ d4d'4 a4f4 | g4f2d2 c4A4 | D4d4 f4d4 | a4A4 d4D2 |] % = = = = = = = = = = X:212 T: Ha'd the Cradle Rockin. a Reel O: Old. R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.21 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: Bb %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 formatted for 2 6-bar lines, for compactness and proofreading. V: 1 staves=2 f2 |\ DDD2 (TA3F) A2D2D2d2 | EEE2 (TB3A) B2E2E2d2 |\ DDD2 (TA3F) A2D2D2f2 | Te3df3d Te4d2 :|\ f2 |\ ddd2 (.f2.d2) a2d2f2d2 | =ccc2 (.e2c2) g2c2e2c2 | ddd2 (.f2.d2) a2d2f2d2 | a2b2f2a2 {f}Te4 (.d2.f2) ||\ ddd2 (.f2d2) a2d2f2d2 | =ccc2 (.e2.c2) g2c2e2c2 |\ d2f2e2g2 f2a2e2f2 | a2e2f2d2 {f}Te4d2 |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ [d4D4][d4D4] [d4D4][d4D4] | [e4E4][e4E4] [e4E4][e4E4] |\ [d4D4][d4D4] [d4D4][d4D4] | [f4F4][d4D4] [a4A4][d2D2] :|\ z2 |\ [d'4d4][d'4d4] [d'4d4][d'4d4] | [=c'4=c4][c'4c4] [c'4e4][c'4c4] | [d'4d4][d'4d4] [d'4f4][d'4d4] | [f4F4][d4D4] [a4A4][d4D4] ||\ [d'4d4][d'4d4] [d'4f4][d'4d4] | [=c'4=c4][c'4c4] [c'4e4][c'4c4] |\ [d4D4][e4E4] [f4A4][g4G4] | [a4A4][d'4d4] [a4A4][d2D2] |] % = = = = = = = = = = X:213 T: Lady Dunbar of Northfield's Strathspey C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.21 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: D %%slurgraces yes %%graceslurs yes % Voice 1 formatted for 2 6-bar lines, for compactness and proofreading. V: 1 staves=2 F2 |\ B3d F3d c3F (AB).c.A | {A}B3F (GF).E.D C3ce3c |\ B3d F3d c3F Tf3e | d3B (cd).e.c d2B2B2 :|\ (fg/a/) |\ b3fd3f g3e cdec | d3fB3d c3F ABcA | B3fd3f g3c=e3g | a3f (ag).f.=e ~f4 f2ga ||\ b3fd3f g3e cdec | d3f ~B3d c3F ABcA |\ {A}B3F (GF).E.D C2cd e3c | d3B (dc).B.A {c}B4B2 |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 | B4b4 a4f4 | d4B4 c4A4 | B4b4 a4f4 | b4f4 B4B2 :| z2 | b4b4 e4f4 | b4b4 a4f4 | d4B4 =e4c4 | f4c4 F4_e4 || d4B4 e4f4 | B4b4 a4f4 | d4B4 c4A4 | B4F4 [B4B,4][B2B,2] |] % = = = = = = = = = = X:221 T: Lady Dunbar of Northfield's Reel C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.22 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 Q: "Con Spirito" K: Bb %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for 2 8-bar lines, for compactness and proofreading. V: 1 staves=2 F |\ ~B2dc (BA).G.F | GE ec (dc).B.A | BdfB Acfc | dBcA (TB>A)GF ||\ .G.E.e.E .F.D.d.D | (EC)FE (ED).C.B, | .C.D.E.F .G.A.B.c | dBcA [B3F3D3] |] [| f |\ dBfd bfdB | c(fTf=e) ~f2ga | bgab afga | (bg) =eg (f_e).d.c ||\ dBbB cAaA | (BG) cB (BA).G.F | GE eE FD ce | dBcA [B3F3D3] |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | B2f2 B2d2 | e2c2 f2F2 | B2d2 f2a2 | b2f2 B2d2 || e2g2 b2B2 | c2A2 B2F2 | A2c2 e2g2 | f2F2 B2B, |] [| z | B2b2 d'2b2 | a2c'2 f2z2 | b2ag f2=ef | g2c2 f2a2 || b2b2 a2f2 | g2=e2 f2d2 | e2c2 B2e2 | f2F2 B2B, |] % = = = = = = = = = = X:222 T: Dr Guthrie's (Jun.r) Strathspey C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.22 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: Am %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 cd |\ e3A (ed).c.B {B}A4 A3B | G3cB3e dG3Bd3 |\ {cd}e3A (ed).c.B {B}A4 A3B | "^#"~G3g (Bc).d.B {B}A4 A2 :|\ B2 |\ Gg3^fa3 {f}g4Tg3d | eg3 db3 Ta3ga3b | gd3 b3g {gb}a4 a3b | "^#"~g3d (Bc).d.B {B}A4 A3B ||\ G3g ^fgaf "^#"~g4 (.g2.d2) | eg3 db3 Ta3ga2b2 |\ gd3 bg3 aA3 a2^f2 | "^#"~g3d (Bc).d.B {B}A4 A2 |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ a4e4 | a4A4 | G4g4 b4g4 | c4e4 a4A4 | B4E4 A4A2 :| z2 | B4d4 g4B4 | A4e4 d4d'4 | G4g4 A4a4 | b4e4 a4A4 || B4d4 g4b4 | c'4g4 d4d'4 | b4g4 c'4[a4c'4] | b4e4 a4A2 |] % = = = = = = = = = = X:223 T: Thro the warld wou'd I gang wi' the Lad that loves me. a Reel. O: Old B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.22 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Am %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 a |\ (g<e)dB {B}A2AB | d>G (e/d/c/B/) dGBg | {g}Te2dB {B}A2Aa | gdBg "^#tr"e2A :| a | Tg>abg a/a/a "^#"~a2 | g>abg e/e/e ~e2 | Tg>abg a/a/a "^#"~a2 | gedB Te2(.A.a) || Tg>abg a/a/a"^#"~a2 | gedB d<e"^#"~g2 | g>abg a>ba>^f | gdBd "^#tr"e2A |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | A2B2 c2A2 | B2g2 b2g2 | c'2b2 a2a2 | b2e2 a2A :| z | G2g2 A2a2 | b2g2 c'2c2 | G2g2 A2a2 | c'2b2 a2A2 || B2g2 A2a2 | c'2b2 g2g2 | b2g2 d2c2 | B2e2 A2a |] % = = = = = = = = = = X:231 T: Maggie gae back an tak up your Scullie O: Old. O: Communicated by Mr Jaffrey Senior. R: jig, air, march B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.23 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 Q: "Slowly and distinctly." K: A %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for 6 8-bar lines, for less compactness and easier proofreading. V: 1 staves=2 a |:\ e<cA {G}A>BA | c<BA c<A~a | e<cA {G}A>BA B<A=G B<G~g ||\ e<cA {G}A>BA | c<BA c<Ae | =gBg ga/g/f/e/ | =g<BG d<Bg :: ece aea | e<cA c<ef | ece =ge/f/g/e/ | d<B=G d<Bg ||\ ece aea | e<cA c>ef | =gBg ga/g/f/e/ | =g<BG d<Bg :: Tc>dc d>ed | (B<d)~c d2B | Tc>dc d>ed | d<BG {Bc}d2B ||\ .c({d}c/B/c) .d({e}d/c/d) | e>fe {ef}=g2e | (f//g//a3/)f =ga/g/f/e/ | =g<BG dBg :: ece a.f/.g/.a/.f/ | e<cA c>Af | ece af/g/a/f/ |\ =g>BG d<Bg || ece af/g/a/f/ | e<cA c<Ae | =gBg ga/g/f/e/ | =g<BG d<Bg :: (c//d//Te3/).A (c//d//Te3/).A | (c//d//Te3/).A (e<d).B |\ (c//d//Te3/).A (c//d//Te3/).A | (B//d//=g3/).G Td2(c/B/) || (c//d//Te3/).A (c//d//Te3/).A |\ (c//d//Te3/).A ece | =gBg ga/g/f/e/ | =g<BG d<Bg :: !f!(e<Ta)f =g2f/e/ | a<cA c<eTf | (e<Ta)f T=g2f/e/ | =g<BG dBg ||\ (e<Ta)f =g2f/e/ | a<cA c<e=g | f<d~d e<c~c | d<B=G dBg :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |:\ [a3A3] [a3A3] | [a3A3] [a3A3] | [a3A3] [a3A3] | [=g3=G3] [g3G3] ||\ [a3A3] [a3A3] | [a3A3] [a3A3] | [=g3=G3] [g3G3] | [=g3=G3] [g3G3] :: [a3A3] [a3A3] | [c'3c3] [a3A3] | [a3A3] [a3A3] | [b3B3] [=g3=G3] ||\ [a3A3] [a3A3] | [c'3c3] [a3A3] | [=g3=G3] [g3G3] | [=g3=G3] [g3G3] :: ac'e' gbe' | ebe' gbe' | ac'e' gbe' | =gbd' gbd' ||\ [a3A3] [b3B3] | [c'3c3] [a3A3] | [d'3d3] b2=c' | [=g3=G3] [g3G3] :: [c'3a3] [d'3a3] | [c'3a3] [c'3a3] | [c'3a3] [d'3a3] | [b3=g3] [b3g3] || [c'3a3] [d'3a3] | [c'3a3] [c'3a3] | [b3=g3] [=c'3g3] | [b3=g3] [g3G3] ::!f! [e'3c'3a3] [e'3c'3a3] | [e'3c'3a3] [e'3b3e3] | [e'3c'3a3] [e'3c'3a3] | [d'3b3g3] [d'3b3g3] || [e'3c'3a3] [e'3c'3a3] | [e'3c'3a3] [e'3c'3a3] | [b3=g3] [=c'3g3] | [b3=g3] [b3g3] :: [c'2a6]d' e'2c' | [a3A3] [a3A3] | [c'2a6]d' e'2=c' | [b3B3] [=g3=G3] ||\ [c'2a6]d' e'2c' | [a3A3] [a3A3] | [d'3d3] [a3A3] | [b3B3] [=g3=G3] :| % = = = = = = = = = = X:232 T: The Buchan Maids are braw an' bonny. a Strathspey. C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.23 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> N: Both parts have final repeat but the 2nd part has no initial repeat; not fixed. N: Repeat them as you like (or however fits your dance). M: C L: 1/16 K: A %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 E2 |:\ A3c dcBA BE3GB3 | A2Bc (dc).B.A EC3~E3F |\ {G}A3EF3C B,E3GB3 | {AB}c3A {Bc}d3B GB3 A4 :|\ Aa3 {a}Tg3a b2e2g2b2 | {g}a3ce3c A3ce3c | Aa3 {a}Tg3a be3gb3 | Ta3c (dc).B.A GB3 A4 ||\ Aa3 {a}Tg3a b2e2g2b2 | {g}a3ce3c A2Bc {e}d3B |\ A3EF3C .B,2.E2.G2.B2 | A2c2B2d2 ce3 A4 :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |:\ A4a4 g4e4 | c4A4 a4A4 | c4A4 e4E4 | a4d4 e4A4 :|\ [a4A4][a4A4] [e'4e4][e'4e4] | [a4A4][a4A4] [a4A4][a4A4] | [a4A4][a4A4] [g4G4][e4E4] | [f4F4][d4D4] [e4E4][a4A4] ||\ [a4A4][a4A4] [e'4e4][e'4e4] | [a4A4][a4A4] [a4A4][b4B4] |\ [c'4c4][a4A4] [g4G4][e4E4] | a4e4 A4A4 :| % = = = = = = = = = = X:241 T: The Reel of Tyrie C: by Wm Christie. R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.24 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 A |\ (EA)(TcA) FAEA | DACA ({F}TED)CB, | (A,A)cA FAEA | (ce).d.B {B}A2A :| d | (ce)(Tae) dece | Bege bege | (ce)(Tae) dece | (Be).d.B {B}A2Ad || (ce)(Tae) dece | Bege bege | aefc dBcA | (BG) e>G {G}A2A |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | A2a2 d2c2 | B2A2 e2E2 | A2a2 d2c2 | e2E2 A2A :| z | a2c'2 b2a2 | e'2e2 g2e2 | a2c'2 b2a2 | e'2e2 a2A2 || a2c'2 b2a2 | e'2e2 g2e2 | c2A2 G2A2 | e2E2 A2A |] % = = = = = = = = = = X:242 T: Will ye go to the Broom O: Old. R: air, waltz N: This is version 1, for ABC software that doesn't understand voice overlays or dim/crescendo symbols. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.24 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 Q: "Andante" K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 "_Affettuoso."~G>A |\ B2 B2 (d>B) | (TA2 {GA}G2) ({B}TAG/A/) | G2 g2 d2 | {d}e4 (d>e) ||\ "_cres."g2 d2 e2 | "_> . ."d2 G2 (G>B) | (A>G) [E3C4]TF | [G4B,4] :| |: ~d>e |\ !p!g2 (~g>a) {ga}b>g | ({f}Ta2 {ga}g2) (eg) | ("_cres."dB) (gf)(ed) | {e}e4 ("_< . ."d3/e//f//) ||\ "_> . . ."(gf) (ed) (Bg) | "_> . ."{e}d2 G2 (G/A/B/c/) | ({B}A>G) [E3C4] TF | [G4B,4] :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ g2 G2 B>c | dC G2 dc | BG Bd gb | c'2 c2 z2 ||\ g2 b2 c'2 | b4 g2 | dB c2 A2 | G2 g2 :| |: z2 | g2 b2 g2 | d'd g2 c'2 | b2 g2 b2 | c'2 cc'ba ||\ g2 G2 g2 | B4 G2 | ABcBcd | G2 g2 :| % = = = = = = = = = = X:243 T: Dungarven. a Jig. O: Irish R: jig B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.24 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 D |\ G3 ~G2B | AGA BGE | G3 TG2g | {f}Te2d efg ||\ G3 ~G2B | AGA BGE | ege dBg | dBG ~G2 :: e |\ ~d2e ~g2b | aga bge | ~d2e ~g2b | aga {ga}b3 ||\ ~d2e g2b | aga bag | ege dBg | dBG ~G2 :: d |\ gdB gdB | AGA BGE | gdB gdB | {f}Te2d efg ||\ gdB gdB | AGA BGE | ege dBg | dBG ~G2 :: B |\ d>ed Td2B | AGA BGE | ded ~d2g | {f}e2d efg ||\ .d(.g.e) ~d2B | AGA BGE | ege dBg | dBG ~G2 :| % = = = = = = = = = = V: 2 clef=bass middle=d z | G3 g3 | [d3f3] e3 | B3 G3 | c3 C3 || G3 g3 | [d3f3] e3 | c3 d3 | G3 G2 :: z | g3 g3 | d'3 c'3 | b3 g3 | d3 g3 || b3 g3 | d3 B3 | c3 d3 | G3 G2 :: z | g3 g3 | [d3f3] e3 | B3 G3 | c3 c'3 || b3 g3 | [d3f3] e3 | c3 d3 | G3 G2 :: z | g3 g3 | [d3f3] e3 | B3 g3 | c3 c'3 || [g3b3] g3 | [d3f3] e3 | c3 d3 | G3 g2 :| % = = = = = = = = = = X:251 T: Willie are ye waukin. a Reel. O: Old. R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.25 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 d |\ {c}TB>ABG d/d/d ~d2 | egab Te2(.d.g) | {c}TB>ABG d/d/d ~d2 | eg Bg {B}TA2G :| d | g>abg aebd | egab {g}e2(.d.e) | Tg>ab>g aegd | egBg {B}A2(Gd) || Tg>abg aegd | egab {f}Te2(.d.e) | gbab gaeg | dgBg {B}A2G |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | G2g2 [g2b2][g2b2] | e2d2 c2B2 | G2g2 g2B2 | c2G2 d2G :| z | g2g2 c'2b2 | e'2d'2 c'2b2 | g2g2 a2b2 | c'2g2 d'2g2 || g2g2 c'2b2 | e'2d'2 c'2b2 | g2d2 e2c2 | B2G2 d2G |] % = = = = = = = = = = X:252 T: Mrs Gordon of Cairness' Strathspey C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.25 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: D %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 E2 |:\ ~C3DEA3 CD3 {C}TE4 | ~C3DEA3 F2D2B,2D2 | ~C3DEA3 CD3 TE3C | {C}D3EFB3 GE3GB3 || ~C3DEA3 CD3 {C}TE4 | ~C3DEA3 F2D2B,2D2 | ~C3DEA3 ~G3AB2d2 | c2A2e2c2 d2B2b2g2 |]|\ {g}a3e .g.f.e.d c3d {cd}e3c | A3a .g.f.e.d ca3 B2b2 | {g}a3e gfed ~c3d {cd}e3c | ~d3ef2b2 .a.g.f.e gb3 || {g}a3e gfed ~c3d {cd}e3c | A3a .g.f.e.d ca3 Bc3 | Ac3 FA3 EA3 CE3 | {C}D3EFB3 GE3GB3 :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |: A4A4 A4A4 | A4A4 B4B4 | A4A4 A4A4 | d4B4 e4E4 || A4A4 A4A4 | A4A4 B4B4 | A4c4 e4g4 | a4A4 e4E4 |]| c'4b4 a4a4 | c'4d'4 e'4e4 | c'4b4 a4a4 | d'4b4 e'4e4 || c'4b4 a4a4 | c'4d'4 e'4e4 | a4d4 c4A4 | d4B4 e4E4 :| % = = = = = = = = = = X:253 T: Mrs Gordon of Cairness' Reel C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.25 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 E |\ ~A2cA (EC).A.E | DF CE (B,GB).G | {G}A2cA (EC).A.E | FD BG {G}A2A :| d | ~c2ec (Ac).e.c | dfBf dB bg | ~a2ec (Ac).e.c | (dB).b.g {g}a2ae || ~c2ec (Ac).e.c | dfBf dBbg | aece dfBd | ce EB {G}A2A |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ A2A2 A2c2 | d2c2 e2E2 | A2A2 A2c2 | d2e2 A2A :| z | a2a2 a2a2 | b2b2 b2e2 | a2a2 a2a2 | b2e2 a2A2 || a2a2 a2a2 | b2b2 b2e'2 | c'2a2 b2g2 | a2e2 A2A |] % = = = = = = = = = = X:261 T: I'll hae a Piper to my Gudeman O: Old. R: air, jig, waltz N: This is version 1, for ABC software that doesn't understand voice overlays. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.26 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 Q: "Slow." K: D %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 slightly altered for 2 8-bar lines, for compactness and proofreading. V: 1 staves=2 G |\ (F/G/A)A {de}Tf2e | {g}fdB TB2A | FGA (f/g/).a/.g/.f/.e/ | {c}dBA A2E ||\ ~F2A (d/e/f).d | {f}Te>dB TB2A | (FG).A (df).e | ([dF][BG]).[AE] [A2F2] :| |: f | (ga).g {f}Tf2e | fdB Bde | fef aee | (fd).B g2g ||\ ~g>ag (gf).e | fdB Ade | (fd).f (ec).e | ([dF][BG]).[AE] [A2F2] :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | D3 d2A | d2G g2f | d2f a2A | [fd3]gf [f2d2][gc] || [a3f3d3] [a3f3d3] | a2b g2f | d3 a2A | d2A D2 :| |: z | e'2c' d'2a | f2g- gfe | d3 a3 | d'2g b2g || e3 c3 | d2g f2e | d3 a2A | d2A D2 :| % = = = = = = = = = = X:262 T: Mrs Gibbon's Strathspey C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.26 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: D %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 F2 !segno!|\ D3FA3d (Bc).d.B {B3}A3F | D3FA3F GFED EF3 |\ D3F A3d (Bc).d.B {B}A3F | GE3 {C}A3G FA3 D2 :|\ A2 |\ Td3fa3b (ag).f.e d3f | g3e (ba).g.f ge3-e3f | ~d3fa3b (ag).f.e ~d3f | g3e (ag).f.e fa3 ~d4 ||\ {c}d3fa3b a3f {edc}d3A | {F}TG3A (BA).G.F GE3-E3F |\ Dd3 Ed3 Fd3 Gd3 | A2ag (fe).d.c df3 ~F4 !segno!y|] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 !segno!|\ [d4D4][f4F4] [g4G4][d4D4] | [d4D4][d4D4] [A4A,4][A4A,4] |\ [d4D4][d4F4] [d4G4][d4F4] | e4A4 d4D2 :| z2 |\ [d'4d4][d'4d4] [d'4d4][d'4d4] | [c'4c4][d'4d4] [e'4e4][a4A4] | [d'4d4][d'4d4] [d'4d4][d'4d4] | [e'4e4][a4A4] [d'4d4][d'4d4] ||\ [d'4d4][d'4d4] [d'4d4][f4F4] | [g4G4][d4D4] [e4E4][a4A4] |\ [f4F4][e4E4] [d4D4][b4B4] | [a4A4]A4 d4D4 !segno!y|] % = = = = = = = = = = X:263 T: Mrs Gibbon's Reel C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.26 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 F |\ A2 (Td>A) F/F/F (.F.A) | GBEG FDFG | {FG}A2 (Td>A) F/F/F (.F.A) | GB CE {E}D2D :| A | (d<f) A>d {d}f2f>e | (eg)Bg (eb)ag | (f<a) d>f {f}a2Ta>f | Tg2 {fg}.e.a fd-dA || (d<f) A.d {d}f2Tf>d | egBg (eb)ag | fa df Ad FA | GB CE {E}D2D |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ D2d2 D2d2 | G2A2 D2d2 | D2d2 D2d2 | G2A2 D2D :| z | d'2d'2 d'2d'2 | e'2e'2 e'2c'2 | d'2d'2 d'2d'2 | g2a2 d2d2 || d'2d'2 d'2d'2 | e'2e'2 e'2c'2 | d'2d2 f2d2 | G2A2 D2d |] % = = = = = = = = = = X:264 T: Pearlin Peggie's Bonny, or, The Laird of Foveran O: Old. R: air B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.26 #4 (plus top 2 staves on p.27) S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: 3/2 L: 1/16 Q: "Slow." K: Am %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 matches the book's layout. V: 1 staves=2 "_Dolce."|:\ e4 A4 (TA3B)(d3B) {B}A4 G4 | e4 A4 (A3B)(d3e) {e}g8 |\ e4 A4 (~A3B)(d3B) {B}A4 (G3A/B/) | c4 (~c3d) {cd}e4 (d2B2) A8 :|\ a4 {b}(Ta3g) e4 (d2B2) {B}A4 G4 | {gb}a4 (Ta3g) e4 (g3a) {ga}b8 | a4 {b}(Ta3g) e4 (d2B2) {B}A4 (B3A/B/) | c4 (~c3d) {cd}e4 (d2B2) A8 ||\ a4 ({b}a3g) e4 (d2B2) {B}A4 G4 | {gb}a4 (Ta3g) e4 (g3a) {ga}b8 |\ (a3b)(a3g) {g}e4 ({e}d2B2) {B}A4 (G3A/B/) | (~c3B)(c2e2) (e2d2)(g2B2) {B}A8 |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d |:\ A4a4 A4G4 A4B4 | c8 A4a4 g2a2b2g2 |\ a8 A4B4 c4B4 | A4a4 e4E4 A8 :|\ a6b2 c'4g4 a4b4 | c'4(a3b) c'4(b3a) g2a2b2g2 | a6b2 c'4g4 a4e2d2 | c4A4 e4E4 A8 ||\ a6b2 c'4g4 a4b4 | c'4c4 c'4(b3a) g2a2b2g2 |\ a4A4 a4b4 c'4b4 | a4A4 e4E4 A8 |] % = = = = = = = = = = X:271 T: Mrs. Dr. Stewart's Strathspey C: by Wm. Christie R: strathspey, air B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 Q: "Slow when not Danced" K: Am %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 E |\ A<AA>B {AB}d>B {B}A>G | A<AA>B d<ge<g |\ dB {AB}d>B {B}A>G | (E/^F/).G/.D/ B,<G {B,}A,2A, :| a |\ Ta>gb>g a>ge>g | d<ge<g d>gb>g | Ta>gb>g Ta>ge>g | ~d>g (e/d/).c/.B/ {B}A2 A>a ||\ Ta>gb>g Ta>ge>g | d<ge<g d>gb>g |\ Ta>g {f}e>d {dcB}c>B {B}A>G | (E/^F/).G/.D/ B,<G {B,}A,2A, |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | A2A2 G2AB | c2A2 B2c2 | d2D2 G2AB | cdeE A2A :| z |\ [a2A2][b2B2] [c'2c2][c'2c2] | [b2B2][c'2c2] [b2B2][g2G2] | [a2A2][b2B2] [c'2c2][c'2c2] | [b2B2][e2E2] [a2A2][a2A2] ||\ [a2A2][b2B2] [c'2c2][c'2c2] | [b2B2][c'2c2] [b2B2][g2G2] |\ f>g a>b c'2 A>B | cdeE A2A |] % = = = = = = = = = = X:272 T: Mrs. Dr. Stewart's Reel C: by Wm. Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Am %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 c | AE-TE>D ~C2(.A,.A) | GDBD ~G2(.D.B) | AE-TE>D CEA,A | GD B^G {G}A2A :| e | (e>^fg).e a2~a>e | gdBb ~g2(.d.g) | e>^fge (Ta>^ga).e | gdeB {B}A2Ae || (e>^fg).e (Ta>^ga).e | gdBb T(g>^fg).d | e^fge aegd | eB ^gb ~a2A |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ A2A2 A2A2 | B2G2 g2G2 | A2A2 A2A2 | B2E2 A2A :| z | c'2c'2 a2a2 | b2g2 b2g2 | c'2c'2 a2a2 | b2e2 a2A2 || c2c'2 a2c'2 | b2g2 d2B2 | c2c'2 a2b2 | e'2e2 a2a |] % = = = = = = = = = = X:273 T: Duncan Swine's Wife. a Strathspey O: Old O: Communicated by J. Allardyce R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has final repeat but no initial repeat; not fixed. (Play it either way.) M: C L: 1/8 K: Am %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 d |:\ Tc>A A/A/A G>c Td2 | c<AA>B ~c>de>d | c<AA>c B<G~d2 |\ [1 c<A(TA2 {^GA}~c)>d {cd}e>d :|[2 c<A(TA2 {^GA}c)>d {cd}e>c |] d>eg>a g<e~d2 | d>eg>a Tg>fe<c | d>eg>a g<e~d2 | c<A(TA2 {^GA}~c)>d {cd}e>c ||\ d>eg>a g<e~d2 | d>eg>a Tg>fec | d<eg<a g<ede | c<e TA>B c>d {cd}e>d :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d % = = = = = = = = = = z |:A2a2 G2g2 | A2a2 c2g2 | A2a2 G2g2 |[1 A2a2 c3B :|[2 A2f2 e2c2 |] g2e2 c2G2 | g2e2 c2c'2 | g2e2 c2B2 | A2f2 e2c2 || g2e2 c2G2 | g2e2 c2c'2 | b2c'2 g2G2 | c2f2 e2cz :| X:281 T: The Clinkin o't a Reel O: Old. R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.28 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: C %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 e !segno!|\ Tc2ce (ce).g.e | c/c/c ~c2 TB>cdB | ~c2ce cege | fage edd :| e | Tc>A A/A/A (c>G)EG | c>A A/A/A Tc>ded | Tc>A A/A/A (cG)EC | D>EGA cAAe || Tc>A A/A/A (Tc>G)EG | Tc>A A/A/A (Tc>d)e>d | Tc>A A/A/A (cG)(.e.c) | dega gede !segno!|] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z !segno!|\ c2c'2 c2c'2 | c2e2 g2G2 | c2c'2 c2c'2 | f2e2 g2G :| z | A2a2 c2c'2 | a2f2 e2c2 | A2a2 c2c2 | B2E2 A2A2 || A2a2 c2c'2 | A2a2 c2g2 | a2f2 e2c2 | B2c2 G2g2 !segno!|] % = = = = = = = = = = X:282 T: Mr Ritchie's Strathspey. C: by Wm Christie. R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.28 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: F %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for 2 6-bar lines, for compactness and proofreading. V: 1 staves=2 C2 |\ ~F3GA3B c3dTc3A | (BA).B.c (dc).B.A BG3-G3A |\ ~F3GA3B c3dc3A | (Bd).c.B (AB).c.B AF3F2 :| c2 |\ f3gf3d c3f (dc).B.A | G3g (ba).g.f eg3-g3a | Tf3gf3d c3f (dc).B.A | (Bd).c.B (AB).c.B AF3-F3c ||\ Tf3gf3d c3f (dc).B.A | G3g (ba).g.f eg3-g3b |\ ab3 ga3 {g}Tf3cdf3 | (cB).A.B (cB).A.G {F}F4 F2 |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ F4f4 a4f4 | e4f4 g4c4 | A4f4 a4f4 | g4c4 f4F2 :| z2 | f4b4 a4f4 | e4f4 c4c'4 | a4b4 a4f4 | B4c4 F4f4 || f4b4 a4f4 | e4f4 c4c'4 | f4c'4 a4b4 | c'4c4 f4F2 |] % = = = = = = = = = = X:283 T: Mr Ritchies Reel C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.28 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 A !segno!|\ ~F2 (Tc>A) cffa | .f(dcA) G2~GA |\ F2(Tc>A) cffa | cA Tg>a {g}f2f :| g |\ (fa)(gb) (ab)(ga) | .f(dTcA) Gg-ga | (fa)(gb) (ab)(ga) | fdTc>A {A}f2Tf>g ||\ (fa)(gb) (ab)(ga) | .f(dTc>A) Gg-gb |\ afge fdcA | cfeg {g}f2f!segno!a |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z !segno!|\ f2f2 a2f2 | b2f2 c'2c2 | f2f2 a2f2 | c'2c2 f2F :| z | f2e2 f2c2 | B2f2 e2c2 | f2e2 f2c2 | B2c2 f2F2 || f2e2 f2c2 | B2f2 e2c2 | f2c'2 b2a2 | f2c2 f2F!segno!z |] % = = = = = = = = = = X:284 T: Fa's merry's the Miller when a' his Pocks are fu'. O: Old. R: slip-jig B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.284 (and top 2 staffs of p.29) S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: 9/8 L: 1/8 Q: "Allegretto" K: A %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 f |\ Te2A c<eA cef | {f}Te2A cec B2f |\ {f}e2A Tc2A cec | (f<a)(c {c}TB2)A [A2E2C2] :|\ e |\ Ta>ba agf ece | (f<a)(c {c}TB2)A [B2G2]g | a>ba agf ece | (Tf>e)(c {c}TB2)A [A2E2C2] e ||\ Ta>ba agf ece | c<ec c<ac {c}B2b |\ Ta2g Tf2e efa | (Tf>e)(c {c}TB2)A [A2E2C2] |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ [A3a3] [A3a3] [A3a3] | [c3a3] [A3a3] [E3e3] |\ [A3a3] [A3a3] [A3a3] | a2A e2E A2 :| z |\ [a3c'2] [a3d'3] [a3c'3] | a3 e'3 e3 | [a3c'2] [a3d'3] [a3c'3] | dcA e2E A3 ||\ [a3c'2] [a3d'3] [a3c'3] | a3 A3 e3 |\ c'2e' d'2c' a3 | d'c'a e'2e [A2a2] |] % = = = = = = = = = = X:291 T: The Waggle Cairn. a Strathspey. C: by Wm Christie R: strathspey N: This is version 1, for ABC software that doesn't understand voice overlays. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.20 #1 (top 2 staffs cont'd from p.28) S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has final repeat but no initial repeat symbol; not fixed. M: C L: 1/8 K: A %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for 2 (7,6)-bar lines, for more even note spacing. V: 1 staves=2 E |:\ C<E-E>A F<ATE2 | C<A E<c TB>c {Bc}dD |\ C<E-E>A F<ATE2 |[1 D<F C<E B,ECA, :|[2 F<A E<c BecA |]\ c<eA<f c<a {f}e>d | c<eA<a Tg>a {ga}bB | c<eA<f c<a {f}e>c | ~d>e .f/.e/.d/.c/ BecA ||\ c<eA<f c<a {f}e>d | c<a {^d}e>f Tg>a {ga}b>g |\ a>ef>c d>Be>c | .c/.B/.A/.G/ .F/.E/.D/.C/ B,ECA, :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | [A2a8]c2 d2c2 | A2a2 e2E2 | [A2a8]c2 d2c2 |\ [1 d2A2 E2A2 :|[2 d2a2 [e2g2]a2 :] [A2a2][A2a2] [A2a2][A2a2] | a2c'2 e'2e2 | [A2a2][A2a2] [A2a2][A2a2] | d'2a2 [e2g2]a2 || [A2a2][d2a2] [c2a2][A2a2] | [A2a2]g>f e2e'2 | c'2a2 b2e2 | a2A2 e2A2 :| % = = = = = = = = = = X:292 T: Kind Robie come again. a Reel. C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.29 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: A %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 E |\ ~C>E E/E/E {G}A2.E.C | (EA)cA BGEG | {G}A>E E/E/E TF2 .E.C | B,<E-TE>B, CA,A, :| d | (c/d/e) .A>.a Tf2ec | Aece dfBd | (c/d/e) .A>.a Tf2ec | (B<e)Te>B cAAd || (c/d/e) (.A>.a) Tf2ec || Aece dfBd | cAdB cA EC | (B,<E)TE>B, CA,A, |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ A2A2 A2A2 | c2A2 e2E2 | A2c2 d2A2 | e2E2 A2A :| z | a2c'2 d'2a2 | c'2a2 d'2e2 | a2c'2 d'2a2 | e'2[e2g2] a2A2 || a2c'2 d'2a2 | c'2a2 d'2e2 | a2g2 a2A2 | e2E2 A2A |] % = = = = = = = = = = X:293 T: The Kail Reets of Fittie O: Old. R: jig B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." 1820 p.29 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2023 John Chambers <jc:trillian.mit.edu> N: The 2nd strain has final repeat but no initial repeat symbol; not fixed. M: 6/8 L: 1/8 K: Am %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for 2 12-bar lines, for compactness and proofreading. V: 1 staves=2 a |:\ e2A A2.g | dBG ~G2g | e2A ABd | edB deg ||\ {f}Te2A A2g | dBA GAB | gbg ^faf | Te2d e^fg :|\ Td2e Tg2a | bag Te3 | ~d2e g2b | aga bge || ~d2e g2a | bag (.e2.g) | Ta2e Tg2d | Te2d e^fg |]\ Td2e g2a | bag e3 | ~d2e ~g2b | aga bge ||\ ~d2e g2a | bag ega | bag ag^f | edB deg :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |:\ A3 A3 | B3 G3 | A3 A3 | G3 g3 || a3 ^f3 | g3 g3 | g3 d3 | g3 c3 :| B3 g3 | g3 a3 | b3 g3 | [d3^f3] g3 || g3 g3 | g3 c'3 | a3 b3 | c'3 c3 |] B3 g3 | g3 c'3 | b3 g3 | [d3^f3]g3 || g3 g3 | g3 c3 | g3 d3 | G3 G3 :| % = = = = = = = = = = X:301 T: The Futterat wi' the gray tail. a Reel. O: Old. R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.30 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> N: The repeat symbols were a bit odd here; transcribed as repeats of both strains. M: C L: 1/8 K: Am %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 B |:\ A>(eTe>d) eAAB | TdcTBA GEEG | D>EG>A TB>ABg | G/G/G (G>B) {AB}c2 (TB>A) :: .A(aTa>^g) aee^f | .g(aTge) gddg | .e(aTa>^g) aeeg | dBGB {AB}c2(TB>A) || .A(aTa>^g) aee^f | .g(aTge) gddg | Te>deg Tageg | dBGB {AB}c2 (TB>A) :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |: A2a2 a2a2 | d2d2 e2c2 | B2G2 g2g2 | b2g2 a2e2 :: a2a2 a2a2 | b2c'2 b2g2 | a2a2 a2a2 | g2g2 a2e2 || [a2A2]a2 a2a2 | b2c'2 b2g2 | c'2c2 c'2c2 | g2G2 A2A2 :| % = = = = = = = = = = X:302 T: Miss Susan Brown's Strathspey C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.30 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: Dm %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 FG |:\ A3F (DE).F.G A3FD3F | {F}E3C EFGF EC3-C2FG |\ A3F (DE).F.G A3Fd3F | {F}E3^C EFGE F2D2-D2 :|\ E2 |\ Dd3-~d3e fgag f2d2 | Gc3-~c3d efgf e2c2 | Ad3-~d3e fgag f2d2 | g3e (fe).d.^c Ad3~d3E ||\ Dd3-~d3e fgag f2d2 | Gc3~c3d efgf e2c2 |\ {e}a3(e {g}f3)(d {f}e3)(^c ~d3)F | {F}E3^C (EF).G.E F2D2-D2 |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ [d4D4][d4D4] [d4D4][d4D4] | [c4C4][c4C4] [c4C4][c4C4] |\ [d4D4][d4D4] [d4D4][d4D4] | a4A4 d4D2 :| z2 |\ [d4D4][d'4d4] [d'4d4][d'4d4] | [c'4c4][c'4c4] [c'4c4] [c'4c4] | [d'4d4][d'4d4] [d'4d4][d'4d4] | [g4G4][a4A4] [d4D4][d4D4] ||\ [d4D4][d'4d4] [d'4d4][d'4d4] | [c'4c4][c'4c4] [c'4c4][c'4c4] |\ [a4A4][d'4d4] [a4A4][d4D4] | a4A4 d4D2 |] % = = = = = = = = = = X:303 T: Miss Louisa Browns Reel C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.30 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Dm %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 F |\ AFDF DFAF | {F}TE>DCE cG-Gc | AFDF DFAF | {F}TE>D ^CE D/D/D D :| F | Ad-Tde (Tfe).d.c | Gc~c2 egec | Ad-de (Tfe)dc | (A/=B/c) GE D/D/D (.D.F) || Ad-Tde fafd | Gc~c2 egec | fd AF dA FD | {F}TE>D ^CE D/D/D D |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ [d2D2][d2D2] [d2D2][d2D2] | [c2C2][c2C2] [c2C2][c2C2] |\ [d2D2][d2D2] [d2D2][d2D2] | a2A2 d2D :| z |\ [d'2d2][d'2d2] [d'2d2][d'2d2] | [c'2c2][c'2c2] [c'2c2][c'2c2] | [d'2d2][d'2d2] [d'2d2][d'2d2] | a2A2 d2d2 ||\ [d'2d2][d'2d2] [d'2d2][d'2d2] | [c'2c2][c'2c2] [c'2c2][c'2c2] |\ [d2D2][d2D2] [f2F2][d2D2] | a2A2 d2D |] % = = = = = = = = = = X:304 T: Black at the Bane. a Strathspey. O: Old. R: strathspey, air B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.30 #3 (incl. 6 top staffs of p.31) S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 Q: "Slow when not Danced." K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted slightly for 4 6-bar lines, 3rd strain starting at left. V: 1 staves=2 E |\ D<G-~G>A G>AGB | A>BG>D E/E/E ~E2 | D<G-~G>A G>AGB | A>G {GA}B>A {A}G2G :| g | (b/a/g/e/) g>B {B}A>BAa | (b/a/g/e/) g>B d>eg>d | e<gTd>B ~d>e~g>a | (b/a/g/e/) g>B G>AB>G || A<BTe2 dG | A>BG>D E/E/E ~E2 | D<G-~G>A G>AG>B | A>G {GA}B>A {A}G2G |] |: B |\ G<g-g>a Tg>ag>b | a>bg>d e/e/e ~e2 | d<g-~g>a g>ag>b | Ta>g {ga}b>a {a}g2g :| a | b>e g>B {B}A2 Aa | b>e g>B ~d>eg>d | e<gd>B Td>eg>a | b>e g>B ~G>AB>G || Ae d>AB>G | A>BTG>E E/E/E ~E2 | D>EG>B G>Bd>e | d>BTB>A {A}G2G |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | G2g2 B2G2 | d2B2 c2C2 | G2g2 B2G2 | d2D2 G2G :| z | G2g2 d2D2 | G2g2 g2b2 | c'2b2 g2g2 | g2g2 b2g2 || d2c2 B2G2 | d2B2 c2c2 | B2G2 g2G2 | d2D2 G2G |] |: z | G2g2 b2g2 | d'2b2 c'2c2 | B2g2 b2g2 | d'2d2 g2G :| z | G2g2 d2d'2 | g2g2 g2b2 | c'2b2 g2g2 | g2g2 b2g2 || d2e2 f2g2 | d2B2 c2[c2C2] | B2G2 g2Bc | d2D2 G2G |] % = = = = = = = = = = X:311 T: The Braes of Little Mill. a Reel. O: Old. R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.31 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 RB !segno!|\ G2(Td>B) dBAB | G2(Td>B) degd | egdg aA-Aa | gdTed Bdd :| e | .g(ag).e gddg | abTag Te2(.d.e) | .g(ag).e gd-dg | Te>dgd Bd-de || .g(ag).e gddg | Ta>bab Te2(.d.e) | gbeg degb | edgd Bd-dg !segno!|] % = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z !segno!|\ g2G2 g2d2 | B2G2 g2b2 | c'2b2 a2a2 | [g2b2][g2c'2] [g2b2][Gg] :| z | b2c'2 b2g2 | d'3b c'2b2 | g2c'2 b2g2 | c2B2 G2g2 || b2c'2 b2g2 | d3B c2g2 | b2c'2 b2g2 | g2d2 G2Gz !segno!|] % = = = = = = = = = = X:312 T: Mr McIntosh's Strathspey C: by Wm Christie R: strathspey, air B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.31 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> N: Repeat added at start of 2nd strain, to match the repeat symbol at its end. M: C L: 1/16 Q: "Slow when not Danced" K: D %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 B,2 |:\ A,3B,D3E {DE}F3DE3F | A,3B,D3E F3D {F}A3F | ~G3A (cB).A.G F3DE3F |\ [1 {C}D3A, (B,C).D.B, A,2A2F2D2 :|[2 {C}D3A, (B,C).D.B, A,2A2F2A2 |: ~d3e~f3g eA3ce3 | ~d3ef3g fb3a3g |.f2(A2d2f2) .e2(A2c2e2) | {c}d3A (Bc).d.B .A2(a2f3)A ||\ ~d3e~f3g eA3ce3 | ~d3ef3g fb3a3f | f2A2d2A2 B2G2 [F3D3][EC] | {C}D3A, (B,C).D.B, A,2.A2.F2.D2 :| % = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |:\ D4d4 d4A4 | D4d4 d4d4 | e4c4 d4A4 |[1 F4G4 F4D4 :|[2 F4G4 F4D2z2 |: d4d'4 c'4a4 | f4d4 B4c4 | d4d'4 c'4a4 | f4g4 f4d4 || d'4d'4 c'4a4 | f4d4 B4c4 | d4f4 g4a4 | f4g4 f4d2z2 :| % = = = = = = = = = = X:321 T: Mr McIntosh's Reel C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.32 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 Q: "Vivace" K: D %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 B, |\ (A,<A)A>G TF2D>=C | (B,<B)B>A ~G2E>c | dDA>G ~F2DB, | A,DCE .F.D.A.D :| .A.d.c.d {d}f2(Td>c) | BbBd cAeA | .A.d.c.d {d}Tf2(.d.B) | Adce fdad || .A.d.c.d {d}f2(Td>c) | BbBd cAeA | dDAG FBAB, | A,DCE .F.D.A.D |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | D2A2 d2f2 | g2d2 e2A2 | B2c2 d2G2 | F2A2 D2d2 :| d2a2 d'2f2 | g2^g2 a2=g2 | f2a2 d2g2 | f2a2 d2d'2 || f2a2 d'2f2 | g2^g2 a2=g2 | f2c2 d2D2 | F2A2 D2d2 |] %ther_and_go = = = = = = = = = = X:322 T: Gather and go. a Jig. O: Old. R: jig B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.32 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 Q: "Slowly and Distinctly" O: Communicated by Mr Jaffrey Senior. K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 g |\ d<BG ~d2e | dBG d2g | e<cA Te2d | ecA ceg ||\ dBA GAB | g(e/f/).g/.e/ dBG | TA>BA A<ag | (e3 g2) :: e |\ !p!ddg ddg | ddg dBG | !f!eea eea | e<ag Te2B ||\ !p!ddg eeg | dge dBe | A>BA dBd | (e3 g2) :: e |\ !f!d<B~B d<B~B | d<B~B d<BG | d<B~B d<B~B | B<ag Te2B ||\ d<B~B g(a/g/).f/.e/ | dge dBe | A>BA dBd | (e3 g2) :: G |\ !p!Ggg gdg | ege dBG | !f!Aaa Taga | {ga}b>ag edB ||\ d<ee ga/g/f/e/ | dge dBe | TA>BA dBd | (e3 g2) :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ [G3g3] [B2g3]c | [B3g3] [G3g3] | [A3a3][A3a3] | [A3a3][A3a3] ||\ [G3d3g3][G3d3g3] | [C3c3] [G3g3] | [D3d3] [D2d2]B | ([C3c3] [G2B2]) :: z |\ [g3b3] [g3b3] | [g3b3] [g3b3] | [A3a3] [A3a3] | [A2a2][Bb] [c2c'2]z ||\ [B3b3] [c3c'3] | b2c' g2c | d2f g2G | ([C3c3] [G2B2]) :: z |\ G2g G2g | G2g G2g | G2g G3 | gab c'2z |\ b2g e2c || B2c G2g | f2d [B3g3] | ([c3c'3] [g2b2]) :: z |\ g3 b3 | c'3 b3 | a3 [d3f3] | g3 G3 ||\ c3 e2c | B2c G2g | f2d [B3g3] | ([c3c'3] [g2b2]) :| % = = = = = = = = = = X:323 T: Miss Cumine of Logie's Strathspey C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.32 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 d |\ B<G-TG>D (F/E/).D/.C/ ~B,2 | G,>DB,>D {F}G2G>B |\ e<A-A>B (c/B/).A/.G/ ~F2 | D>AF>A {F}G2G :|\ B |\ G>dB>g (f/e/).d/.c/ B2 | G>dB>g d2Td>B | G>dB>g (f/e/).d/.c/ ~B2 | A>a f>a {a}g2~g>d ||\ B>gd>g (f/e/).d/.c/ ~B2 | G>dB>g ~d2d<g |\ e>cA>d (c/B/).A/.G/ ~F2 | D>AF>A {F}G2G |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ g2B2 c2G2 | G2G2 B2G2 | c2d2 e2d2 | D2d2 G2g :| z | g2g2 [d2a2]g2 | [g2b2]g2 b2g2 | g2g2 d2g2 | d2d'2 g2g2 || g2b2 a2g2 | g2g2 g2B2 | c2d2 e2d2 | [d2f2]D2 G2G |] % = = = = = = = = = = X:331 T: Miss Cumine of Logie's Reel C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.33 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 d |\ .B(GF).G (TEF).G.E | (DC).B,.C {B,C}D2DG | (EA)GB AcBd | (ce) A>B {F}G2G :| B | Ggbg afge | (dc).B.c {Bc}d2dg | .e(a^ga) .b(=gTfg) | afge ~d2de/f/ || gdBd GdBd | gdBc {Bc}d2dg | ecdB cA (Bc/d/) | (c/d/e) A>B {F}G2G |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ g2d2 e2c2 | B2G2 g2B2 | c2G2 A2B2 | c2d2 G2g :| z | g2g2 d2e2 | B2G2 g2b2 | c'2a2 d'2d2 | a2A2 d2c2 || B2g2 b2g2 | [g2b2]g2 g2b2 | c'2b2 a2g2 | c2d2 G2g |] % = = = = = = = = = = X:332 T: I think the Carlie's wud the night. a Strathspey. O: Very Old R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.33 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: D %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for 3 6,5,5-bar lines, for compactness, evenness and proofreading. V: 1 staves=2 B |\ {B}TA>FA>B d<BTB>d | {B}A>FA>B d>AA>B | d>AA>B {c}d>BB>d | {B}TA>FA>B d>A-A>B || A>FA>B d>BB>d | {B}A>FA>B ~d>efd | (e/f/).g/.e/ (f/g/).a/.f/ {f}Te>dBd | {B}A>FA>B {B}dA-A |]| B | d/d/d (f>d) {f}Te>dBe | d<d f>d g>ef>d | e<gf<a {f}Te>dBd | {B}A>FA>B {c}dA-A>B || d/d/d (f>d) {f}Te>dBe | d<d f>d g>ef>d | (e/f/).g/.e/ (f/g/).a/.f/ {f}e>dBd | A<a {f}e>f {c}dA-A |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ d2f2 g2g2 | f2d2 d2d2 | f2d2 g2G2 | d2A2 D2d2 || d2f2 g2g2 | f2d2 f2d'2 | c'2d'2 a2g2 | f2A2 [d2f2][df] |]| z | d2d'2 a2g2 | f2d'2 c'2d'2 | c'2d'2 a2g2 | f2A2 d2D2 || d2d'2 a2g2 | f2d2 c2d2 | A2d2 a2g2 | f2a2 [d2f2][df] |] % = = = = = = = = = = X:333 T: Kiss the Lass ye like Best. a Reel. R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.33 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 d |\ A/A/A (.F.A) BEEd | A/A/A (.F.A) Ddfd | (e/f/g) (f/g/a) {f}eE-TE>F | A/A/A (Tf>e d)DD :| f | Ta>baf be-ef | Ta>baf defd | (e/f/g) (f/g/a) {f}eEEF | A/A/A (Tf>e d)DDf || Ta>baf be-ef | Ta>baf defd | egfa {f}eEEF | A/A/A (Tf>e d)DD |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ d2d2 G2A2 | d2d2 f2d2 | c2d2 a2A2 | F2A2 d2D :| z | d'2d'2 e'2c'2 | d'2d2 f2d2 | g2d2 a2g2 | f2a2 d2d2 || d'2d'2 e'2c'2 | d'2d'2 d'2d'2 | c'2d'2 c'2a2 | f2A2 d2D |] % = = = = = = = = = = X:341 T: Lament for the Death of Hugh Allan C: by Wm Christie R: lament, air N: This is version 1, for ABC software that doesn't understand voice overlays or cres/diminuendo symbols. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.34 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 Q: "Lento Pathetic" K: Am %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 ~A>B |\ (c>A) (TB3/A//B//) {B}A2 (E>D) | "_< . . ."C2 ([DB,2]G/F/) [E2C2] (A>B) |\ "_< . . ."[c2A2] T[d2B2] {cd}[e3c3][dB] | [c2A2] T[B2^G2] {AB} [A2E2C2] :|\ (~c>d) |\ "_cres"[e2c2] [fd][dB] [e3c3]d | !p!(dc)(BA) {A}^G2 (~A>B) | (~c>d) (e/g/f/e/) {e}H[d2B2] {cd}[ec]>[dB] | [c2A2]{A}T[B2^G2] {AB}[A2E2C2] ~c>d ||\ "_cres."[e2c2] [fd][dB] [e3c3] d | "> . ."({e}dc) "_> . ."({c}BA)"_> . ."(TA2{GA}G) A/>B/ |\ "_Exp.o"c>AB>^G A[FD]H[EC] z/D/ | (C<[cA]) T[B2^G2] {AB}[A2E2C2] |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 | A2eE A3B | ce/d/ gG [c3C3]B | Aa gG c>Bcd | e2E2 A2 :| z2 | c'c gG ce/g/ c'z | (ba^ga) e2c'>b | abc'f H[g2G2]c>d | edeE A2e>d || cc' Gg ce/g/ c'z | (Bcd^d) e2Ez | a2e2 ABHc z/d/ | e2E2 A2 :| % = = = = = = = = = = X:342 T: Mr Jaffrey's (Jun.r) Strathspey C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.34 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: Am %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 c |\ A<A {AB}c>E {E}G2Gc | A<A ~c>d ecgc | eA cE {E}G2Gc | d2~c>d {cd}e>AA :| e | c<c e>g {g}a2Ta>g | e<e {ef}g>e Td>c {cd}e>d | c<c e<g {g}a2Ta>g | {g}e2Td>c {cd}e>AAe || c<c e<g {g}a2Ta>g | e<e {ef}g>e Td>c {cd}e>d | c<A c<E ~G>AG>E | {E}D2~C>D E<AA |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ A2A2 B2c2 | f2e>d c2c2 | A2A2 B2c2 | B2[E2e2] A2A :| z | c2c'2 f2f2 | c'2c2 g2G2 | c2c'2 f2a2 | c'2b>a e2f2 || e2c2 f2F2 | c2c2 G2g2 | a2A2 B2c2 | d2e2 A2A |] % = = = = = = = = = = X:343 T: Robin fill the drink about. a Reel. O: Old. R: reel N: This is version 1, for ABC software that doesn't understand trailing grace notes. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.34 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Am % = = = = = = = = = = V: 1 staves=2 c |\ A/A/A (.c.G) TA2 (G>A) | Tc>ded cG-Gc | A/A/A (.c.G) TA2c>d | (e<g) Td>e cAA :| g | Ta>ba>e Tg>agd | eged cG-Gg | Ta>bae Tg>agd | eg Td>e cA-Ag || aegd ecdA | cede cAGc | dA cG A2T(ag/a/) | gede cAA |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | [a2c'2][e2c'2] [f2c'2][e2c'2] | c2G2 c2e2 | [a2c'2][a2c'2] [a2c'2][a2c'2] | e2E2 A2A :| z | A2a2 g2b2 | c'2b2 g2b2 | a2c'2 [g2b2][g2b2] | e'2[e2^g2] a2A2 || a2b2 c'2f2 | c2 [B2g2] [A2a2] [c2c'2] | [A2a2][E2e2] [F2f2][F2f2] | e2E2 A2A |] % = = = = = = = = = = X:344 T: Mrs Farquhar's Strathspey C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.34 #4 (plus 2 staffs on p.35) S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: F % ending on Bb %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 G |\ F>cA<c {c}B2AG | F>cA>c {Bc}d>BG>B | A<F c<A {c}B2AG | F<A C<F [D2B,2] [DB,] :| e | f>cA<f ~d2Bg | Tf>cAc f>g {fg}a>g | f>cA<f ~d2Bg | f<a c<f ~d2dg | (f/e/).d/c/ Af ~d2Bg | .f.a.c.f .d.f.B.d | c<AF<c {c}B2AG | F<A C<F [D2B,2][DB,] |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ F2f2 B2c2 | A2F2 B2G2 | F2f2 B2c2 | F2A2 [B2B,2][BB,] :| z | f2f2 B2b2 | a2f2 [f2a2]f2 | f2f2 B2B2 | f2a2 b2B2 | A2f2 B2b2 | f2a2 b2B2 | f2A2 B2c2 | F2A2 B2[BB,] |] % = = = = = = = = = = X:351 T: Mrs Farquhar's Reel C: by John Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.35 #1 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 V: 1 staves=2 V: 2 clef=bass middle=d K: F % %slurgraces yes % %graceslurs yes % = = = = = = = = = = % The transcription with V:1 and V:2 separate caused "random" failures in several ABC apps. % Tweaking the transcription in small ways changed the error messages, but still failed. % Deleting any single line "fixed" the failures, so it wasn't related to anything obvious in the ABC. % Rearranging as intermingled [V:1] and [V:2] lines "fixed" the problem. Bizarre. % = = = = = = = = = = [V:1] A | ~F2(.C.F) AFcA | G2(.D.G) EGEC | ~F2(.C.F) AFAc | {c}(TBA)GA F2F :| A | {A}c2Tc>B A2Ac | (c<d)fd {d}c2cB | [V:2] z | f2F2 f2F2 | B2=B2 c2_B2 | A2F2 f2F2 | c2C2 F2F :| z | F2f2 F2f2 | B2b2 a2g2 | [V:1] {B}A2AG ~F2FA | (GB).G.E {E}F2FA | {AB}c2 {d}Tc>B A2Ac | (c<d)fd {d}c2Tc>B | (AB) cB AFGE | DFEG {G}F2F |] [V:2] f2c2 F2f2 | B2c2 F2f2 | F2f2 F2f2 | B2B2 c2e2 | f2e2 f2c2 | B2c2 F2F |] %%vskip 5 [V:1] |: B | {B}TA2.F.A cAcA | ~G2.E.G (BG).B.G | {B}A2.F.A (cA).c.A | {c}TBAGA {G}F2F :| B | A<c-Tc>B A>c(de) | fcdB AcAF | [V:2] |: z | F2f2 F2f2 | c2c'2 g2e2 | f2F2 f2F2 | c2C2 F2F :| z | f2e2 f2b2 | a2b2 f2f2 | [V:1] A<c-Tc>B (Ac).d.e | (fd).=B.d {d}c2cf | (ef).g.f (ed).e.c | (de).f.d {d}Tc=BcA | .B.f.d.B .A.c.A.F | (D<G)TG>E {E}F2F |] [V:2] f2c2 f2B2 | d2G2 c2Cz | c2c'2 g2c2 | B2B2 a2f2 | d2B2 f2F2 | B2c2 F2F |] X:352 T: Miss Moodie's Hornpipe C: by Wm Christie R: hornpipe, reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.35 #2 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 K: Eb %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 B,2 |\ E2E2 EGFA | GBe2- ~e2fe | (dc).B.A (GF)(AG) | (BA).G.F (ED)(FD) ||\ E2E2 EGFA | GBe2- ~e2fe | (dc).B.=A (Bd).c.A | B2d2B2 :: (Bc/d/) |\ eBeg bagf | (ed)(gf) (ed).c.=B | c=Bcd ecdB | ({d}c>=B)cd ~c2cd ||\ egba gfed | egB2- ~BcdB | eBcA GBAF | E2G2E2 :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 | e2E2e2d2 | e2E2e2z2 | a2f2 d2e2 | f2d2 B4 || e2E2e2d2 | e2E2 e2=A2 | B4 f2F2 | B2F2 B,2 :: z2 | e'4 b4 | g2=b2 c'2e2 | c4 g2G2 | c2G2 E2z2 || e4 b4 | g4 e2f2 | g2a2b2B2 | e2B2 E2 :| % = = = = = = = = = = X:361 T: Good night and Joy be wi' you a'. O: Very Old R: air, song N: This is version 1, for ABC software that doesn't understand voice overlays or crescendo symbols. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: 3/4 L: 1/8 Q: "Andante" K: Gm % and Bb %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 D |\ G>A ~G3 D | G>G ~G3 A | "_cresc. . ."B>c {Bc}d3 c | {c}B>G ~F2 zD ||\ "_cres."G>G {G}B3 (c/B/) | A<F {A}c2 ~B>c | {Bc}d>"_cresc. . ."G {G}B3 G | {G}F>D [D2B,2] z :| |: (d/e/) |\ "_Dolce"[fd]>[ge] [f3d3] ~d | "_cresc. . ."[fd]>[fd] [f3d3] d | "_cresc. . ."g>a {ga}b3 f | {g}f>d {d}c2 ~B>c ||\ "_cres."d<f {e}d2 (cB) | A<F {A}c2 ~B>c | {Bc}d>G {G}B3 G | {G}F>D [D2B,2] z :| % % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z | G2 g2 B2 | G2 g2 fe | d>c B3 A | [dB4]>e dbfd || [G2B2] g2 =e2 | f3 e dc | B2 GdBe | df B2 z :| |: z | Bbfbdb | Bbfbd'b | ga g2 e2 | fd [f2F2] z2 || B2 b2 ag | f3 e dc | B2 GdBe | df B2 z :| % = = = = = = = = = = X:362 T: The Bonny Banks of Ugie. a Strathspey C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C L: 1/16 K: Bb %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 D2 |\ B,B3-TB3F {F}D4D3B, | Cc3-~c3(d cB).A.G (FE).D.C |\ B,B3-TB3F {F}D4D2f2 | .e.d.c.B F3D {D}B,4B,2 :|\ f2 |\ {e}d3B (ba).g.f (ed).c.B fB3 | cg3-Tg3a bc3gc3 | ~f3B (ba).g.f (ed).c.B fB3 | cF3 {Bc}d3B ~c4c2f2 ||\ {e}d3B (ba).g.f (ed).c.B fB3 | cg3-~g3a bc3gc3 |\ fB3 dF3 cF3 BD3 | GE3 {D}B3D {D}B,4B,2 |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 | B4d4 B4B4 | f4f4 c4A4 | B4d4 B4B4 | e4f4 B4B2 :| z2 | b4b4 b4d'4 | c'4e4 c4e4 | d4b4 b4b4 | a4b4 f4f4 || b4b4 b4d'4 | c'4e4 c4e4 | d4B4 A4B4 | E4F4 B4[B2B,2] |] % = = = = = = = = = = X:363 T: Donald Simon. a Reel. [G] C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.36 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 A |\ TG>B, B,/B,/B, (GB,)DB, | C>A, A,/A,/A, A2TA>B |\ {A}G>B, B,/B,/B, (GB,)DB, | C>A, A,/A,/A, {A,}G,2G, :|\ c |\ {c}B>d d/d/d gBdB | {B}c>A A/A/A e2Te>f | g>G G/G/G dGBG | TA>D .F/.G/.A {A}G2Gc ||\ B>d d/d/d gBdB | {B}c>A A/A/A e2Te>f |\ gdBd ecAG | (F/G/A) {A}c>A {A}G2G |] % = = = = = = = = = = V: 2 clef=bass middle=d z |\ G2G2 G2G2 | A2F2 D2d2 | G2G2 G2G2 | c2d2 G2G :| z | G2g2 g2g2 | a2A2 c2c2 | B2G2 B2G2 | d2D2 G2G2 || G2g2 g2g2 | a2A2 c2c2 | B2G2 c2c2 | d2D2 G2G |] % = = = = = = = = = = %%text Originally in Bb X:363 T: Donald Simon. a Reel. [Bb] C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.36 #3 S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Bb %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 c |\ TB>D D/D/D (BD)FD | E>C C/C/C c2Tc>d |\ {c}B>D D/D/D (BD)FD | E>C C/C/C {C}B,2B, :|\ e |\ {e}d>f f/f/f bdfd | {d}e>c c/c/c g2Tg>a | b>B B/B/B fBdB | Tc>F .A/.B/.c {c}B2Be ||\ d>f f/f/f bdfd | {d}e>c c/c/c g2Tg>a |\ bfdf gecB | (A/B/c) {c}e>c {c}B2B |] % = = = = = = = = = = V: 2 clef=bass middle=d z |\ B2B2 B2B2 | c2A2 F2f2 | B2B2 B2B2 | e2f2 B2B :| z | B2b2 b2b2 | c'2c2 e2e2 | d2B2 d2B2 | f2F2 B2B2 || B2b2 b2b2 | c'2c2 e2e2 | d2B2 e2e2 | f2F2 B2B |] % = = = = = = = = = = X:363 T: Donald Simon. a Reel. C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Bb %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 c |\ TB>D D/D/D (BD)FD | E>C C/C/C c2Tc>d | {c}B>D D/D/D BDFD | E>C C/C/C {C}B,2B, :| e | {e}d>f f/f/f bdfd | {d}e>c c/c/c g2Tg>a | b>B B/B/B fBdB | Tc>F .A/.B/.c {c}B2Be || d>f f/f/f bdfd | {d}e>c c/c/c g2Tg>a | bfdf gecB | (A/B/c) {c}e>c {c}B2B |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ B2B2 B2B2 | c2A2 F2f2 | B2B2 B2B2 | e2f2 B2B :| z | B2b2 b2b2 | c'2c2 e2e2 | d2B2 d2B2 | f2F2 B2B2 || B2b2 b2b2 | c'2c2 e2e2 | d2B2 e2e2 | f2F2 B2B |] % = = = = = = = = = = X:364 T: The Warld's gane o'er me now. a Jig. O: Old. O: Communicated by J. Allardyce. R: slip-jig B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." p.36 #4 (and top 2 staves on p.37) S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: 9/8 L: 1/8 Q: "Moderato" K: D %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 f !segno!|\ {f}Te2A Tc2A BGB | eAe (Tc2B/c/) d2f | {f}e2A cac BGB | A>BA {de}Tf2e {c}d2 :| f | efa efd cBA | efa {f}edc ~d2f | efa efd cde | Tf2d edc ~d2f || efa efd cBA | (f/e/d/e/f/^g/) aec ~d2f | efa efd cde | fdf ecA [dd3]ef !segno!y|] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z !segno!|\ a3 a3 g3 | a3 A3 d3 | c3 A3 g3 | f2d a2A d2 :| z | A3 a3 a3 | a3 A3 d3 | A3 a3 a3 | d3 A3 d3 || A3 a3 a3 | a3 A3 d3 | a3 c'2b a2c' | d'3 a3 d3 !segno!y|] % = = = = = = = = = = X:371 T: It's nae ay for want o'health the Ladies gang to Pannich. a Reel. R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: D %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 g |\ {fg}a>A A/A/A {c}TB>AGB | A/A/A (Tf>e) dBBg | {fg}a>A A/A/A {c}TB>AGB | A/A/A (Tf>e) {c}d2d :| e | fdfa fdfa | {f}Te>def dBBg | fdfa fdfa | {f}Te>def d/d/d ~d(e || f)dfa fdfa | {f}Te>def dBBg | {fg}a>A A/A/A {c}TB>AGB | A/A/A (Tf>e) {c}d2d |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ d2f2 g2g2 | f2d2 g2G2 | d2f2 g2g2 | f2a2 d2d :| z | d'2d'2 d'2d'2 | a3f g2[g2G2] | d'2d'2 d'2d'2 | a2A2 d2d2 || [d'2d2][d'2d2] [d'2d2][d'2d2] | a3f g2G2 | d2f2 g2g2 | f2a2 d2d |] % = = = = = = = = = = X:372 T: Lament for the Death of Lady Dunbar of Northfield C: by Wm Christie R: lament, air, waltz, jig N: This is version 1, for ABC software that doesn't understand diminuendo symbols. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 Q: "Slow, Con Lamento." K: Gm %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 slightly reformatted for 2 8-bar lines. V: 1 staves=2 (G/A/) |\ "_dim. . ."(B2A) "_dim. . ."(G2~^F) | GD=E .F.C z/A/ |\ "_dim. . ."(B2A) "_dim. . ."(G2~^F) | .G(Bc) {Bc}[d2F2](B/d/) ||\ "_cres."fBd {d}Tc2B | ABG .F.C z/D/ |\ "_dim. . ."(E2D) "_dim. . ."(C2B,) | A,D^F [G2B,2] :| |:\ (d/e/) |\ "_Dolce"[f2d2][ge] [f2d2][ec] | ([dB][ec])[cA] .[dB].B (d/f/) |\ "_cres."g2d {d}b2g | (fd)Tc {Bc}[B2F2D2] (g/a/) ||\ "_dim. . ."b2B "_dim. . ."f2B | !p!(Ad)G .^F.D z/D/ |\ !f!(E2D) (C2B,) | A,D^F [G2B,2] :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ g2^f g2d | B2c F2^F | G2A Bcd | edc B2B ||\ d2b a2g | fBc F2z | EGB A2G | d2D G2 :||: z | [B3b3] [b2B2]e | f2F B2z | egb d2e | f2F B2e ||\ dfb Bdg | !p!^f2g d2z | !f!EGB A2G | d2D G2 :| % = = = = = = = = = = X:373 T: Miss Kelman's Strathspey C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: Gm %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 D |\ ~G>AG>D B,>CD>=E | F>C (A,/B,/).C/.A,/ F>CF<A |\ ~G>AG>D B,>CD>=E | F>CA,>D B,G,G, :|\ d |\ g>dB>d g>bg>d | Tf>c (A/B/).c/.A/ f<cf>a | g>dB>d g>a {ga}b>g | Ta>^f d>f g2~g>d ||\ (g/a/b) (.d.b) (f/g/a) (.c.a) | B<g A<f {AB}c>B AF |\ G>ATG>D B,>CD>=E| TF>CA,>D B,<G,G, |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ G2B2 g2G2 | A2F2 f2F2 | G2B2 g2B2 | A2d2 G2G :| z | g2g2 g2g2 | a2f2 a2f2 | g2g2 g2g2 | d'2d2 g2G2 || g2b2 a2f2 | g2f2 =e2f2 | g2B2 G2B2 | A2d2 G2G |] % = = = = = = = = = = X:381 T: Miss Kelman's Reel C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: Gm %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 D |\ ~G2BG (DG)BG | ~F2AF (CF)AF | ~G2BG (DG)BG | (A^F)DF {F}G2G :| d | ~g2bg (dg)bg | fgfd cdfa | ~g2.b.g .d(^fga) | bga^f g2~g>d || gbgd fafc | df {d}Tc>B AcAF | ~G2BG (DG).B.G | A^FDF {F}G2G |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ G2G2 B2G2 | F2F2 A2F2 | G2G2 B2G2 | d2D2 G2G :| z | G2g2 b2g2 | f2b2 a2f2 | g2G2 d2d2 | g2d2 G2g2 || g2b2 f2a2 | b2g2 f2a2 | g2G2 B2G2 | d2D2 G2G |] % = = = = = = = = = = X:382 T: The Humours of Cullen. a Jig. R: jig B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 K: Em %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 E |\ ~B,2E- EFA | {c}TB2A B^cd | AFD DFA | BdB AFD || ~B,2E- EFA | {c}TB2A B^cd | edB BAF | EFE TE2 :| B | e>fe (TB2^d) | e^de efg | Tfef ~d2e | faf def || e>fe (TB2^d) | e^de fe=d | BAB dAF | EFE TE2B || e>fe (TB2^d) | e^de efg | {g}Tfef ~d2e | faf def || .g.a.g .f.e.^d | .e.f.e. .=d.B.A | BdB BAF | EFE TE2 :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ [e3E3] [e3E3] | [e3E3] [e3E3] | [d3D3] [f3F3] | [g3G3] [f3F3] ||\ [e3E3] [e3E3] | [e3E3] [e3E3] | b3 B3 | e3 E2 :| z | [e3E3] [b3B3] | [e'3e3] [e'3e3] | [d'3d3] [d'3d3] | [d'3d3] [d'3d3] ||\ [e'3e3] [e'3e3] | [e'3e3] [a3A3] | b3 B3 | e3 E3 || [e3E3] [b3B3] | [e'3e3] [e'3e3] | [d'3d3] [d'3f3] | [d'3d3] [d'3d3] ||\ [e'3e3] [b3B3] | [e3E3] [f3F3] | [g3G3] [B3B,3] | [e3E3] [e2E2] |] % = = = = = = = = = = X:383 T: Smilin Katie. a Reel. R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C| L: 1/16 K: Em %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 F2 |\ E4 T(B3A) B2d2e2f2 | d2f2B2d2 A2F2D2F2 |\ E4 (TB3A) B2d2e2f2 | Td2B2d2F2 EEE2 E2 :|\ B2 |\ e2B2 (TB3A/B/) e2B2 g2e2 | f2d2a2d2 b2d2a2d2 | e2B2 (TB3A/B/) e2B2g2e2 | Td2B2d2F2 EEE2 E2B2 ||\ e2B2 (TB3A/B/) e2B2g2e2 | f2d2a2d2 b2d2a2d2 |\ g2b2 f2a2 e2g2 d2e2 | B2d2 {B}TA2F2 EEE2 E2 |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 |\ [e4E4][e4E4] [g4G4][e4E4] | [f4F4][g4G4] [a4A4][d4D4] |\ [e4E4][e4E4] [e4E4][e4E4] | b4B4 e4E2 :| z2 | [e'4e4][e'4e4] [e'4g4][e'4e4] | [d'4d4][d'4f4] [d'4g4][d'4f4] | [e'4e4][e'4e4] [e'4e4][e'4e4] | [b4B4][b4B4] [e4E4][e4E4] ||\ [e'4e4][e'4e4] [e'4e4][e'4e4] | [d'4d4][d'4f4] [d'4g4][d'4f4] |\ [e4E4][f4A4] [g4G4][a4A4] | [b4B4]B4 e4E2 |] % = = = = = = = = = = X:391 T: Mrs Peterkin of Grange Hall's Strathspey C: by Wm Christie R: strathspey B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> N: The repeat symbols at the very end presumably just mean to repeat the entire tune. M: C L: 1/8 K: F %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 B |:\ A<F {GFE}TF2 (G/F/).E/.D/ C>_E | {_E}D>B,A,>F E>G-G>B |\ A<F {GFE}F2 E>G c>e | f>a (g/f/).e/.d/ ~c>f (e/d/).c/.B/ ||\ A>F ~F>A (G/F/).E/.D/ C>_E | {_E}D>B,A,>F E<G-~G>A | (3.F.A.c (3.f.g.a (3.G.B.d (3.g.a.b | a>f (a/g/).f/.e/ {e}f2f |[| g |\ a<f {gfe}f2 (g/f/).e/.d/ c>b | (3agf (3efg {fg}a>f c<A | B>G {AB}c>F E>G c>e | Tf>a (a/g/).f/.e/ {e}f2 Tf>g ||\ a<f {gfe}f2 (g/f/).e/.d/ c>b | (3agf (3efg (a/g/).f/.e/ (d/c/).B/.A/ |\ B<G {AB}c>F E<G-G>B | (3.A.B.c (3.B.c.d (3.cB.A (3.G.A.B :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |:\ F2f2 c2A2 | B2F2 c2C2 | F2f2 c2c'2 | f2g2 a2g2 || f2F2 c2A2 | B2F2 c2C2 | a2f2 g2e2 | f2c2 F2F |[|z | f2a2 c'2c2 | f2c2 F2f2 | e2f2 c2c2 | f2c2 F2F2 || f2a2 c'2c2 | f2c2 F2f2 | e2f2 c2e2 | f2B2 c2C2 |] % = = = = = = = = = = X:392 T: Mrs Peterkin of Grange Hall's Reel C: by Wm Christie R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: F %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 B |\ {AB}c2(.A.F) GECB | AcBd c_edB | {AB}c2(.A.F) GECc | BDG(E {E}F2)F :| c | {fg}a2.c.a {ga}b2.e.g | (fa)(gb) (ab)(ga) | {fg}a2.c.a{ga}b2.e.g | acge f2Tf>g || {fg}a2.c.a {ga}b2.e.g | (fa).g.b (ab).g.a | (fg) (ef) (de) (cd) | BDGE {E}F2F |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ f2F2 c2e2 | f2B2 A2B2 | F2f2 c2A2 | B2c2 F2F :| z | f2a2 c'2c2 | f2e2 f2c2 | f2a2 c'2c2 | f2c2 F2F2 || f2a2 c'2c2 | f2e2 f2c2 | d2c2 B2A2 | B2c2 F2F |] % = = = = = = = = = = X:393 T: Fair an' Lucky O: Very Old R: jig B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: 6/8 L: 1/8 Q: "Moderato" K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = % Voice 1 reformatted for _ _-bar lines, for compactness and proofreading. V: 1 staves=2 g |:\ (TB>A)G D2D | =F2F A>Bc | G>AG AFD | G>AG TB2G ||\ (ce).c (Bd).B | cA=F ABc | Bcd efg | fed efg :| |:\ (b>a).g d2d | =f2f (Ta>g)a | b>ag afd | ga/(g/f/a/) gdB ||\ .c(.a.c) .B(.g.B) | cA=F ABc | Bcd efg |[1 fed efg :|[2 (f/g/a)f "*)"gdc |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |:\ [g3G3] [g3G3] | [=f3=F3] [f3F3] | [g3G3] [d3D3] | B3 G3 ||\ A3 G3 | =F3 [f3F3] | [g3G3] [c3C3] | [d3D3] G3 :| |:\ [g3G3] [g3G3] | [=f3=F3] [f3F3] | [g3G3] [d'3d3] | [b3B3] [g3G3] ||\ a2f [g3G3] | [=f3=F3] [f3F3] | [g3G3] [c3C3] |[1 [d3D3] [G3G,3] :|[2 [d3D3] [g3G3] |] % = = = = = = = = = = %%begintext align %% *) The book has an up-stem and dot added to this note, indicating g3 rather than gdc, %% and the word "or" above and below the d note. This seems to indicate that the final %% dc notes may be used instead of the initial g pickup note when repeating the tune. %% I tested several abc notations for this, with several formatters, %% and none of them gave Christie's notation. %%endtext X:401 T: Mr Fletchers Strathspey C: by Wm Christie R: strathspey N: This is version 1, for ABC software that doesn't understand voice overlays. B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C L: 1/8 K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 c |\ B<G~G>c {Bc}d>cB<g | dc |\ B<G~G>c {Bc}d>cB<g | df Tg>agd ||\ B<GG>c {Bc}d>cB<g | dc |\ B>GA>F G>DE>C | B,<G D>F ~G2 G, |[| B |\ GB/c/ (.d.B) G<g dgb>g ~f>a (g/f/).e/.d/ |\ (g/a/b) (.d.b) (.c.a) (.B.g) | A>fa>f Tg>agd ||\ B<b.g.d A<a.f.d | D<d.B.G ~F>A (G/F/).E/.D/ |\ B,<G C<A DF ~G2 G, |] % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ G2-[g2G2-] [g2G2-][g2G2] | [b2B2][a2A2] [g2G2][d2D2] | G2-[g2G2-] [g2G2-][g2G2] | d'2d2 g2B2 || G2-[g2G2-] [g2G2-][g2G2] | [b2B2][a2A2] [g2G2][f2F2] | [g2G2][d2D2] [B2B,2][c2C2] | d2D2 G2G |[| z |\ G2g2 b2g2 | b2g2 d'2d2 | g2b2 a2g2 | d'2d2 g2G2 || g2b2 d'2d2 | g2G2 d2D2 | g2f2 g2c2 | d2D2 G2G |] % = = = = = = = = = = X:402 T: Mr Fletcher's Reel C: by J.F. R: reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: C| L: 1/8 K: G %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 D |\ TG2BG {B}A2FD | G2Bc (de).d.B | ~G2BG {B}TA2FD | (FD).E.F [G3B,3] :| B | (dB).e.^c ~d2B=c | dBe^c dB-TB>=c | (dB)e^c ~d2dA | FDEF ~G3B || (dB)e^c ~d2B=c | (dB).e.^c dB-TB>=c | dBec dBbg | (fe).e.f g2g :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z |\ G2g2 f2d2 | B2g2 b2g2 | G2g2 f2d2 | D2d2 G2g :| z | g2e2 f2g2 | g2a2 b2g2 | g2e2 [d2f2][d2f2] | D2c2 B2G2 || g2e2 f2g2 | g2a2 b2g2 | g2c'2 b2g2 | [d2d'2][d2c'2] [g2b2][Gg] |] % = = = = = = = = = = X:403 T: The Finale. a Hornpipe. [D] C: by Wm Christie R: hornpipe, reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> N: Originally published in E; transposed to D for limited instruments. M: 2/4 L: 1/16 Q: "Con Spirito." K: D %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 A2 |\ .d2Tf>e d2g>f | e2ag (fg)ef | .d2f>e (de)cd | (BG)(ge) (ca).f.e ||\ d2f>e d2g>f | e2a>g (fg)(ef) | (de)(cd) (BG).E.c | [d2A2F2][d2A2F2] [d2A2F2] :| |: (AB/c/) |\ dDFD ADFD | FAEA FADA | FAEA DAFD | A,2(Te>d) ceAc ||\ dAeA fAgA | fAaA gAfA | eAdA (TBG)Ec |[d2A2F2][d2A2F2] "_Fine"[d2A2F2] :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 | d2a2 f2g2 | a4 b2c'2 | d'2c'2 b2a2 | g2e2 a2A2 || d2a2 f2g2 | a2c'2 d'2a2 | b2a2 g2a2 | d2d'2 d2 :| |: z2 | D2d2 f2d2 | d2c2 d2D2 | d2a2 f2d2 | c2B2 A2a2 || d'2c'2 d'2e'2 | d'2f'2 e'2d'2 | c'2b2 g2a2 | d2d'2 d2 :| % = = = = = = = = = = X:403 T: The Finale. a Hornpipe. [E] C: by Wm Christie R: hornpipe, reel B: William Christie's "A Collection of Strathspeys, Reels, Hornpipes, Waltzes, &c." S: https://digital.nls.uk/special-collections-of-printed-music/archive/120545033 Z: 2022 John Chambers <jc:trillian.mit.edu> M: 2/4 L: 1/16 Q: "Con Spirito." K: E %%slurgraces yes %%graceslurs yes % = = = = = = = = = = V: 1 staves=2 B2 |\ .e2Tg>f e2a>g | f2ba (ga)fg | .e2g>f (ef)de | (cA)(af) (db).g.f ||\ e2g>f e2a>g | f2b>a (ga)(fg) | (ef)(de) (cA).F.d | [e2B2G2][e2B2G2] [e2B2G2] :| |: (Bc/d/) |\ eEGE BEGE | GBFB GBEB | GBFB EBGE | B,2(Tf>e) dfBd ||\ eBfB gBaB | gBbB aBgB | fBeB (TcA)Fd |[e2B2G2][e2B2G2] "_Fine"[e2B2G2] :| % = = = = = = = = = = % Voice 2 preserves the staff layout in the book. V: 2 clef=bass middle=d z2 | e2b2 g2a2 | b4 c'2d'2 | e'2d'2 c'2b2 | a2f2 b2B2 || e2b2 g2a2 | b2d'2 e'2b2 | c'2b2 a2b2 | e2e'2 e2 :| |: z2 | E2e2 g2e2 | e2d2 e2E2 | e2b2 g2e2 | d2c2 B2b2 || e'2d'2 e'2f'2 | e'2g'2 f'2e'2 | d'2c'2 a2b2 | e2e'2 e2 :| % = = = = = = = = = =

[get.cgi V=1/1 B=0 scale=0.60 512x512 ]

file	size	description
Tune-85851-CSRHW-abc1.abc	143262	ABC music file with the extracted tune(s)
Tune-85851-CSRHW-abc1.txt	143262	Plain-text file with the extracted tune(s)
Tune-85851-get.log	80699	Log file, useful mostly for debugging

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